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Theory of magical realism
Magical realism in fiction essay
Theory of magical realism
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The Handsomest Drowned Man in the World “ You learn the meaning of life when you meet someone who gives your life a whole new meaning”. This quotation describes the impact of the arrival of the drowned man Esteban in Gabriel Garcia Marquez’s short story The Handsomest Drowned man in the World. This quote describes that your life can be completely transformed after the arrival of a influential person in your life. In the short story, a drowned man named Esteban is the influential person in the lives of villagers in a small community located near the sea. The tale opens with a group of children discovering and playing with a corpse that they would later called ‘Esteban’. Soon after discovering the dead corpse the villagers try to locate his hometown because they knew that he was a stranger. The women in the village take a particular …show more content…
He studied journalism at the National University of Colombia and University of Cartagena. He has written several stories including the Leafstorm and Other Stories and One Hundred Years of Solitude. Marquez uses the technique of magical realism in his short stories and novels. He uses magical realism to combine fantasy and reality. In The Handsomest Drowned Man in the World, magic meets realism when the drowned man arrives at the ordinary poor village located near the sea. Donna Gessel from the University of North Carolina describes the usage of magical realism in the story in the quotation “ A body washed up by the ocean and found by children becomes the occasion that sparks villagers to create a new world for themselves, transforming their lives by introducing possibilities beyond their imaginations. The goal of magical realism is often such a stretching of the imagination. This story, however, offers more than an opportunity to teach elements of magical realism; it offers lessons in the creative thinking process itself.”(Magic Beyond
Gioia, Dana. "Gabriel García Márquez and Magic Realism." Essays by Dana Gioia. Dana Gioia, 2009. Web. 05 Dec. 2013.
...story telling traditions. All storytellers are children of the ones, which came before them and stand on the shoulders of those who have told the tales in the past. Marquez and Anaya did not hesitate to make liberal use of magical realism, both as a way to create tension in their stories and to contact the deeper hearing of their audience. Magical realism was just another tool in their literary boxes, to be used with skill and discretion for the greater benefit of the tale being told. It worked well for the cantadora, sitting in the doorway weaving her basket as she wove her tale and it works equally well today as we pause from our lives, quiet our souls, and prepare to listen as the story unfolds.
The characteristics of magical realism are phenomenal, deeper realm, visibility, mysterious, opinionated, timeless fluidity, and fascinating. This story has none of those characteristics, or at least it does not express them the way a magical realism story would. "We recognize the world, although now-not only because we have emerged from a dream-we look on it with new eyes"(Roh 17). I see what Roh is trying to say about magical realism, and I do not think one can use these certain strategies to figure out this story because it is fantastical and sublime.
Marquez used Magical Realism elements to showcase supernatural beings, and to teach valuable lessons. Within the themes of both stories, a strong moral component is found. To get the point across, Marquez uses distinct writing techniques. He paints the picture of his setting through his descriptive language, but, not all of his stories are exactly the same! This is what makes them such a delight to read; the different workings that make up each individual story are beautiful on their own, but can be compared to each other.
Some people consider a book to be magical realism based on the author or the part of the world it was written in. Just because an author has written a book that is magical realism does not mean that all of the books that author writes will be magical realism. Though most magical realism stories are written by Latin American authors, a story is not necessarily magical realism if the author came from that region. Julio Cortazar is an Argentine writer who has published many short stories and novels. In 1956, he wrote a short story called "Axolotl". A careful reading of this work will reveal that it is not an example of magical realism.
Style: The typical Magical- Realistic story of García Márquez placed in a familiar environment where supernatural things take place as if they were everyday occurrences. Main use of long and simple sentences with quite a lot of detail. "There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away and sense of grandeur he might have had" (589).
From the beginning of the story the village is described in a dull and bland manner. The village was described to be made up of only twen...
First, Toni Morrison used the concept of magical realism in Beloved to describe the conflict between Sethe and her dead daughter Beloved, who basically came back from the dead to haunt her. The quote, “124 was spiteful. Full of a baby's venom. The women in the house knew it and so did the children. For years
Marquez's "A Very Old Man with Enormous Wings" fulfills every characteristic of Magical Realism. His short story contains magic that exists in a realistic background. One can easily see why Marquez is such a forerunner in the field of Magical Realism.
middle of paper ... ..., the village people even took him as an absolute alive being: "so that he could come back if he wished and whenever he wished". The drowned giant was treated like God as he made the village changed from now on: "wider doors, higher ceilings, stronger floors", etc, etc. Referring back to the theme, the drowned giant in Marquez's story brought a hundred percent change, as he gave the people the power to imagine and motivation. He deserved to be treated as God as society needs something to have faith in, otherwise, nothing will motivate, inspire and give hope. Here, 'Esteban', "The Handsomest Drowned Man in the World" brought change faith and hope to the once simple, small and poor society.
But it just like it say in the story they tried to burying him up in the sand and digging him up again. They found drowned old man by sea then took him to a farmhouse. And checked up on him and make sure he was straight for a lil while.
possess. As villagers learn of the old man and his unorthodox appearance, they become curious
Gabriel García Márquez, a Colombian author who specializes upon story themes exchanging realistic events with elements of the impossible, magical realism. In the circumstances and environment in which he was raised, his influences derived upon tales of a superstitious reality, stories involving unexplainable elements. Márquez, born in the late 1920s, eldest of twelve children, developed under the care of his maternal grandparents. As a child, his grandmother provided him with the knowledge and exposed him the the world of magical realism in stories with her stylistic, straightforward spoken word. His inspirations and views revolves around the culture and environment around him, as his background and knowledge
"What came to dominate the story and to leave a lasting impression was the view of man as a mystery surrounded by realistic data. A poetic divination or denial of reality. Something that for lack of a better word could be called magical realism." -Uslar Pietri
Why Midnight’s Children is much more than of interest to the reader interested in post-colonialism, is possibly due to its strong elements of magic realism, a literary device that goes hand in hand with postmodernism. Perhaps the most notable exponent of magic realism in literature is the Colombian author Gabriel Garcia Marquez, whose One Hundred Years of Solitude written in 1967 came to be seen as the standard bearer for the genre.