The story of Julius Ceases death and the revenge that his heir, Augustus, and General, Mark Anthony, seek out are very popular and have been told and reworked in many different ways. The most famous retelling of the story is probable Shakespeare’s The Tragedy of Julius Caesar. Like most remakes though they often change some things around to make it appeal to the audience more or make the story more interesting. Some of the differences I noticed in the play was the Shakespeare streams lines everything causing things to happen more deliberately and seemingly right after the pervious event. He also changes things around in order for the to make more sense in a play format. Other than changing things in order to make in more play friendly I believe
Shakespeare does a wonderful job of portraying what happened during this iconic time period.
There is no doubt that Lawrence Olivier's version does a better job of sticking with the letter of the play, bringing us all the richness of the Elizabethan dialogue and costume, allowing us to experience the events as they happened.
The play The Tragedy of Julius Caesar by William Shakespeare showcases many characters and events that go through many significant changes. One particular character that went through unique changes was Julius Caesar. The 16th century work is a lengthy tragedy about the antagonists Brutus and Cassius fighting with the protagonists Octavius, Antony, and Lepidus over the murder of Julius Caesar. Although the play’s main pushing conflict was the murder of Julius Caesar, he is considered a secondary character, but a protagonist. Throughout the theatrical work Julius Caesar’s actions, alliances, character developments, and internal and external conflicts display his diverse changes. William Shakespeare retold a very unique event
Shakespeare’s plays, among other classic works of literature, tend to be forged with the tension of human emotion. The archetypical parallel of love and hatred polarizes characters and emphasizes the stark details of the plot. More specifically, the compelling force of revenge is behind most of the motives of Shakespeare’s tragedy Hamlet. The play opens with the return of Hamlet’s father, a surprising encounter, which ended in his son learning that his father’s death was the result of foul play. By emphasizing this scene as the beginning of the story to be told, Shakespeare clearly implies that the plot itself will be based around the theme of revenge. Through three different instances of behavior fueled entirely by vengeance, Shakespeare creates an image in the reader’s mind, which foreshadows the future of the story and provides insight into the plot line. Even so, despite the theme of revenge being the overarching concern of the plot, the parallels drawn between characters truly strengthen the thematic depth of the piece overall, making the play easily one of Shakespeare’s most infamous and historically valuable works.
The simplest and superficially the most appealing way to understand Shakespeare’s Hamlet is to see it as a revenge tragedy. This genre was well established and quite popular in Shakespeare’s time, but it was precisely part of his genius that he could take old forms and renew them by a creative violation of their standards. As this essay will explore, Hamlet stands the conventional revenge tragedy on its head, and uses the tensions created by this reversal of type to add depth to its characters and story.
In the play Julius Caesar, written and preformed by William Shakespeare, there are many characters, but two, Brutus and Cassius, stood out. The play begins in Rome where a celebration of Julius Caesar's victory over the former ruler of Rome, Pompeii. The victory leads to Caesar's betrayal by his jealous companions. Senators and other high status figures are jealous of Caesar's new and growing power, while others, like Brutus, fear the tyrannical rule Caesar could enforce. The conspirators, Brutus and Cassius being the most important, assassinate Julius Caesar and Marcus Antonius, better known as Antony, and Octavius Caesar, Caesar's heir to the thrown, revenge Caesar's death. Antony convinces the Roman populous to destroy the conspirators and eventually begins a war with Cassius and Brutus' armies. Both Cassius and Brutus commit suicide to save their honor and Antony and Octavius win the war. The characterizations of Brutus and Cassius show a distinct contrast in their character traits and motives for the assassination of Julius Caesar.
Motivation can cause people to work hard and win a state championship, but it can also cause people to kill. Motivation can be defined as an internal state of a person that drives them to action for the purpose of reaching a target goal. William Shakespeare’s Julius Caesar is a tragic drama that shows a huge variety of the different motives that fuel each character. Readers see what motivates each character, and how far that motivation takes them. Whether they are motivated by malice, jealousy, revenge, or loyalty, each character has their own incentives for their actions. Whatever motives they may have, readers see how these motives drive Cassius, Brutus, and Antony to extreme measures, and how this leads to tragic deaths in the end.
Imagine a play in which a prince is seeking revenge of his father’s murder and ultimately succeeds. Now, imagine a play with the same plot, but with young love, dramatic scenes denying this love, and true madness that leads to suicide. Which sounds better? Which would hold your attention longer? Odds are that the second play described is the choice you have chosen or unknowingly chosen in your thoughts. If it is not, then you would be missing out on one of the most famous plays written by William Shakespeare. Both plays described have the fundamental plot of this Shakespeare’s Hamlet, but only the second is the true play that Shakespeare intended to be performed. Only the second play includes the young, lovesick and distraught Ophelia who separates the first described play from the second. Ophelia may not be the star of the play like Hamlet, but through her transformation into a state of madness along with her role in the only true romance in the play, we learn more about several characters and remain intrigued in the play.
