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Essay on amanda in the glass menagerie
Powerful Symbols and Symbolism in The Glass Menagerie
Literary criticism of the glass menagerie
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Throughout the play, Williams highlights the importance of family dynamics and interaction in regards to shaping an individual, tacitly emphasizing how the characters in The Glass Menagerie are imprisoned by their environment and situation. Williams shows that Amanda’s nostalgic remembrance of her youth, Tom’s need to escape the Wingfield apartment, and Laura’s “inferiority complex” create a schism between reality and the characters’ perceptions of reality. As the characters in the play struggle with personal wants and needs, the family dysfunction further forms an imaginary bubble around the Wingfield apartment, crafting an atmosphere filled with unrequited love, unknown abilities, and unrealized goals. However, Williams is keen to note that the _______ actions of the characters can bring light the harsh realities of the world. In The Glass Menagerie, Williams illustrates the duality of fantasy and reality with the passive and active actions of the characters in an effort to illuminate that it is human nature to live in ignorance but realizes that humanity can only truly experience life after recognizing truth.
Williams molds each of the family members in the play into emotional seclusion, “…inhabit[ing] a private world where the fundamental concern is with self-image,” illustrating the easiness of creating barriers and walls to live (Levy). Evidence of Levy’s analysis can be seen through Amanda’s delusional recollection of her popularity as a youth in the South. Exclaiming that she had “…received—¬seventeen!—gentlemen callers!” and telling countless stories about each caller, Amanda’s continuous tales of her adolescence fosters her perception of Laura (William 1. 1782). In Laura’s search for a gentleman caller, Amanda vi...
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Greiff, Louis K. “Fathers, Daughters, and Spiritual Sisters: Marsha Norman’s ‘night, Mother and Tennessee Williams’s The Glass Menagerie.” Text and Performance Quarterly 9.3 (July 1989): 224-228. Rpt. In Contemporary Literary Criticism. Ed. Tom Burns and Jeffrey W. Hunter. Vol 186. Detroit: Gale, 2004. Literature Resource Center. Web. 7 Mar. 2012.
Levy, Eric P. "'Through Soundproof Glass': The Prison of Self-Consciousness in The Glass Menagerie." Modern Drama 36.4 (Dec. 1993): 529-537. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter and Deborah A. Schmitt. Vol. 111. Detroit: Gale Group, 1999. Literature Resource Center. Web. 20 Feb. 2012.
Williams, Tennessee “The Glass Menagerie” Literature: Reading Fiction, Poetry, and Drama. Ed. Robert DiYanni. 5th ed. New York: McGraw Hill, 2002. 1780-1831. Print.
The Glass Menagerie is a play about the character Tom trying to escape his living situation that traps him. He is doing to best to cope with his dependent, demanding mother Amanda and take care of his quiet sister Laura. Amanda and Laura solely depend on Tom’s income from his warehouse job, but Tom is desperately wanting to leave both his mother and sister to lead his own adventurous life. Laura is mainly embodied by her precious glass menagerie and Jim O’Connor’s nickname for her, “Blue Roses.” Her livelihood revolves around taking care of her glass animals and protecting them, and in doing so, she isolates herself from the normal world around her. In Tennessee William’s play The Glass Menagerie, symbolism is use to uncover the unearthly beauty and delicacy of Laura and to portray Tom’s need to escape from his oppressive responsibilities.
