Refraction of Light
Aim:
To find a relationship between the angles of incidence and the angles
of refraction by obtaining a set of readings for the angles of
incidence and refraction as a light ray passes from air into perspex.
Introduction:
Refraction is the bending of a wave when it enters a medium where it's
speed is different. The refraction of light when it passes from a fast
medium to a slow medium bends the light ray toward the normal to the
boundary between the two media. The amount of bending depends on the
indices of refraction of the two media and is described quantitatively
by Snell's Law. (Refer to diagram below)
The index of refraction is defined as the speed of light in vacuum
divided by the speed of light in the medium. In this experiment, the
index of refraction for the perspex is 1.50.
Snell's Law relates the indices of refraction of the two media to the
directions of propagation in terms of the angles to the normal. It
refers to the relationship between the different angles of light as it
passes from one transparent medium to another. When light passes from
one transparent medium to another, it bends according to Snell's law
which states:
[IMAGE]
where:
n1 is the refractive index of the medium the light is leaving,
n2 is the refractive index of the medium the light is entering,
sin 2 is the is the incident angle between the light ray and the
normal to the medium to medium interface, sin 1 is the refractive
angle between the light ray and the normal to the medium to medium
interface.
Definitions:
Angle of incidence: The angle made between an incident ray and the
normal to the surface that it strikes.
Angle of refraction: The angle made between the reflected ray and the
normal to the surface that it strikes.
Medium: The substance carrying a mechanical wave.
Refraction: The bending of the direction of travel of light as it
In the passage from All the Light We Cannot See, Anthony Doerr conveys the bleak reality of growing up during the economic collapse in Essen, Germany during the 1930’s. The passage focuses on Werner and Jutta, two siblings living in a children’s home during this era. Doerr’s heavy use of imagery, especially his description of the miners, foreshadows an eventual loss of innocence for both children. Additionally, Doerr uses foil to emphasize the contrast between the perspectives of the children and miners and to highlight the deteriorating conditions in Essen.
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The degree of blurriness is determined by the degree of curvature.
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