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Western art history Reflection paper
Western art history essay
Western art history essay
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Museum Report:
Self Portrait
By
Catherine Pearson
History of Western Art 1B
8:25 MW
Professor Sandra C. Haynes
March 31, 2014
Self Portrait
Rembrandt van Rijn, Dutch Baroque
1636-38
Oil of panel
24 ⅞ x 19 ¾
Very good condition
Rembrandt van Rijn, a prolific painter and etcher, is noted as the greatest Dutch artist of the Golden Age. Pasadena’s Norton Simon museum is home to some of his achievements, including one of his many self portraits titled Self Portrait painted in 1636-1638. Throughout his lifetime, Rembrandt documented his life in paintings. This autobiography of self portraits was very uncommon for the seventeenth century and helped establish his reputation as an artist. These portraits created a timeline of Rembrandt’s life, as well as document the evolution of his artistic style and expression. He was an exceptional inspiration to the following generation of artists.
From first impressions of this painting, I was captivated by his ability of using lights and darks. Photographs of this work...
Images that have the ability to induce physical sensations are often the most sought after. A painter that has the ability to induce these sensations is Jonas Lie, with his painting Dusk on Lower Broadway. The painting Dusk on Lower Broadway is a timely piece that exhibits a diverse mixture of artistic concepts and techniques, using quick short brushstrokes with dark cold colors to create an atmosphere of Dusk on lower Broadway.
Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.
...would view life from a mental and spiritual perspective, did he love his profession and how he mastered his painting techniques. The wide range of tints and shades of numerous colors were blended to create the designated appearance, but how did he mix his pallet and create those colors to perfection without doing a mistake, all can be revealed by the master himself?
The Storm, created in 1880, is his only painting to have received praise from the world of art. To showcase another masterpiece completed by Cot, I chose to compare and contrast the composition of Le Printemps . This was also created in the same era and was influenced by images fabricated from the real world. The composition of this painting is quite complete; it includes actual lines, organic shapes, and the illusion of light.
The things that characterized his work and his creativity, ties in with the mediums he used. In art, medium refers to the substance the artists uses to create their artwork. Both he and his brother painted in oil based paint, even when watercolors in fresco and tempera were still the favorite materials in Italy. (Munro 65) Fresco is a painting done rapidly in watercolor on wet plaster on a wall or ceiling, so that the colors penetrate the plaster and become fixed as it dries, and tempera is painting with pigments dispersed in an emulsion miscible with water or typically egg yolk. Although Jan didn’t discover the oil technique in painting, he perfected the art of this medium, that created artwork that holds an intensity and unparalleled richness of color. (DeWeerd 223) Part of the unique characteristics came when he changed the usual flat, more dull surface of the usual paintings, by mixi...
The use of line, form, and color placement on a canvas can dramatically impact the compositional setting of a painting. It will influence the way viewers interpret modern works of art. The modern abstract painting style from Wassily Kandinsky and Henri Matisse set in motion works of art that could be aesthetic without being representational. While comparing Study for Composition II and Le Bonheur de Vivre (The Joy of Life); I will argue their experimentation and exploration pioneered into an artistic vision that changed how line, form, and color appeared in modern art. They influenced several future generations of young painter’s art styles.
Rembrandt Harmenszoon van Rijn was born on July 15, 1606 in the then Dutch Republic but is now known as the Netherlands. He painted many portraits and many works, and sketches that express human emotion. The Stoning of St. Stephen is an exceptional depiction of human emotion. The expressions that Rembrandt painted onto the people stoning Stephen display human anger. The tragedies that he endured in life helped him display emotion because, “in life, Rembrandt had suffered more misfortune and falls than normal men, and he took it with the utmost nobility” (Thames 134). One paintin...
In fact, the poems “Self-Portrait Monet” and “Late Self-Portrait Rembrandt” pay lyrical homage to artists’ work and biographies, the remembering of love, seeing their wives die and trying to catch their lost images on canvas. Gehrke as a poet tries to explain the thoughts of an old man reflecting on his life. G...
... though employing a familiar subject (the female form), shows the transformation from busy mosaics with gold embellishments to a brighter palate of colors and the use of stronger, bolder lines. The piece exemplifies his versatility as an artist.
Identity; the meaning of which can represent a number, a name, or an origin. It can be concrete and documented on a social security card or birth certificate. Quite the opposite is the quality of fluidity it offers. Simply from how one presents themselves, their identity can be interpreted and assumed from a passerby’s glance. Femininity characterized by long hair and makeup. A smile projecting happiness, while a scrunched brow displays distress. “Self-Portrait” by Robert Mapplethorpe sets out to illustrate how varying traits, even while on the same subject matter, can change how one perceives another’s gender. However, without the obvious attributes that are stereotypical for one gender, the harsh line dividing masculinity and femininity dissolves. Nancy Burson does an excellent job of demonstrating such in her project “Portrait” by causing the observer to be unsure as to what the gender of each model is.
Peter Paul Rubens, a Flemish painter and diplomat counted as the leader of the Flemish Baroque School. During the last decades of the 16th century the Flemish School of Painting was just struggling along and hadn’t produced a master in the arts for a long time. It was then that Peter Paul Rubens got his artistic training at this school and acquired his belief in the humanistic values of classical antiquity. During his lifetime Rubens acquired a reputation in the art world that brought him commissions from England, Germany, France, the southern Netherlands, Spain and Italy. He was well-known for his unstoppable imagination, immense capacity for work and sheer productivity.
In Timothy Clark’s, Utamaro’s Portaiture, he stars off by speaking about Rembrandt’s Portrait of Hendrickje Stoffels. To begin, he gives background of the painting, then moves into a brief description of the paining. He then begins to describe Utamaro’s design ‘Fancy-free Type. The comparison of the two paintings was deliberately put in the beginning of the paper. Clark wanted readers to note that it is right and wrong to compare Rembrandt to Utamaro. Throughout the beginning of the article, Clark discuss the follow issues: identity of the sitters, specificity of depiction of and differentiation between the range of his subjects, and tension between bijinga tradition and Utamaro’s personal style. Utamaro was a very famous Japanese artist with
In our modern-day philosophy, we assume it’s natural to consider ourselves as distinctive, independent individuals. We have confidence in our irreplaceable, individual identity. Self-portraits of artists like Rembrandt, Picasso, and Van Gogh are key testaments in the respect of artistic individualism. Where conventional histories of art have plainly or subtly supposed the stress on artistic individualism starting in the Renaissance, current critical theory has stressed that the formation of the person is in reality a production with a precise social history. We intentionally or unintentionally style our individualities out of the choices our cultural contexts give.
Both of these artists, Rembrandt and Vincent van Gogh, did self portraits most of their lives. Although they are very distinct from each other based off composition and visual elements, they share a common goal. They drew self portraits because they felt it was their duty to paint themselves in a whole new perspective. Even though they had downfall of their lives, they left their legacy in which many people will cherish for many generations to
At first when I saw the painting by James Abbott, I felt normal because it looked ordinary. As I looked further, I saw all the details, especially from the color schemes, shapes, and boldness used. James Abbott McNeill Whistler’s painting looked very relaxing and mellow to me. I enjoyed how the artist used the same type of blue color, but change the shading to make the painting look more concentrated. I never seen anything liked it, I learned new things about the painting by my research. Since I know more about James Abbott’s painting,