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Changes in education over time
Changes in education over time
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The reform of history textbook has always been a growing concern. In her “America Revised: A History of Schoolbooks in the twentieth century,” Frances Fitzgerald reveals that history books are updated but modified substantially to comply with the national interest at the time. Fitzgerald’s argument is slightly biased and some pieces of evidence are not sufficient or might even be far-fetched. However, she successfully conveys her argument through comprehensively contrasting the current history books for children with histories of the fifties using various rhetorical devices and plentiful examples.
Overall, her argument is thorough and persuasive except sort of one-sided and not entirely unbiased. Throughout the article, she only investigates the negative changes of the history books but ignores the positive ones. For instance, She points out that the current history books are “a babble of voices and a welter of events” (22), and “their sophisticated modern design contains some irony” (22). Is there any positive change? It would be more fair and comprehensive to evaluate the effect of the changes of the current history books by considering both sides of its changes. || Also, for younger readers, they may know nothing about the histories of the fifties. Her perspectives about the histories of the fifties are just her personal opinions. It is possible that she exaggerates Christian ideology of the histories of the fifties to make a more striking contrast. To strengthen her argument, she needs to add positive changes of the history books and analyze how these changes affect the whole view of the current books.
Besides, some pieces of evidences she uses to support her argument seem not sufficient or might even be far-fetched. Acco...
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...’ (21). These rhetoric questions force readers to stand on her side and to ponder in her direction. She compares the contents of the twentieth-century chapters in current books to ‘a modern-art museum’ (22), which ironically and humorously criticizes the fancy design of the current books. She also directly quotes the original texts to show the changes of current books such as a paragraph from Sellers’ book ‘As It Happened’.
To conclude, even though I disagree with the way Fitzgerald uses some pieces of her evidence, her argument is comprehensive and persuasive. She excellently used various rhetorical devices and plentiful evidence.
Works Cited
Fitzgerald, Frances. “America Revised.” Inquiry: Questioning, Reading, Writing. Eds. Lynn Z. Bloom, Edward M. White with Shane Borrowman. Upper Saddle River, NJ: Pearson Prentice Hall, 2004. 587-594. Print.
Few books exemplify the consequences of misconceptions more than Farenheit 451. The book speaks of a world in which in citizens think they are living in a utopia, when in fact their world is constantly devoloving into a place where no human could ever flourish. This delusion along with the misconception that books are thing to be feared is the precise reason that the general populace is so easily controlled. The reason behind the propaganda campaign against books is so the people do not realize that their lives are unsatisfying and dull. In other words, this, misconception propagated by the governing force, fuels the illusion of a perfect world. The myth that the world...
Academic colleagues like, David Greenburg, would have been exasperated, part from envy of McCullough’s ability in not only story telling but to sell and he would object to the approach of this book. The colleagues would tear at the lack of compelling rationale for an overused topic, as well as the scene setting, and meager analysis.
Books today are everywhere. We find them in many households, libraries and schools all around the globe. We find many different types of books; from stories to educational textbooks, we regard them today as sources of knowledge and amusement. But it wasn’t the case before 1455. That year, one of the greatest inventions in human history was revealed to the world; Gutenberg’s printing press. This press allowed printing in massive quantity, spreading books all around Europe and the rest of the world at a fast rate. The printing press had many positive consequences on society. At first, it standardized grammar and spelling, and then introduced the mass production of books. It finally inspired future printing technologies around the world.
While reading through the pages of “Separate Pasts: Growing up in the Segregated South” the author gives many details of his life growing up in the village of Wade. There are several things noticed during the course of this book, one can almost hear McLaurin tell the stories of his past and reading the words I could tell he was at times curious. But there were also times of guilt for the way he was brought up to treat the “blacks” of wade. McLaurin also had respect and sometimes it seemed he was envious of some of the black people he came in contact with. There were also times of depression within his own family. We will revisit some of his stories and reflect on some of the details of his life growing up.
