It was a little girl’s second Christmas and, although she does not remember now, she was so excited to open the big red package from grandma. She ripped open the package and the soft, handmade brown bear went poof in her hands. She has kept the ratty, old bear not for its beauty but because it has sentimental value of a simpler time. Like this example, many people have memories of items they grew up with that have more than monetary value, most people forget the real value of these items, however, and commercialize them as art or sell them away as junk in garage sales. In Alice Walker’s “Everyday Use,” we are shown a vivid example of what can happen when people take these once treasured items for granted. Walker’s character Dee/Wangero is an estranged daughter and sister who has not seen her family for six years reappears at her mother’s home to take away her family’s most sentimentally valuable possessions. Because Wangero’s view of her own heritage has been skewed and distorted by her peers, Wangero forgets the value of her mother’s possessions in an attempt to impress her contemporaries. Through Wangero, Walker reveals how misunderstanding one’s heritage can lead him to search for his place in a fake legacy invented to help him reconcile his misunderstanding of his own origins, and can even cause him to cheapen his family heritage because of a desire to stand out among his peers.
From the moment Wangero, who changed her name to fit into the continental African image that her peers were emulating, arrives to her mother’s house, she has obviously changed from the time she was last with her family, not only has she changed her hand-me-down name, but she has also taken up a strange new interest in her family heirlooms....
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... and good standing among her peers, and led her to ignore the real value of family and its heirlooms. It is obvious throughout the story that Wangero fails to see the value of family other than when they can provide when a convenient boost in her social status. Through Wangero’s ignorance, Alice Walker skillfully portrays what can happen when a person neglects to understand his heritage and latches onto a fabricated, popular culture to reconcile a misunderstanding of his own heritage. Wangero’s craving for peer attention leads her to commercialize invaluable family items that should never be looked at as a source of monetary or social gain.
Work Cited
Walker, Alice. “Everyday Use.” McMahan, Elizabeth, Susan X Day, and Robert Funk. Eds.
Literature and the Writing Process. 8th ed. Upper Saddle River, NJ: Prentice 2007. 140-146.
Helga Hoel states in her essay “Personal Names and Heritage: Alice Walker’s ‘Everyday Use’”, “These important names Dee bases her new-found identity on resemble Kikuyu names, but at least two of them are misspelt” (Hoel). Hoel states that Wangero’s names are an unlikely mixture of names from various African ethnic groups, and that “ [Wangero] is confused and has only superficial knowledge of Africa and all it stands for” (Hoel). Wangero is losing sight of her true heritage, but the heritage she is trying to push upon herself is one she barely understands. This detail is important because, although it does require research to discover, it adds another layer of irony to the character of Wangero in which can be seen an indicator of how Walker
Queen Nzinga’s methodical rise to power was well justified and vindicative of her ensuing rule, contrary to the arguments of her opponents. As the daughter of a previous king and sister to the next heir to the throne, Nzinga had the correct hereditary history to rule, an important prerequisite for rule in Ndongo culture. To reinforce this, Nzinga held an election, in which qualified officials appointed her as queen (Thornton 37). She was not the first queen to take uimate power over Ndongo (although none were as influential as she), but her traditional minded critics refused to accept it, and considered it a sign of illegitimate rule (Thornton 37). To combat this, Nzinga expanded her gender identity and strived to be more “manly” by engaging in battles personally (Thornton 39). It also helped that she was deemed i...
To begin with, in Walker's Everyday Use, the conflict is a result of clashing cultural values and of cultural point-of-view. Dee, who has adopted the Islamic culture and name the Wangero, returns to her African-American family for a reunion. While there, she asks that a pair of quilts from her deceased grandmother be given to her, not her sister, Maggie. Dee claims that her sister will ruin them through "everyday use." In fact, she charges during a discussion, "[Maggie would] probably be backward enough to put them to everyday use" (89). To these charges, her mother, the story's narrator, says, "I reckon she would [use the quilts daily] ... God knows I've been saving (the quilts) for long enough with no body using 'em. I hope she will" (89). Dee counters by saying, "You just don't understand ... your heritage" (90). She charges that her mother does not understand her heritage and therefore should give the quilts to her since she will preserve them. This conflict...
Alice Walker, author of The Color Purple, wrote "Everyday Use," which tells a story of a rugged, independent mother of two girls who celebrate their African-American heritage in completely different ways. One daughter, Maggie, celebrates her heritage by enjoying and appreciating the use of family heirlooms whereas the other daughter, Dee, feels it is more honorable to display these heirlooms for artistic show. Walker's use of imagery illuminates the story's theme of family heritage and, quite possibly the most respectful way of celebrating such heritage.
The search for identity in "Everyday Use" written by Alice Walker uses the family's contrasting views to illustrate the importance of understanding present life in relation to the traditions of ancestral culture. Using careful descriptions and attitudes, Walker uses the voice of the protagonist (the mother) to demonstrate which factors contribute to the values of one’s heritage and identity; she illustrates that these are represented not by the possession of objects or mere appearances, but by one’s lifestyle and attitude. Also, in the illustration “Girl”, Jamaica Kincaid uses a mother’s voice, like Walker, to illustrate the mother’s meaning of identity. Both mothers in each story have their own outlook of what defines a person’s identity. Although each mother has different...
