Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Amanda in the glass menagerie essay
Characterization in the glass menagerie
Essays written by tennessee williams
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Amanda in the glass menagerie essay
The Glass Menagerie, written by Tennessee Williams, is a complex work that encompasses many thematic ideas. The play details the life of a dysfunctional family living in St. Louis during the 1930s. The family has many problems and have created their own version of reality to cope with and avoid the truth of their situation. Illusion reigns supreme and prevents the family from moving forward. In The Glass Menagerie, Williams explores how one can create their own warped version of reality based on memories of the past, visions of the future, or a distorted perception of the present and how that can prevent one from moving forward in their life.
Amanda Wingfield is the character with the most distorted view of reality. She can clearly see the
…show more content…
She can look the present squarely in the face, but her perception of the present is warped by her anxiety over her disability (Bluefarb 516). Laura Wingfield is a terribly shy young lady with a physical defect that has caused her leg to be "held in a brace"(Williams 677). This defect, which is merely "suggested on the stage," has caused her to develop terrible anxiety and leaves her unable to function in society (Williams 677). She was miserable throughout high school because of her inability to socialize and her anxiety over her disability. When she would walk through the stairwell to her classes, she imagined her brace clumping so loud it "sounded like thunder," but her former classmate "never even noticed" the clumping (Williams). She dropped out of business school because "her hands shook so that she couldn't hit the right keys" (Williams 683). Single, the author of "Flying the Jolly Roger: Images of Selfhood and Escape" also suggests that her mother has contributed to this anxiety and low self-image by making Laura's disability an "unmentionable in their house" (77). She has also told many stories of her skill at collecting suitors and becoming a "pretty trap," yet she failed to keep her romance alive, which kills any hope Laura may have about one day obtaining love (Single 78). Amanda has tried to push the idea into Laura's head that she will become popular and one day marry, but Laura refuses to give herself what she perceives as false hope. She has never been able to function outside the world she has built for herself, so she has made the decision to stay consumed by her illusions. Laura's only comfort that is based in reality is her memories of a boy named Jim O'Connor with a beautiful voice who used to call her "Blue Roses"(Williams 684). She was infatuated with him and cherishes the memories of their constant but brief interactions in high school. When he turns out to be her gentlemen
Amanda Wingfield is mother of Tom and Laura. She is a middle-aged southern belle whose husband has abandoned her. She spends her time reminiscing about the past and nagging her children. Amanda is completely dependent on her son Tom for finical security and holds him fully responsible for her daughter Laura's future. Amanda is obsessed with her past as she constantly reminds Tom and Laura of that " one Sunday afternoon in Blue Mountain when she once received seventeen gentlemen callers" (pg.32). The reader cannot even be sure that this actually happened. However, it is clear that despite its possible falsity, Amanda has come to believe it. Amanda also refuses to acknowledge that her daughter Laura is crippled and refers to her handicap as " a little defect-hardly noticeable" (pg.45). Only for brief moments does she ever admit that her daughter is crippled and then she resorts back into to her world of denial and delusion. Amanda puts the weight of Laura's success in life on her son Tom's shoulders. When Tom finally finds a man to come over to the house for diner and meet Laura, Amanda blows the situation way out of proportion. She believes that this gentlemen caller, Jim, is going to be the man to rescue Laura. When in fact neither herself nor Laura has even met this man Jim yet. She tries to explain to Laura how to entertain a gentleman caller; she says-talking about her past " They knew how to entertain their gentlemen callers. It wasn't enough for a girl to be possessed of a pretty face and a graceful figure although I wasn't slighted in either respect.
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Laura unable to survive in the outside world - retreating into their apartment and her glass collection and victrola. There is one specific time when she appears to be progressing when Jim is there and she is feeling comfortable with being around him. This stands out because in all other scenes of the play Laura has never been able to even consider conversation with a "Gentleman Caller."
While showing complete love for her daughter, she still wants her out of the house. Tom decides to bring home one of his friends from work to have dinner with him and his family. When Amanda finds out she is ecstatic, she goes on about how she always had gentleman callers coming around and how this was going to be the best night ever. Laura was not happy at all “I’m just not as popular as you were in Blue Mountain” (Williams 367). Laura was content where she was and felt no man could possibly love her.
The three family members are adults at the time of this play, struggling to be individuals, and yet, very enmeshed and codependent with one another. The overbearing and domineering mother, Amanda, spends much of her time reliving the past; her days as a southern belle. She desperately hopes her daughter, Laura, will marry. Laura suffers from an inferiority complex partially due to a minor disability that she perceives as a major one. She has difficulty coping with life outside of the apartment, her cherished glass animal collection, and her Victrola. Tom, Amanda's son, resents his role as provider for the family, yearns to be free from him mother's constant nagging, and longs to pursue his own dreams. A futile attempt is made to match Laura with Jim, an old high school acquaintance and one of Tom's work mates.