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Learning how to remain optimistic and fulfilled in a rough situation is one of the most important skills a person can develop.. In Tennessee William’s The Glass Menagerie, the Wingfield family has trouble separating what is real and what is not, but they always manage to stay pleased with themselves. Laura spends her time with her glass menagerie and trinkets. Tom uses art, literature, and substance abuse to distract him from his current situation. Amanda indulges into the past and lives vicariously through her daughter as to not be in the moment. When an individual is forced to comply to a certain standard of living, then they must artificially escape their reality, because if they do not, they will never be able to sustain
As Winfield 's wife, Amanda is worthy of love and respect. Amanda is a southern lady, when she was young, she had an attractive appearance and graceful in manner, and her families were also quite rich. These favorable conditions made her the admiration of many men. Still, her final choice was a poor boy. She did not hesitate and bravely to choose her own love. Though her marriage was not as good as she had imagined the happiness of life, and the husband, Winfield meager income also drinking heavily, finally abandoned Amanda and two young children, but she still remembered and loved her husband. Her husband 's weakness did not make Amanda fall down; instead, she was brave enough to support the family, raising and educating of their two young children. Daughter Laura was a disability to close her fantasy world, and she was collection of a pile of glass small animals as partners. Amanda knew Laura sensitive, fragile, she was always in the care and encourages her daughter. Because of her shortcomings, Laura sometimes frustrated and Amanda immediately replied that "I 've told you never, never to use that word. Why, you 're not crippled, you just have a little defect". Amanda for the care of the children was more reflected a mother 's strong from the play that Amanda paid money to send Laura to typing school. She hoped daughter have a better future and married a good man to take care of the family, and encouraged her daughter, prompting her to go out of the glass menagerie to experience her real life, but Amanda placed more expectations for his son Tom because her husband left home, Tom is the only man and the mainstay of the family. She wanted Tom to realize that is a kind of family responsibility, also is a kind of essential social
Reality is hard to face, when everything going on around a person is not in the greatest conditions. The Wingfield family does not live in the greatest conditions. Tom, Amanda and Laura all live in an apartment together. Tom, the main character and narrator of the play, is the brother to Laura and the son to Amanda. Tom is forced to take on the role of the breadwinner of the family because his father left them. This has thrown the entire family off the rails. It has altered the reality in which all of the characters live. In Tennessee Williams’ play, “The Glass Menagerie”, The Wingfield family has difficulty differentiating reality versus non-reality. The world we are living in today relates
Tennessee Williams employs the uses of plot, symbolism, and dialogue to portray his theme of impossible true escape, which asserts itself in his play, The Glass Menagerie. Each of his characters fills in the plot by providing emotional tension and a deep, inherent desire to escape. Symbolism entraps meaning into tangible objects that the reader can visualize and attach significance to. Conclusively, Williams develops his characters and plot tensions through rich dialogue. Through brilliant construction and execution of literary techniques, Williams brings to life colorful characters in his precise, poignant on-stage drama.
The Glass Menagerie is a play about the memories of a young man named Tom Wingfield. Tom dreams of escaping his complicated and completely dependent family. Tennessee Williams uses symbolism to emphasize Tom’s yearning to leave. The first symbol of this the fire escape which serves as a bridge to reality from the illusive wo...
Tennessee Williams’ play, The Glass Menagerie, depicts the Wingfield family in a naturalistic viewpoint that highlights the importance of a man in the life of a woman. Without a husband in the play, Amanda’s son Tom is rendered as “the man of the house.” Williams attributes the monetary stability of the Wingfields entirely to Tom. Williams stresses the necessity of a working man through Tom so that women and children can be financially stable. As a naturalist, Tennessee Williams illustrates the characters’ reactions to various events and circumstances in accordance with man’s natural instincts of survival. Williams reveals Amanda in this approach, and he portrays naturalistic tendencies in her personality and character, her relationship with her son, and her connection with her hopeless daughter, Laura. Amanda is trying to survive and raise her children without a husband to support her economically.
The family in Tennessee Williams’ play, The Glass Menagerie, faces various dilemmas. One of the most prominent is the issue of anxiety. Throughout the play, the family focuses their attention mainly on Laura and her struggle with both her physical disability and social anxiety. However, closer analysis reveals that Laura is not the only character suffering, each family member displays signs of being affected by anxiety. Their interactions with one another trigger feelings of nervousness, unhappiness, and anger. The issue of anxiety extends beyond Laura, affecting the whole family, and ultimately leads to tragedy.
Tennessee Williams’ play, “The Glass Menagerie”, depicts the life of an odd yet intriguing character: Laura. Because she is affected by a slight disability in her leg, she lacks the confidence as well as the desire to socialize with people outside her family. Refusing to be constrained to reality, she often escapes to her own world, which consists of her records and collection of glass animals. This glass menagerie holds a great deal of significance throughout the play (as the title implies) and is representative of several different aspects of Laura’s personality. Because the glass menagerie symbolizes more than one feature, its imagery can be considered both consistent and fluctuating.
