Dancing has always been my passion, even though dancing was not an innate gift. Although this may be true, I have seen dancing as an interpretation of thoughts, feelings and more. In the case of Charlie Chaplin he used his performances on all his films, in my opinion, as a communication contrivance to show the reality of the hardships life can bring. Chaplin’s movements and filmmaking experience allow the audience to not only is a visual spectator but also to feel and understand Chaplin’s standpoint on the interpreted meaning of his films. As I prepared to construct my Video Project, I found myself flashbacking on what does each of Charlie Chaplin’s films made me sensed with each scene. For instance City Lights gave me the feeling that a kindhearted …show more content…
I decided to demonstrate my impression of each of Chaplin’s films with a dance and mirror his artist vision. My first dance scene demonstrate an individual without eyesight having trouble to see her surroundings but at the same time I played another individual that is tries to get on the shoes of the blind person and partially sees her/his world. Additional, this behavior leads for the desire to make a sacrifice to return the other individual’s eyesight. On the second dance skit the intention of hard labor was interpreted equally with the significance that we can loss our mind with being treated as machines instead of humans. The last skit was intended to show that a dishonest governmental system can give their back to the people and will force them to silent their rights as individuals. Moreover, if we gather courage to fight the corrupted system the silence can be destroyed. Charlie Chaplin gave is the example as he gave his speech at the end of The Great Dictator, our voice can give us …show more content…
My dance routine was recorded without music because I want for my body to be the voice of my thoughts and not the rhythm of a song. One of Charlie Chaplin’s characteristics on his films was that all movements came before the music or the dialogue. It was hard to dance without music but gave me the opportunity to show a performance in a more natural way; such as if my movements we part of my daily activities instead of a choreograph dance routine. The next step was the editing of my video which the Movie Maker from Windows came to my rescue. I used the software to edit and polished the video. At this point music was added in the background and the images to book mark each dance clip. Finally I decided to convert my video to black and white as to mimic Chaplin’s silent film
José Limón left more to the dance community than a collection of marvelous dances and the memory of his own powerful performance. He developed a technique, a specific style of dancing, that could be passed on to future generations of dancers and choreographers. Throughout his career, José touched hundreds of audiences with dances that expressed a profound understanding and respect for the joy and pain of the human experience. In his own words, he sought “demons, saints, martyrs, apostates, foods and other impassioned visions” to shape his choreography. To him, dance was more than a series of well-executed and ingeniously shaped movements; it was the inevitable expression of the human spirit. Limón’s dancers were taught to transcend their rigorous technical training in order to find their own dramatic and emotional motivations for
Throughout the years, America has pursued the performing arts in a large variety of ways. Theatre plays a dramatic and major role in the arts of our society today, and it takes great effort in all aspects. Musical Theatre, specifically, involves a concentration and strength in dance, acting, and singing. This is the base that Musical Theatre is built upon. For my Senior Project, I helped choreograph multiple scenes in a community musical “Thoroughly Modern Millie”. Choreography is a way of expressing oneself, but it has not always been thought of for that purpose. Agnes de Mille’s expressive talent has drastically affected how people see choreography today. Agnes de Mille’s influence in the world of dance has left a lasting impact in the Performing Arts Department, and her revolutionary works are still known today for their wit, lyricism, emotion, and charm.
Merce Cunningham was known as a “leader of the American avant-garde whose constant innovation and artistic collaborations expanded the frontiers not only of dance, but also of contemporary visual and performing arts”. His passion and drive to succeed and push boundaries of dance and technology helped him throughout his career and in the building of his own dance establishment, the Merce Cunningham Dance Company. He also worked closely with the composer John Cage, where together they created different, new music. He was one of the most daring choreographers of his time regarding the exploration of technology in dance. He had begun to look into dance film in the 70’s, and further started to choreograph new dances using a computer program named ‘Dance Forms’. He also further created a webcast series where the public were able to view his teaching in the Merce Cunningham Dance Company, and could essentially sit in on the rehearsals
The degree of transcendence attained by a particular performance depends largely on the relationship the audience has with the performer. Claude McKay’s Harlem dancer is initially framed through the gaze of a group of rambunctious youths, densely packed into a Harlem night-club. The young men accompanied by their prostitutes cheer and laugh, debasing the dance to a lewd exhibition. Where the seductive disrobement of the dancer would be thought to warrant a level of hypnotic control over the viewers, their capacity for the manipulation of her image indicates that the performance holds little to no significance. While “perfection” is attained by the sway of her half-clothed body, rather than a testame...
