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The society of france during french revolution
Discuss A Tale of Two Cities in the Context of the French Revolution
A tale of two cities french revolution essay
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The French Revolution took place at the time when the poor peasants who had been mistreated, revolted against the wealthy and cruel aristocrats. When they did this, it was bloody, chaotic, and no lived were spared in their conquest for revenge. In Charles Dickens, A Tale of Two Cities, the French Revolution is depicted through the lives of both peasants and aristocrats. The Marquis St. Evermonde and the whole Evermonde family treated many of the peasants cruelly and inhumanely. In the book, the poor townspeople from the suburb called Saint Antoine are among the many French peasants to revolt against the Marquis and all the aristocrats, but this is only the beginning of their revenge. Dickens uses the symbols of a whirlpool, a storm, and a sea, to portray the building of anger in the peasants, which drives them to seek revenge. The whirlpool represents the building of emotions that forms a vortex, which sucks everyone in, in order to get revenge. In the book, Dickens writes about the whirlpool saying, “The whirlpool of boiling waters has a center point, so, all this raging circled around the Defarge’s wine shop”(Dickens 165). The Defarges are the leaders of the St. Antoine revolution, and their wine shop is the center of it. The Defarges are the leaders of the revolution because Madame Defarge is desperate to get revenge for what happened to her family years ago. She had a sister who was raped by one of the Evermonde brothers and when her brother tries to save the sister, he is fatally wounded. Dr.Manette is tied to this situation because he was called to care for the sister, and when realizing what they had done to this woman, he wrote a letter, which was the reason he was in jail. As for Madame Defarge, she is able to escape,... ... middle of paper ... ... symbol of the revolutionaries as the frightening and dominant sea, truly showed the reader how determined the peasants were to get their revenge. Through the whirlpool, the storm, and the sea, Dickens portrays the image of revenge effectively and memorably. Each symbol exhibits the wrath and ferocity of the revolutionaries. They displayed a power and determination that is while very frightening, quite admirable in the sense that they would stop at nothing to exact their revenge. The symbols have a common thread; they were powerful, destructive, and yet effective. The book makes the reader question if he or she would go this far for revenge. It is human nature to seek revenge for wrongdoing and Dickens accurately illustrates the lengths any revolutionary let alone human would go to, to get revenge for such heinous crimes committed by the aristocracy or anyone.
Villains have been a quintessential part of the novel for generations, ranging from deranged madmen to methodical criminals. Dickens does a particularly good job in formatting his villains, and due to the levels of complexity and detail put into them, he is able to express more through them than what appears at face value. In particular, Madame Defarge in A Tale of Two Cities is one of his most well thought out villains in terms of character design and development, conflict creation and supporting characters, and thematic representation. Dickens created Madame Defarge’s character as one of great importance to the novel and thus needed to elaborate on her character immensely.
The French Revolution was a time when many people sacrificed their lives for their beliefs. As the French Revolution moved on, more people joined the movement and risked their lives. A Tale of Two Cities by Charles Dickens is set during this time. Many people who sacrificed their lives for the Revolution felt like it was their fate to do this. This idea of fate is described many times in Dickens’ novel to magnify the story. The theme of fate is prevalent in the novel through the lives of many characters. This theme is used to show how a person is unable to escape their fate because it is already decided. The metaphors and symbols in the novel are greatly used to contribute to the theme of fate through the symbols of knitting, the fountain and water, and the wine.
In conclusion, the motif of alcohol used by Charles Dickens in A Tale of Two Cities predicted the atrocity that was initiated by the rebellion of the laborers to gain equivalence in France. The way of life in the country of France was definitely influenced by the quality of alcohol the people owned and drank. Charles Dickens throughout his book does a great job to illustrate the differences between the poor and the rich through wine, which ultimately triggered the commencement of the French Revolution and the death of a plethora of people.
Madame Defarge, on the other hand, does not just hate Lucie, but she hates the Manettes and all the Evremondes. One would think that such a strongly fueled hatred would permit Madame Defarge to overpower Miss Pross, but, as the reader finds out, Miss Pross' determination to keep her darling "Ladybird" safe, from any harm that might come to her or her family, allows her to overpower and kill her enemy. This time, the power of good overcomes the power of evil due to Miss Pross' true love and dedication to Lucie. Another struggle between love and hate can be found within Monsieur Defarge. In this particular case, it is evil that eventually triumphs.
Shakespeare’s plays, among other classic works of literature, tend to be forged with the tension of human emotion. The archetypical parallel of love and hatred polarizes characters and emphasizes the stark details of the plot. More specifically, the compelling force of revenge is behind most of the motives of Shakespeare’s tragedy Hamlet. The play opens with the return of Hamlet’s father, a surprising encounter, which ended in his son learning that his father’s death was the result of foul play. By emphasizing this scene as the beginning of the story to be told, Shakespeare clearly implies that the plot itself will be based around the theme of revenge. Through three different instances of behavior fueled entirely by vengeance, Shakespeare creates an image in the reader’s mind, which foreshadows the future of the story and provides insight into the plot line. Even so, despite the theme of revenge being the overarching concern of the plot, the parallels drawn between characters truly strengthen the thematic depth of the piece overall, making the play easily one of Shakespeare’s most infamous and historically valuable works.