In her short story Everyday Use, Alice Walker talks about a Mother Mama, and her two daughters Dee and Maggie, their personalities and reactions to preservation of their family heirlooms. She shows that while Dee has been sent to school for further education, Maggie is left at home and brought up in the old ways. Mama often dreams and longs for the day she can be reunited with Dee, like in the TV shows. She knows this may not be possible because Dee would read and shower them with a lot of knowledge that was unnecessary, only to push them away at the right moment, “like dimwits” (313); Mama and Dee have different conceptions of their family heritage. Family heirlooms to Mama means the people created, used
Alice Walker is a well-known African- American writer known for published fiction, poetry, and biography. She received a number of awards for many of her publications. One of Walker's best short stories titled "Everyday Use," tells the story of a mother and her two daughters' conflicting ideas about their heritage. The mother narrates the story of the visit by her daughter, Dee. She is an educated woman who now lives in the city, visiting from college. She starts a conflict with the other daughter, Maggie over the possession of the heirloom quilts. Maggie still lives the lifestyle of her ancestors; she deserves the right of the quilts. This story explores heritage by using symbolism of the daughters' actions, family items, and tradition.
Alice Walker’s “Everyday Use” is a short story about a mother and two very different daughters set in rural Georgia during the late 1960’s. The plot is centered around on the two daughters, Dee and Maggie, and focusing on the differences between the two and who will gain possession of two hand-made quilts that are seen as a coveted trophy by Dee and are viewed as everyday items Maggie. The final decision of which daughter ultimately receives the quilts will be made by Momma Johnson. Momma, who is never given a first name in the story, is a strong black woman with many man-like qualities. “In real life I am a large, big-boned woman with rough, man-working hands. In the winter I wear flannel nightgowns to bed and overalls during the day.” (DiYanni 744) Momma is a tough woman and has had to be both father and mother to the daughters although the story never comments on the absence of the father. The story revolves around a visit home by Dee who has been away at college and has recently discovered the true meaning of black heritage with her adoption of ideas and practices from black power groups while simultaneously rejecting her own upbringing. Upon arriving home, Dee announces that she has changed her name to “Wangero” in defiance of her white oppressors and to embrace her newly found African heritage with a more appropriate black name. Dee and Maggie are complete opposites in appearance, education and desire to escape their childhood surroundings. Maggie has little education and no noticeable desire to improve her situation and prefers to be left alone in the shadows where she can hide her physical and emotional scars from a house fire when she was a child. Hand sewn quilts become the objects of Dee’s desires; objects ...
this popularization itself can actually turn into a form of exploitation. By telling the story from the mother's point of view, Walker's representation of Wangero is seeped in irony, and therefore Wangero's love of her African. heritage becomes an exploitation of it. Because the mother is so closely related to the characters in the story, her perception of them is biased. Walker uses this point of view to her advantage, because the reader is familiar with Wangero's somewhat stereotypical "blacksploitive" personality, this one.
Alice Walker's "Everyday Use," is a story about a poor, African-American family and a conflict about the word "heritage." In this short story, the word "heritage" has two meanings. One meaning for the word "heritage" represents family items, thoughts, and traditions passed down through the years. The other meaning for the word "heritage" represents the African-American culture.
Most families have some piece of jewelry, furniture, or other symbolic collectible that is passed through many generations. These things often remind a person of a beloved grandparent or great-grandparent and are seen as priceless. In Alice Walker's "Everyday Use," the family heirloom, a couple of hand sewn quilts, represents the family members' emotions concerning their heritage. Dee, the older sister, wants to hang the quilts on a wall and view her culture from a distance. In fact she even seems ashamed of her family situation.
Author Alice Walker, displays the importance of personal identity and the significance of one’s heritage. These subjects are being addressed through the characterization of each character. In the story “Everyday Use”, the mother shows how their daughters are in completely two different worlds. One of her daughter, Maggie, is shy and jealous of her sister Dee and thought her sister had it easy with her life. She is the type that would stay around with her mother and be excluded from the outside world. Dee on the other hand, grew to be more outgoing and exposed to the real, modern world. The story shows how the two girls from different views of life co-exist and have a relationship with each other in the family. Maggie had always felt that Mama, her mother, showed more love and care to Dee over her. It is until the end of the story where we find out Mama cares more about Maggie through the quilt her mother gave to her. Showing that even though Dee is successful and have a more modern life, Maggie herself is just as successful in her own way through her love for her traditions and old w...
Alice Walker combines the importance of time and place in Everyday Use. The story occurs in 1960’s during the African-American Civil Rights Movement. This was the time when African-Americans struggle with prejudice and poverty. They desire to maintain their minimal gain during the World War II and to define their personal identities as well as their heritage. The argument over family quilts takes place at the Deep South, where there are many African Americans, which match perfectly with the lifestyle the characters have in the story.
Wangero is some that just started liking her family heritage and things sence she just
In the story Wangero, originally named Dee, despises the lifestyle in which the family lives in so much that she burns their home and scars her sister Maggie for life. Wangero is considered to be bright compared to her simple-minded mother and sister. She valued other subjects, such as education, over the farming lifestyle that was more valued for her other family members. Wangero goes to school, changes her name, and adopts Islam as her religion trying to move away from her family roots. When Wangero returns