Most films captivate the audience’s interest through the main character. This film did just that. Through the main character Li Cunxin, I was able to notice the amount of hard work and dedication which lead Li to become a famous ballet dancer known worldwide. The film, based on the autobiography by Li Cunxin, “Mao’s Last Dancer” directed by Bruce Beresford is about a Chinese boy named Li Cunxin who’s born into a large family of 6 boys. At the age of eleven, Li got chosen from a poverty-stricken Chinese village by Madam Mao’s cultural representatives to leave his family and study ballet in Beijing. This film focussed on his eventual departure from China to U.S.A after being selected by a world leading choreographer, Ben Stevenson including the
In spite of these views, Society was changing. After the restoration period, performers could finally travel again, and it was the French that came to the London stage, bringing with them a quality quite unique to France that had not been seen in England before. In turn this caused English dancers such as Marie Camargo in search of fame and excellence to take on board some of this French quality, technique and style, coincidentally merging two styles and for the first time creating one technique. I believe it is within this merging and unifying of two different countries styles and indeed two individual dancers style; Camargo's and Salle's that we see how the expressive powers and technique of dance on the London stage were extended in the 18th Century. I will seek to portray this throughout my essay and convey how this in turn dictated how they were represented in society.
The work ‘Ghost Dances’ by Christopher Bruce was viewed on 26th August, 2011 to the Year 12 Dance class. The individual interpretation of the social/political or world issue/ comment the piece is attempting to make. Using direct examples from the performance, the use the choreographer has made of the movement and the non-movement components have been identified. Also the effectiveness of this piece has been evaluated.
worn by the human is black as the night, much like the hooded garbs of ancient
Movies with dancing have always been a big success, simply because they cause people to want to move and be free like the actors on the set. Dirty Dancing, directed by Emile Ardolino, is a movie that makes people want to jump into the screen and be a part of the show. It is a favorite among teenage girls simply because of the kind of dancing that is performed. Another movie, Save the Last Dance, directed by Thomas Carter, is also well liked by teenage girls because of the dance moves. These two movies portray similar stories of girls finding happiness through expression of different kinds of dancing.
In the heart of Miami, Miami Dade College’s (MDC) dance majors put on a performance called The Art of Dance. Under the direction of Michelle Grant- Murray, guest choreographers challenged the students of MDC. The students were also able to exhibit their own work, as this was also their student choreography showcase. The evening consisted of diverse styles such as – African, contemporary, and world dance; unfortunately, I cannot say the all of the pieces impressed me.
In addition, Charlie Chaplin’s comedy was more than a lifestyle, it was an art. The source of most of Charlie’s comedy was trickery. “Charlie and the tricksters confront society’s anxieties about th...
After I began to learn to dance ballet, I found out that these elegant movements actually require a lot of strength, flexibility of the bodies and brain’s participation to make it looked elegant. The dancers’ movements in the performance were so fluent and elegant and it is not hard to imagine how hard they had practiced, stretched and use the strengths to do all the ballet poses with their bodies look longer and longer. Their expressions also impressed me a lot. By looking at their expressions, the audience can easily understand the scenes and blend into the story. The performers actually not only are required to have good dancing skills but also are required to have some talents to be actors. Moreover, they also have to be good at expressing their feelings on the
When a critic examines the silent films of Charles Chaplin a question that arises is whether the comedy he portrayed is a mockery of political and current issues, or a means to bring laughter to viewers. Silent films generated different emotions and thoughts since a spectator was simply watching actions rather than hearing an explanation through words. Information was cleverly construed this way and however the critic analyzed the information presented was an individual responsibility. In fact, Charles Chaplin once said, "..it is not the reality that matters in a film but what the imagination can make of if," to a young critic.[1]
As evident from “The Great Dictator” in its entirety, Charlie Chaplin was a fantastic writer and speaker. He had successfully convinced his audience that change is possible through his choice of words and charisma. This speech is nothing short of motivational and has many characteristics within it that would help people understand his point of view and also come into agreement with him, those being ethos, organization, and pathos in particular. Although this was given several decades ago, it remains relatable today in terms of how things like money and power have blinded people and caused so much misery and destruction for the benefit of a few.
Whether a person is happy or sad they move in a way which they portray their emotions. Many dancers and performers start with dancing to the way they are feeling and begin to put a meaning behind it like telling a story. A performer adds meaning to why they do a certain dance move at a certain time, may it be for a dramatic