In Allen Ginsberg’s “Howl”, the idea of resistance is present in multiple forms. On a thematic level, Ginsberg exploits the reasons the “best minds” of his generation are being destroyed (9). On a formal level, Ginsberg uses lengthy sentences to resist traditional styles of writing. Ginsberg was successful in his rebellion and gained substantial recognition; further supported by the fact he even had to fight for his freedom of expression in the court of law. As a whole, “Howl” has been a controversial poem (and eventually film) ever since the public laid eyes on it. Ginsberg was very proactive with the idea of self-expression and freedoms. His work tends to portray his personal views, and resisting higher powers and societal expectations is a large part of those views. Whether it is sex, drugs, rock and roll, crime, war, or the government, Ginsberg demonstrates a strong sense of resistance to “social norms” by pushing the boundaries of what is ‘acceptable’ using theme and form.
“Howl” is broken into three seemingly unrelated parts, which further exemplifies resistance on a formal level. The dividing of the poem into sections is a form of resistance, because in 1956 when it was published, poetry and writing was all very predictable. Beneath the title “Howl”, it says “For Carl Solomon”(Ginsberg 9). This formal dedication seems almost to be a mockery of traditional poetry once the reader manages to finish reading the entire poem. The content of the poem, which speaks of “cock and endless balls” (Ginsberg 10), isn’t something you would typically think to dedicate to someone. This contrast in the formalness compared to the somewhat vulgar content is resistant in its hypocrisy. In all three portions of the poem, Ginsberg uses the repet...
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... that can be taken as direct dedication to Carl Solomon. The poem once again exhibits resistance by slowly losing focus and becoming more vague and more open to interpretation. By the second last “I’m with you in Rockland” there are more than seven lines that follow. This lack of consistency throughout the poem can be seen as resisting predictability. As a whole, Ginsberg’s “Howl” has the idea of resistance in all forms. On a contextual level, Howl is pushing boundaries with themes and thoughts that are typically never said aloud. On a formal level “Howl” oozes with originality and resistance against what typical poetry is defined as. Lastly, on a personal level, Ginsberg himself has to resist against the court and fight for what he believes in.
Work Cited
Ginsberg, Allen. Howl, and other poems. San Francisco: City Lights Pocket Bookshop, 1956. Print. P.9-26.
The "Poet of the New Violence" On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s “America,” to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem “America,” makes a point that not many of us can see as obvious: “It occurs to me that I am America. I am talking to myself again.” Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, “America I’m putting my queer shoulder to the wheel.” Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal American.
Homosexuality remained illegal in most parts of America until the 1960s, but Ginsberg refused to equate his Gay identity with criminality. He wrote about his homosexuality in almost every poem that he wrote, most specifically in ‘Many Loves’ (1956) and ‘Please Master’ (1968), his paeans to his errant lover Neal Cassady. Ginsberg’s poems are full of explicit sexual detail and scatological humour, but the inclusion of such details should not be interpreted as a childish attempt to incense the prudish and the square.
Oppression in One Flew Over the Cuckoo’s Nest and I Know Why the Caged Bird Sings by Maya Angelou
Overall, what Ginsberg was trying to say is that we are ALL mad and crazy, but we are all also good. Ginsberg questions the human social actions throughout his journey with his friends, and wrote Howl to help others understand the social discrimination and chaos in the world. For me, I understand the reason behind the actions those bullies and their rumors have done to me, and that’s okay. It is a social truth, that society is unfair and cruel, also
Michael Gray’s analysis of Dylan’s lyrics being a contrast between hackneyed expressions and “beautifully done” are exemplified in the song “Just Like a Woman.” Dylan’s lyrics “she aches just like a woman but she breaks just like a little girl” is given the harsh description of “maudlin platitude” and deemed to be a “non-statement.” If Dylan’s lyrics cannot uphold against meaningful music of the same category, how can they be expected to stand against literature written for a different field. John Lennon had his own critiques of Dylan’s works, calling out how the abstract nature of his lyrics, having loose definition, never achieved an actual point. Lennon’s definition of “poetry” referred to “stick[ing] a few images together” and “thread[ing] them” in order to create something meaningful. It once again boils down to the fact that Dylan’s music that was written and intended to be received as a live performance. The acknowledgement that “…you have to hear Dylan doing it” is a recognition of his composition’s failure to come across as a normal literary work. It’s all part of a “good game.” This in itself should disqualify Dylan as a possible candidate for the Nobel Prize.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
Ginsberg, Benjamin, Theodore J Lowi and Margaret Weir. We the people. New York: W.W. Norton, 2005. Print.
...erg’s lines are inwardly. The self of Whitman is all-encompassing but Ginsberg’s self is passive, lacking diversity by excluding rural settings. In short, Ginsberg’s Howl” is a journey through a different route to reality by leaving the doubts behind and taking the lead role of a public American poet-prophet, which Whitman only dreamt of in his life by composing poetry for an imagined audience.
The ideas that are presented in poems are often the same ideas everyone is thinking but are too afraid to speak their mind for fear that they might be judged. Allen Ginsberg explained this predicament when he said “[p]oetry is the one place where people can speak their original human mind. It is the outlet for people to say in public what is known in private” (Ginsberg). This quote applies especially to “The Tyger” by William Blake. William Blake’s poem “The Tyger” at the surface is very simplistic; however, with further analysis the story’s theme of religion asks fundamental questions that pertain to one’s worldview with the use of symbolism.
...g with many individuals, are alienated and in turn, wish for extreme change and even another life. Ginsberg conveys a vital message that carries through to the year 2010 even more. Materialism does not make a person, it is insignificant. What is imperative is the natural world; beauty, individuality, and real human interactions as these are concepts that make an individual.
Raskin Jonah, American Scream: Allen Ginsberg’s Howl and the Making of the Beat Generation Berkeley, CA: University of California Press, 2004.
The society around us changes constantly and if we don’t catch up, we can possibly find ourselves in a suffering of our own madness. Ginsberg lived in a society in which homosexuals were unacceptable in which had to be treated with shock therapy. We can easily see why one can be driven to madness because it is hard for one individual to change the minds of many. Over time though we can see the issue being resolved and the acceptance of gays is becoming popular. But that is just the thing though, why must we let society define who we are and how to live? As far as I’m concerned, we are all human, no different from one another. Ginsberg’s poem Howl is important to read because it gives us insight into the cruel side of society in which people are constantly living in. With that knowledge, we can learn be more fair and to treat other people like equals and not opposites. We can take the initiative as individuals to make equality known and freedom
... Angelou uses figurative language to express both the theme and experience in the poem, that of bitterness and then being able to overcome.
Magistrale, Tony. "The Art of Poetry." Student Companion to Edgar Allan Poe. Westport, Conn. ;London: Greenwood, 2001. 39-41. Print.