Throughout the play, Williams highlights the importance of family dynamics and interaction in regards to shaping an individual, tacitly emphasizing how the characters in The Glass Menagerie are imprisoned by their environment and situation. Williams shows that Amanda’s nostalgic remembrance of her youth, Tom’s need to escape the Wingfield apartment, and Laura’s “inferiority complex” create a schism between reality and the characters’ perceptions of reality. As the characters in the play struggle with personal wants and needs, the family dysfunction further forms an imaginary bubble around the Wingfield apartment, crafting an atmosphere filled with unrequited love, unknown abilities, and unrealized goals. However, Williams is keen to note that the _______ actions of the characters can bring light the harsh realities of the world. In The Glass Menagerie, Williams illustrates the duality of fantasy and reality with the passive and active actions of the characters in an effort to illuminate that it is human nature to live in ignorance but realizes that humanity can only truly experience life after recognizing truth.
Tennessee Williams’ play, “The Glass Menagerie”, depicts the life of an odd yet intriguing character: Laura. Because she is affected by a slight disability in her leg, she lacks the confidence as well as the desire to socialize with people outside her family. Refusing to be constrained to reality, she often escapes to her own world, which consists of her records and collection of glass animals. This glass menagerie holds a great deal of significance throughout the play (as the title implies) and is representative of several different aspects of Laura’s personality. Because the glass menagerie symbolizes more than one feature, its imagery can be considered both consistent and fluctuating.
A 26 year-old woman kneels on the floor, childlike, playing with glass figurines upon a living room table. Too plagued by her own humility, Laura contemplates only one future for herself; seclusion from the outside world where bad encounters prevail the desire for good experiences. A lack of positive growth for Laura, along with the rest of her family, is the pitfall for Tennessee Williams where he pressurizes kindred desperation in The Glass Menagerie only to produce hopelessness as the ultimate outcome.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
The most important theme in The Glass Menagerie is the difficulty people have in accepting and relating to reality. As a result of their inability to overcome this difficulty, the characters withdraw into a private world of illusion to find the comfort they can’t find in real life.
Amanda loves her children and tries her best to make sure they do not follow her path to downfall. Unfortunately, while she is trying to push her children toward her ideals of success, she is also pushing them away. Amanda Wingfield is a kind woman stuck in the wrong place and time; she is trying to make her children’s life perfect while attempting to get a re-do on her love life with Laura and forcing Tom to fill the role that her husband abandoned. Amanda Wingfield was never meant to be in the situation that she finds herself in.
Life can be tough for some, especially with everything going on in the world. Sometimes reality can seem bleak. Illusions are a safe place that the mind creates when life becomes disappointing. Tennessee Williams’ screenplay, The Glass Menagerie, is an illustration of a dysfunctional family. The dysfunction comes in the form of the Wingfields refusing to live in reality, creating their own illusions about life, and denying each other’s delusional thinking.
After looking at both the film and the book of The Glass Menagerie, it is clear that there are a lot of similarities between the the movie and the book, including contrasts. Likewise, it is clear that each work had its quality and shortcomings in connections to the next portrayal of The Glass Menagerie by Tennessee Williams has two portrayals of the work which had significant similarities and and contrasts that influence mindsets for the group of outlookers, for example, the components of the play and the motion pictures, settings of the movie and the play.
Even though one would not expect the mother to have issues with reality, Amanda had those types of problems. She was always concerned with being liked and wanting Laura to be liked. She put on an act for the gentleman caller when he came over; she tried to act very nice and polite, more than what was considered the norm. She was also stuck in the past; she often told Tom and Laura about all of her past experiences, including her many gentleman callers. She did not e...
Louis Blackwell writes about the predicament of women in the Glass Menagerie: Williams is making a commentary on Western culture by dramatizing his belief that men and women find reality and meaning in life through satisfactory sexual relationships" (Stanton 101). Neither Laura nor Amanda has a satisfactory sexual relation too speak of. Therefore both lead odd unhappy lives. Amanda lives in the past and Laura escapes into her world of glass ornaments. The main focus of both Amanda and Laura is to find that mate who will rescue them. This is a difficult task and is put on the shoulders of Tom. The search for a mate is actually the search for reality. Until a mate is found, they will remain in the world of delusions. Amanda constantly nags Laura to stay pretty for her gentlemen callers; without them she will not be able to escape out of her current situation. Without a man she will not be successful. Laura discusses Amanda's concerns about not having any gentlemen callers. "Mother's afraid I'm going to be an old maid" (Williams 36). It is a disgrace for a woman not to have a