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A personal narrative on becoming an actor
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Making a decision to enter the entertainment industry is always a difficult one. All too often, the person knows what his/her destiny is, but sometimes comfort, family and finances keep one from making the determination in line with the heart. Recently, I encountered the young actor, Justin M. Tolliver, and he is one who has learned that lesson all too well. He stepped out in faith to pursue his dream, and he was gracious enough to answer a few questions about this journey to follow his passion.
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What inspired you to become an actor? What kind of training have you had?
Acting was a way to start in the pursuit to bettering my life, though I didn 't know how it would happen. All I knew was it had to be acting. After giving up on my initial dream after I graduated from high school, I felt empty, like something was missing from my life. After years of searching through endless endeavors, it came to be acting that helped fulfill the emptiness I had inside of me that nothing else could fill. Acting allowed me an outlet for emotions that were bottled up over the years. It allowed me the release, to reconnect with feelings that I have long forgotten by hiding them under layers of toughness and regrets. So, acting taught me how to feel again, how to dream again, and how to live those dreams again!
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The Ivana Chubbuck Technique teaches the twelve steps on how to create a sound in-depth layered dynamic
The Entertainment Industry is an expanding industry with numerous career opportunities especially for the quick learning students in today’s world. I chose to study the entertainment industry because I have always had a passion for it. I grew up with music always playing on the radio and if the radio was off, the television was tuned into some show. I know many people listen to music and watch television all the time, but there is so much more to this industry. Being so passionate has led me to studying specific things in the industry and learning the ins and outs of it, which is helping me to find a potential career. There are many people in the industry that I look up to and one person, who has made it in particular, is Debra Rathwell.
Famous singer/actor,doctor,engineer,or the president of Canada, all these things require one thing;setting a goal and working hard to achieve it.Houdini was a famous illusionist,a person who performs tricks that deceive the eye. Some people have natural talents but others work hard to achieve their goal. In order to become something you must create a goal and complete the steps to reach it by planning,researching,working hard,and not giving up.
I've always wanted to be an actor. I've always liked performing. We used to live in Alberta, and I didn't have much opportunity there. But we moved here {Vancouver, BC}, and I got an agent, and here I am.
Many people might say that stars are merely a product of the Hollywood system needing to make a profit; Hollywood manufactures a product and creates the demand for it. A star's image is processed through advertisements and promotions and has little to do with what the audience wants and needs from entertainment. There is a widespread mentality that any Average Joe can become a star with enough resources backing him up. Richard Dyer points out, however, that even movies full of stars fail, and stars can and do fall out of fashion (12). A star's economic worth is not invulnerable to audiences' opinions. The audience isn't so easily controlled.
The beginner or expertise will benefit from reading Evoking Sound by James Jordan; this book is the total package for any conductor that is wiling to expand their knowledge upon this subject. It goes beyond the basics, yet it expands the deeper relationship between the conductor and the ensemble. It gives examples of how to produce the sound you want from an ensemble or even create a program; it gives many other examples that are truly valuable and creative.
As you probably could have assumed, I love to watch any film I can get my hands on, and my once strong friendships are hanging on by a thread due to hours spent helping on short films of mine. Unlike some applicants, I come from a farming community with no film connection, none of my classmates are interested in pursuing a career like film, my school offers no film courses, and I have no film connection currently. Surely I sound like a poor fit for the Hollywood Reporter’s top film school, you may even wonder why I, without a single connection, would choose this field. Hopeful it may be understood me more through my background.
Steven Connor delves into the mixing and creating of sound by computerisation, as well as the habits of sound; it’s immersion, pathos and objectivity.
Hollywood has always been considered as one of the crown jewels of the entertainment industry. A true powerhouse of western cinema with a myriad of productions, each successful in the art of storytelling, and the maker of numerous directors, producers, writers and actors. With a reputation such as that, it’s no surprise that Hollywood is not only a symbol of success but also a beacon of hope for any aspiring newcomer.
Good acting relies on a kinesthetic, an intrapersonal, and an interpersonal intelligence, all of which work together to form a creative expression. There exist limitless styles of acting; there is always something to learn.
Hollywood has for over twenty-eight years created and supplied products associated with movies to all main film studios, leisure and entertainment industries. The most revered clients recognized in the entire world include Disney, Paramount, Colombia, 20th Century Fox, Warner Bros and Universal among others. For this basis, the greater part of the actors all over the world wants to labor and make a living in Hollywood. The exceptional and distinctive characters have their own customs, beliefs and cultures which aid them to pursue fame and fortune in this Dream Factory. Every talented person desires this American dream. There are numerous prospects that make life better and in Hollywood, t...
RH: What inspired you to become an actress? What kind of training have you had in acting?
Al pacino said, "The actor becomes an emotional athlete. The process is painful - my personal life suffers". In other words, "Acting is simply more than walking out on the stage" as Dr. Stevenson would put it. It is more than just reading the lines. To be a true actor, I believe it takes inner capabilities such as learning life. In all the books I have read, all the chapters we have reviewed in class, and in all honesty…Al Pacino is an actor I cannot forget.
I’ve learned to appreciate the beauty of how theater is more than a mere performance, but rather an artform with nuance and depth. My knowledge on theatrical styles has expanded and some of my favorites we have studied in class are Brechtian and Chinese theatre styles. I grew up participating in musical theatre, but never had the opportunity to truly learn the history and details of the craft. After studying RENT, I am inspired by the various possibilities for theater beyond acting, singing, and dancing. Theater can be used for activism or as a form of commemoration. Theater is relevant by communicating issues to the world. Theater is so much more than a dramatic presentation. The theater that I have come to appreciate the most are the performances that relay a greater purposeful message about society amidst the theatricals on
unemployment; competition for roles is often intense. While formal training is helpful, experience and talent are more important for success in this field. Because of erratic employment, earnings for actresses are relatively low.
Movie stars. They are celebrated. They are perfect. They are larger than life. The ideas that we have formed in our minds centered on the stars that we idolize make these people seem inhuman. We know everything about them and we know nothing about them; it is this conflicting concept that leaves audiences thirsty for a drink of insight into the lifestyles of the icons that dominate movie theater screens across the nation. This fascination and desire for connection with celebrities whom we have never met stems from a concept elaborated on by Richard Dyer. He speculates about stardom in terms of appearances; those that are representations of reality, and those that are manufactured constructs. Stardom is a result of these appearances—we actually know nothing about them beyond what we see and hear from the information presented to us. The media’s construction of stars encourages us to question these appearances in terms of “really”—what is that actor really like (Dyer, 2)? This enduring query is what keeps audiences coming back for more, in an attempt to decipher which construction of a star is “real”. Is it the character he played in his most recent film? Is it the version of him that graced the latest tabloid cover? Is it a hidden self that we do not know about? Each of these varied and fluctuating presentations of stars that we are forced to analyze create different meanings and effects that frame audience’s opinions about a star and ignite cultural conversations.