More handpicked essays just for you.
Why is sexual objectification of females in music videos an issue
Why is sexual objectification of females in music videos an issue
Sexism and objectification of women in music
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the music industry, women are almost unarguably objectified in any song or music video I’ve ever heard or seen. We call women, and less often but men as well, in the industry “sex symbols” and make them more object and display like than human like. Women such as Shania Twain, Madonna, Christina Aguilera, Britney Spears and the Pussycat Dolls have all during their careers been referred to as sex symbols and the list well surpases those five. Women can be seen dancing or posing in sexual manners while wearing little to no clothing usually in pursuit of a man in most music videos found on the internet. A study was done in 2009 that discovered the percentage of Top Ten Billboard Songs about sex was up at 92%. When you put that 92% discovery alongside the fact that since 1992, men have always been over half of the artists featured on Billboard's Hot 100 and top 10s and have even reached as high as being 85% of the Billboards artists, while the highest percentage for women has only ever been 40% in the late 90’s, one can conclude from these two figures that the majority of Billboard’s top songs have been about sex and also by men about women. …show more content…
Thicke’s song has numerously been criticized for promoting rape culture through it’s offensive lyrics and music video featuring himself and numerous topless women dancing for him. Yet Thicke’s controversial lyrics and presentation didn’t stop the song from reaching number one on the charts in 25 different countries including the United States and on top of that, was also the longest-running number-one single of 2013 reigning at the top of the charts for 12 weeks
I. Introduction Gender plays a big role in music, I became aware of gender role in music when noticing how most songs talks about women and how they are being either exploited or empowered. Most music videos even in the 80s either objectified women or respect sexuality. Women are usually sexually alluring in music videos, stage performances and even in the song lyrics. Most music video uses video vixens or video girls that are usually dressed or performing sexually. For example, “Siouxsie Sioux frequently performed wearing black leather and rubber bondage attire, as well as heavy eye make-up, making overt statements about her sexuality.
Will sexism ever come to an end in today’s society? Are women going to let men step all over them? Jennifer Mclune discusses in her article, Hip-Hops Betrayal on Black Women, how black male singers objectify and degrade black females in the music industry. The purpose of this article is to show how black women are being deceived in the hip hop industry and being used as sex symbols instead of showing them for their true colors. Mclune (2015) voices her strong argument in attracting her audience by using ethos, tones, and the use of word choices.
Objectification of women and misogyny is a common trend in song lyrics, but it is often socially accepted and further perpetuated. Finding a song in which the roles are reversed and a woman depicts a man as a sex object is incredibly difficult because when women try to break norms in the music industry, they are often criticized. In “Blah Blah Blah” by Kesha, she reverses the typical gender roles in song lyrics by objectifying men. Kesha has her own struggles within the male-dominated music industry because her producer sexually abused her and trapped her into a record deal. However, Kesha lost her court case, which illuminates gender issues within the music industry and the larger society. In 2010 when Kesha’s songs were popular, people weren’t aware of her battle with her producer. Instead, her lyrics classified her as more of a party figure and people even saw her as “trashy.” This song
... it brought in sultry rhythms and made some adults worried about over-sexualizing music. However, today it is very common to hear something sexual in a song or verse. In today’s music industry, many women are just as successful as the men.
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.