Generally when some one writes a play they try to elude some deeper meaning or insight in it. Meaning about one's self or about life as a whole. Tennessee Williams' "The Glass Menagerie" is no exception the insight Williams portrays is about himself. Being that this play establishes itself as a memory play Williams is giving the audience a look at his own life, but being that the play is memory some things are exaggerated and these exaggerations describe the extremity of how Williams felt during these moments (Kirszner and Mandell 1807). The play centers itself on three characters. These three characters are: Amanda Wingfield, the mother and a women of a great confusing nature; Laura Wingfield, one who is slightly crippled and lets that make her extremely self conscious; and Tom Wingfield, one who feels trapped and is looking for a way out (Kirszner and Mandell 1805-06). Williams' characters are all lost in a dreamy state of illusion or escape wishing for something that they don't have. As the play goes from start to finish, as the events take place and the play progresses each of the characters undergoes a process, a change, or better yet a transition. At the beginning of each characters role they are all in a state of mind which causes them to slightly confuse what is real with what is not, by failing to realize or refusing to see what is illusioned truth and what is whole truth. By the end of the play each character moves out of this state of dreamy not quite factual reality, and is better able to see and face facts as to the way things are, however not all the characters have completely emerged from illusion, but all have moved from the world of dreams to truth by a whole or lesser degree.
Symbolism is an integral part of every play. The author uses symbolism in order to add more depth to the play. In Tennessee Williams’ play, The Glass Menagerie, he describes three separate characters, their dreams, and the harsh realities they face in a modern world. The Glass Menagerie exposes the lost dreams of a southern family and their desperate struggle to escape reality. Everyone in the play seeks refuge from their lives, attempting to escape into an imaginary world. Williams uses the fire escape as a way for the Wingfields, the protagonists of the play, to escape their real life and live an illusionary life. The fire escape portrays each of the character's need to use the fire escape as a literal exit from their own reality.
In The Glass Menagerie, Tennessee Williams uses the roles of the members of the Wingfield family to highlight the controlling theme of illusion versus reality. The family as a whole is enveloped in mirage; the lives of the characters do not exist outside of their apartment and they have basically isolated themselves from the rest of the world. Even their apartment is a direct reflection of the past as stories are often recalled from the mother's teenage years at Blue Mountain, and a portrait of the man that previously left the family still hangs on the wall as if his existence is proven by the presence of the image. The most unusual factor of their world is that it appears as timeless. Amanda lives only in the past while Tom lives only in the future and Laura lives in her collection of glass animals, her favorite being the unicorn, which does not exist. Ordinary development and transformation cannot take place in a timeless atmosphere such as the apartment. The whole family resists change and is unwilling to accept alteration. Not only is the entire family a representation of illusion versus reality, each of the characters uses fantasy as a means of escaping the severity of their own separate world of reality. Each has an individual fantasy world to which they retreat when the existing world is too much for them to handle. Each character has a different way of dealing with life when it seems to take control of them, and they all become so completely absorbed in these fantasies that they become stuck in the past.
In Tennessee Williams' play, The Glass Menagerie, each member of the Wingfield family has their own fantasy world in which they indulge themselves. Tom escaped temporarily from the fantasy world of Amanda and Laura by hanging out on the fire escape. Suffocating both emotionally and spiritually, Tom eventually sought a more permanent form of escape.
The role of abandonment in The Glass Menagerie can best be described as the plot element that underlies the overall tone of despondence in the play because it emphasizes the continuous cycle of destruction and hardship that the Wingfield family experiences; indeed, abandonment in the play is a reiterative element that strips the excesses from the three main characters in the play and leaves them in their barest forms, united by a sorrowful reality and clutching each other through the ever-present need to sink into a self-constructed oblivion. The first, and perhaps the most notable and most frequently discussed, example of abandonment in the play would be that of Amanda Wingfield’s husband’s abandonment of his family; he left them at an unspecified time in the past because “he fell in love with long distances,” and evidently forsook any obligations and emotional affiliations that he may have had with his wife and offspring (Williams 5). Having been abandoned by a man who was both husband and father affected Amanda, Tom, and Laura in that it established many of their familial dynamics...