Revenge is a recurring theme in Hamlet. Although Hamlet wants to avenge his father’s death, he is afraid of what would result from this. In the play Hamlet, Hamlet’s unwillingness to revenge appears throughout the text; Shakespeare exhibits this through Hamlet’s realization that revenge is not the right option, Hamlet‘s realization that revenge is the same as the crime which was already committed, and his understanding that to revenge is to become a “beast” and to not revenge is as well (Kastan 1).
The Mousetrap would take place in a grand theater in broadway and the characters in there would still have the same looks and costumes but Hamlet would be rudely interrupting the audience so he can keep teling the new king pen that he has killed his father. The fight scenes would be more interest since there would be guns instead of swords. The most it would be gang wars since the other guy that was mentioned in the play was from a different country. Because of this instead of a king that has an enemy country it would be a rival gang that would want to take over the Hamlets business, because of this the rival gang sent letters to the Hamlets and gave them a warning that the Kingpin is wanting to take over their stuff. The graveyard scene in the original play will be very different because in the original play it had it in the forest and at night, but the in the new play the scene would not be in the forest and at night, it would be in daylight and also by the city. The last scene in the play would also be very different, there would be no fencing instead there would be a scene where they are outside doing a gun dual and instead of a poison sword it would be poison bullets. The kingpin on the other hand would be drinking whisky instead of wine and the psion would be in the drink instead of the balls he used in the original play. The scene during Hamlet confronted the queen about he sees the ghost of his dad would be different, Instead of the room in the castle it would be in the room of the condo in new
Julius Caesar by William Shakespeare, is a play about Marcus Brutus and the plan to kill Julius Caesar. However, the play should be titled “Marcus Brutus” and not Julius Caesar because Brutus is the main character, Caesar is killed in act 3, and the conspiracy could not have happened without his participation.
“While seeking revenge, dig two graves - one for yourself” (Douglas Horton). This quote by Horton relates to Hamlet because it speaks of revenge, and Hamlet is a revenge play. The main character, Hamlet, while seeking revenge seals his own fate, and like the quote says while trying to kill someone else ends his own life in the process. Hamlet is a traditional revenge play, it focuses on the plot of revenge but also has subplots that distract the main character from the larger point of the story. Shakespeare was one of the first to expand the revenge tragedy, using what he and everyone knew and intensifying it. He did this by giving his main character many different sides, not just making him two dimensional. These many sides to Hamlet distract
Amidst the global warming crisis in the Arctic and subsequent lack of food, there have been reports of polar bears eating their own children due to the lack of food. While gruesome, being threatened causes one to take drastic actions to protect oneself. If bears can lose their most maternal instincts for self-protection, how easy is betrayal among friendships? As seen in William Shakespeare’s Othello, Iago’s deliberate and carefully thought out betrayal demonstrates the theme that one often loses sight of humanity in a quest for revenge.
‘’The memory be green’’ (1.2.0-5). It has not been much time since Hamlet Sr. died, his memory stays fresh, but his brother, Claudius, has already married his wife and taken his kingdom. Claudius says he does it for the good of the Denmark, in The Tragedy of Hamlet, Prince of Denmark by William Shakespeare. In addition; Hamlet cannot stop his hatred and anger toward his mother and uncle. He gets devastated and goes in grief by the loss of his father. The appearance of ghost and the truth about his father’s death drags him to revenge. He moves from grief and depression to revenge and into insanity. The insanity that starts with as an act becomes real and destroys Hamlet and his loved ones.
Revenge. Revenge causes one to act blindly without reason. It is based on the principle of an eye for an eye, however this principle is not always a justified one to follow. In Julius Caesar, Antony seeks to avenge the death of Caesar. Antony acts on emotion which leads to the demise of Brutus, who is a noble man that does not deserve to be killed. Revenge is a central theme within Julius Caesar. This is demonstrated through Antony's desire to avenge Caesar's death, and also the return of Julius Caesar's ghost. Revenge is again exemplified through the violent course of action, which is taken by the Plebeians in an attempt to seek justice for the assassination of their Roman superior.
When wronged, it is in human nature to punish those who wronged us, thus revenge is born. In William Shakespeare’s Hamlet, revenge is not only the catalyst of the play but a major theme as well. Upon hearing the truth regarding his father’s death, Hamlet Jr. instantly begins investigating and plotting his revenge against Claudius, which leads to all the events which unfold in the play. Upon hearing about his father’s death, Hamlet Jr. declares that he will “sweep to [his] revenge” (Shakespeare I.v.37). Hamlet Jr.s’ eagerness to take revenge and revenge’s prevalence in the play illustrate it as a major theme in the play. This mirrors the beliefs of the Psychoanalytical school of literary criticism, specifically the fifth tenant which states that “conflicts between our conscious and unconscious minds can create mental disturbances” and the sixth tenant which states that “in order to free ourselves of unconscious material we need to use skilled guidance to bring it to our conscious selves” (Rulli).