Traditionally, an image of Honky tonk girls permeate the collective unconscious of the American country music (Wilson, 2000). Honkey tonk are referred to bars that play country music and women in country music are represented as corrupted temptresses who sit in honky tonks with painted lips and tinted hair to seduce men or as innocent virgins who are loving and patient (Wilson, 2000). However, contemporary female country musicians reject this traditional view on women because such simplistic dichotomy fails to recognise diverse identities that are adopted by women in a contemporary world (Wilson, 2000). In other words, country music provides a space for female musicians to challenge normative gender roles that dominant culture embraces and
Popular music in the United States throughout the decades have always consisted of different genres of music and during the late 70’s and early 80’s, many of the popular bands consisted of only male artists and members. In an era dominated by male artists, Fleetwood Mac featured their lead female singer Stevie Nicks, who went on to transcend the gender expectations of the time and pursue a solo career in the midst of heavy adversity. Fleetwood Mac’s lead singer, Stevie Nicks, is a prime example of the evolution female artists have endured as they struggled to gain equal footing in this male dominated industry. This essay will examine the different factors contributing to Stevie Nicks’s popularity, along with her breaking these normative masculine roles and the way she combined different genres and personal
Gender diversity is unequally represented across all fields in the music. From the board room to the recording room, research shows a worrying gender imbalance. This imbalance is not in favor of women. Research shows that gender divide across all music industry jobs is 67.8% male to 32.2% female. Of the 95,000 songwriters and composers registered with PRS for Music, only 13% are female Statistics consistently show that women in music earn less than their male counterparts. This is hard to believe when artists such as Beyonce and Taylor Swift dominate the charts. In almost all cases, women are finding themselves passed over for pay raises, promotions, and recognition and record deals. In an article written by (Baker 2013), men that entered the industry at the same time as many of her friends were already at senior level positions, men received more record deals and more awards like Grammys and AMAs. There are many reasons possible reasons for the lack of gender diversity. The most common complaint is that we live in a male dominated world and that women are considered a diva or difficult when they express their opinions and/or challenge an idea. Another reason for the lack of gender diversity is that women feel intimidated when it comes to the male dominated music industry and may not feel confident asking for raises, promotions and expanded contracts. However, the lack of gender diversity is being addressed
This study works to examine the use of sexual objectification of women in music videos today. The primary purpose was to examine the differences between genres, specifically hip-hop and country. I tested the following; Women are more likely to be sexualized in hip-hop music videos than in country music videos.
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
Most generations have been influenced by a trend of music that inspires them to dress, behave, and talk in a certain way. There are people who have the special talent of making others relate to their emotions, thoughts, or ideas by creating music. In current society most artists decide to create videos to make their lyrics visual for their listeners and to earn more profit. The negative thing about the creation of music videos is the way in which females are stereotyped. In a lot of music videos, especially hip-hop/rap, females are portrayed in a negative way, which causes a harmful influence on the people who view them.
Weitzer, R. & Kubrin, C. E. (2009). Misogyny in Rap Music: A Content Analysis of Prevalence and Meanings. Men and Masculinities, 12(1), 3–29.
Common expectations seem to indicate gender roles on every individual. The males will play their part in being masculine while the females act an as object. There are several ways one can see how gender roles are played. A way is through hip-hop and rap music in the black community. Joan Morgan, an African American feminist and hip-hop and rap music fan, shows us how gender roles are being played in her community through music. Since Morgan is a feminist, she voices her opinion on the way black men treat black women in her article, “From Fly-Girls to Bitches and Hos.” Morgan states her argument that black men write lyrics ranting about black women to give a self-reflection. The males feel oppressed and express it through music. There are many reasons a male can feel oppressed, whereas one reason is becoming masculine. Michael Kimmel, a sociologist professor at Stony Brook University and the author of “‘Bros Before Hos’: The Guy Code” states that guys tries their best to show that they are manly. To clarify on how the men portray their oppression is to sing of misogyny and self-hatred in disguised hatred toward women. Men expressing their oppression through music tie the guy code of acting masculine and Morgan’s view of men feeling oppressed. Morgan describes black men express their oppression by objectifying black women sexually in music. Jean Kilbourne, the author of “‘Two Ways a Woman Can Get Hurt’: Advertising and Violence” and an activist on advertisement based on public health problems and violence against women agrees with Morgan on women being sexually identified. Kilbourne and Morgan connect to Kimmel by showing how males are seen to be masculine and females are soft and emotional. Morgan’s claims, in “From Fly-Girls to Bi...
Many people associate sexist language with the music genre of rap and hip/hop, but the truth is that sexist language invades every style of music. While it is true that the lyrics to rap songs contain the most obvious derogatory terms towards women, research has found that popular pop music also includes language that can demoralize women or make women seem inferior to men. Women are often referred to as objects and even as possessions by artists, implying that even in this day and age females are still second-class compared to males. Some artists compare women to cars, others use their words to enforce their male dominance. Regardless of how popular an artist or song is promoting sexist lyrics shows that as a whole the public does not have a problem with demoralizing women. Numerous male musicians even use this sort of language as a marketing tactic, knowing that their lyrics will cause a controversy that could inevitably boost album sales.
In today’s society, dancehall music is one of the most popular forms of music, however, the themes and lyrics of many songs that fall in this genre tend to be vulgar, offensive, violent and sexist. Sexism in dancehall music is one of the main topics of this paper and is apparent through the negative portrayal of women found in both the lyrics and music videos of such songs. This is an important issue because since dancehall music is so popularized today these negative representation of women, are being popularized to a huge majority of people, potentially giving them the idea that it is acceptable to treat women in such demeaning ways.