The historical record of the conditions of life in France and England during the French Revolution were identical to the ways they are described in the story. Life for the nobles or higher class people was exquisite, while the lower class was crawling in poverty. People were constantly being nagged by thieves and petty criminals, causing the state of life in those two countries to be especially unbalanced.
The simplest and superficially the most appealing way to understand Shakespeare’s Hamlet is to see it as a revenge tragedy. This genre was well established and quite popular in Shakespeare’s time, but it was precisely part of his genius that he could take old forms and renew them by a creative violation of their standards. As this essay will explore, Hamlet stands the conventional revenge tragedy on its head, and uses the tensions created by this reversal of type to add depth to its characters and story.
It is the idea of revenge that sends a cool shiver down the spines of justly men when they begin to question as to why someone would stoop to such a level. But yet it is still more than an idea for revenge has been carried out in various forms along all the eras of history side-by-side of that of novels and tragedies. Even so, revenge is still a dark scheme; an evil plague of the mind per se. It is such a plague that will turn even the greatest persons of the brightest, optimistically capable of minds into lowly, as well as lonely, individuals. Thus, revenge will, and can, only end in despair and agony of the mind. Therefore, provided that all that has been said is true, revenge would appear quite unseemly to the observant onlooker. However, taking an in-depth insight into revenge you can uncover quite a compelling feature, which is best summed up into one word. Pride. Pride is the one clear motivational proprietor needed to push a protagonist into the downward spiral of personal vendetta. Without pride, revenge is no more than a mindless massacre of flesh and bone ending in the obliteration of any hope for reconciliation.
The peasants of France spent most of their lives impoverished and tormented by the aristocrats of their time. As a result of this nefarious behavior, thus the French Revolution came into play. On the other hand, what exactly did these aristocrats do to cause a revolution turned anarchy? First with old Foulon, “Does everybody here recall old Foulon, who told the famished people that they might eat grass, and who died, and went to Hell?” (Dickens 235). Foulon was a government minister who made this statement when asked about the peasants and what should be done with them. Consequently, he was hanged and killed during the revolution. Secondly, the Marquis St. Evremonde who accidently ran over Gaspard’s son had shown no concern for the dead child but more for a mere animal. “…that you people cannot t...
Dickens notes that in the midst of a revolution, heavy bloodshed must be made in order to achieve the vengeance that the peasants desire. Though the peasants were originally people of good faith, they were forced by the aristocratic government to take drastic actions. Poverty, the mother of all crimes, along with the aristocrats “crushing humanity out of shape once more” gave the peasants no choice.” Dickens conveys here that because of the negligence of the government, the people were forced to sacrifice their good nature and engage in the violent acts that caused a time of great animosity and dejection. Sacrifices are often made to strengthen bonds, and no other bond in the novel is stronger than the one that Lucie Mannette shares with her father, Dr. Manette.
Throughout the novel, Dickens employs imagery to make the readers pity the peasants, have compassion for the innocent nobles being punished, and even better understand the antagonist and her motives. His use of personified hunger and description of the poor’s straits made the reader pity them for the situation caused by the overlord nobles. However, Dickens then uses the same literary device to alight sympathy for the nobles, albeit the innocent ones! Then, he uses imagery to make the reader better understand and perhaps even feel empathy for Madame Defarge, the book’s murderous villainess. Through skillful but swaying use of imagery, Dickens truly affects the readers’ sympathies.
The main focus of Dickens’ novel is the French Revolution. This was a tragic time that took place between the years of seventeen eighty-nine and seventeen ninety-nine. It was the lower class revolting against the corrupt authoritarian government. The ideals that the French stood for were liberty, equality, and brotherhood. Dickens uses this for the background of his novel. Marie Shephard once said that Dickens was helped by his friend Carlyle for a background on the French Revolution, and tried to focus more on the plot than a character (51). Another historian said that “the French Revolution exists in the novel only insofar as Dickens’s characters vivify it, live through it, react to it, and make its reality manifest to the reader”(Allingham). Dickens understood this and used it to help him write the novel, and to help us in understanding it.
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.
The French Revolution and the legacy of A Tale of Two Cities & nbsp; It is a commonplace of Dickensian criticism that the writer was influenced by Carlyle's The French Revolution in A Tale of Two Cities. Taking Dickens's comment that he read Carlyle's history "five hundred times" (I. Collins 46) as a starting point, many critics have discussed Carlyle's influence on several aspects of the novel, such as the narrative technique (Friedman 481-5), the imagery associated with the Revolution (I. Collins 52; Baumgarten 166; Lodge 131-2), and the narration of the historical episodes (Lodge 134; Friedman 489). And yet, Dickens's outlook on revolutionary violence differed significantly from that of Carlyle. As Irene Collins points out, Dickens "dislikes the violence of the revolutionaries, both in its popular form (the mob) and in its institutionalised form (the Terror). Unlike Carlyle, he can no longer see justice in the violence" (53).
... revenge by making the utilitarianism looking unreasonable in ‘Hard Times’. It is the readers who to decide whether or not Dickens was a moderate or some other believer.