...ime of the author rather then accurate historical facts. (Lies?293) Textbooks are being written this way and history is being taught this way to show people how they should act and strive to be. This relays to the student what is deemed acceptable to everyone and what is not. When it comes to a student remembering historical lessons they normally do not remember what is being taught to them unless they are moved by it. (Lies?301) So what is the result to a society where our students are being taught this way? The number one result is that students do not know the true history of their country nor do they remember what they were taught in class. This is a sad conclusion but Mr. Loewen feels it is an accurate one given responses to questions he has asked his students throughout the years. What can we do to change this and reeducate the people out there? Sadly I feel nothing can be done for those of us out there who are not truly aware of this misinformed way of teaching. But, our children need not be sheltered from our true history, rather they should learn all that has happened so we can prevent the atrocities from reoccurring again.
... reasons why. This strengthens my argument as I develop relevant reasons to my position while agreeing on a middle ground.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Loewen, James W. Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong. New York: Touchstone, 2007.
Twentieth-Century Literary Criticism, edited by Linda Pavlovski and Scott T. Darga, vol. 106, Gale, 2001. 20th Century Literature Criticism Online, http://link.galegroup.com/apps/doc/KSZNPN102098467/LCO?u=schaumburg_hs&sid=LCO. Accessed 14 Dec. 2017. Originally published in CLA Journal, vol. 31, June 1988, pp.
Belloc, Hilaire. "A Companion to Mr. Wells's "Outline of History"." Twentieth Century Literary Criticism: Volume 6. Detroit, Michigan: Book Tower, 1982. 522. Print.
Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1999. 125-156.
“A Tale Intended to be After the Fact…” is how Stephan Crane introduced his harrowing story, “The Open Boat,” but this statement also shows that history influences American Literature. Throughout history, there has been a connection among literary works from different periods. The connection is that History, current events, and social events have influenced American Literature. Authors, their literary works, and the specific writing styles; are affected and influenced by the world around them. Authors have long used experiences they have lived through and/or taken out of history to help shape and express in their works. Writing styles are also affected by the current trends and opinions of the period they represent. By reading American Literature, we have seen the inhumane treatment of slaves, we have seen the destruction caused by wars, and we have seen the devastation of eras such as The Great Depression.
Weldon exposes the desire of instant gratification and lack of reflection and engaging in Literature in a 1980’s conformist society through her opposition to the timeless value of literature of having ‘the power to influence, for good or for bad, the minds of so many,’ to her sibilance, ‘the easy tasty substances of the screen.’ She juxtaposes the contemporary beliefs of Regency England in, ‘Elizabeth Bennet…listening to the beat of feeling…must have quite upset a number of her readers, changed their minds,’ metaphorically representing the influence on her society through Pride and Prejudice’s ability to educate readers’. Weldon reveals her appreciation for the facility of texts to divulge universal ideas through endorsing ‘Literature with a capital L’, providing readers with ‘lessons in moral refinement’ through evoking the symbolic multi-dimensional, ‘City of invention.’ Through this, she provides a metaphor and a recurring motif for the literary canon, to highlight the moral direction given through the composers purpose to influence readers as they, ‘offer a happy ending through moral development…’ Here, Weldon’s declarative tone reflects the ability for composers to persuade their readers. Ultimately, both texts advocate the significance of literature in shaping and reshaping values, to enhance self examination for personal transformations and moral
In 1967, John Barth wrote an essay which characterized modern literature in a state of exhaustion ,a “used-up” form. The ultimate question then was: What do we do with literature? Barth’s answer suggested that we present narrators that are aware of themselves, as well as the exhaustion of their medium. Also, that we reorient and give new meaning to stories that have already been told, such as the greek myths the second half of the novel focuses on. Meta-fiction is defined as fiction that includes commentary on it’s own construction and narrative process, as well as it’s relation to the reader. Barth’s Lost in the Funhouse addresses the complications of post-modernity and the text. He rejects the idea of a knowable, Cartesian self that can authoritatively construct a unified, coherent narrative because the protagonist is no longer capable of defining him/herself. Meta-fiction addresses this lack of center not only within the self, but within language as well, and grapples with the effects it has on the future of the reader, the role of medium and author, and the intersections between them. Barth redefines this relationship as one of inherent, but not defined, meaning by entering into self-reflexivity and consciousness as the novel progresses. Barth furthers the deconstructive project by asserting LF’s fictionality to engage the reader in play, rather than a passive consumption of authorial intent. (Worthington)
The book is an outcome of the new media. The reader can figure out that by looking at the cover page of the