Rebellion In Nineteen Eighty-Four And A Handmaid's Tale

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It all started with the following words: “April 5th, 1984” (Orwell 7). What, you might think, do these words signify? And what might the word “faith” written on a pillow signify (Atwood 57)? These words are harmless, only a date and a religious word, you might say. However, these words are much more than harmless. They are the start of a rebellion. Rebellions occur all the time in dystopian novels, but there is a certain pattern to these occurrences. This pattern is that the individuals who start rebelling are usually from the middle or lower classes and never from the upper classes. One such example is the Russian Revolution, in which a great number of peasants rebelled against their oppressive king. Another example, this time in United States, …show more content…

As a result of this fact, a very important question comes to mind which is: how does low social class or standing contribute to a character's willingness to become a dystopian rebel? The short and sweet answer to this question is demonstrated by Winston Smith and Offred from the dystopian novels Nineteen Eighty-Four by George Orwell and A Handmaid’s Tale by Margaret Atwood. The lives of Winston and Offred reveal that the lower and middle classes tend to rebel because of many reasons, some of which include love, fear/lack of rights, and surveillance. One reason that the middle and lower class rebel is love. But how what does love have anything to do with rebellion? Winston Smith, a member of what is considered the “middle class” of Oceania, is in love, but because of the laws in Oceania, he is unable to get his love. Julia, a woman who works in the Party, is whom Winston falls in love with. The question now becomes, why? Rachel Stauffer, who wrote the article “Dystopia as Protest: Zamyatin's We and Orwell's Nineteen Eighty-Four", …show more content…

In this novel, Offred also rebels because of her love for someone. However, Offred’s situation is a little different from Winston’s in that in Winston’s case, Winston and Julia fall in love with each other when feelings like love for someone or something other than the Party are illegal. In Offred’s case, she already loves many people even before Gilead forms. She loves Luke, who is her husband, and her daughter. She also loves, as a friend, Moira. However, Offred gets separated from all three, and thus, now that she is a handmaid and has no love, strives for any kind of love that she can find, as evidenced by the incident in which Offred was helping make some bread, she thought that the bread feels “so much like flesh,” and as a result, she “[hungers] to touch something, other than cloth or wood. [She hungers] to commit the act of touch” (Atwood 11). But why does Offred want love so much? Stauffer answers that “this [situation] aligns perfectly with the definition of protest literature as a medium that ‘taps into an ideological vein of dissent and announces to its people that they are not alone in their frustrations’” (Stauffer 209). Hence, even though Offred is agitated at how society is, she is unable to share her frustrations with anyone else, and as a result, she is looking for someone to love and as a result, share her frustrations with. Unfortunately for Offred, she continues to remember Luke and misses him

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