Realism In Stoppard's Play Rosencrantz And Guildenstern Are Dead?

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Works of Literature that I have studied in depth and others that I am acquainted with have challenged me significantly, for they have made me question that which I already seem to know. Often, society bears witness to a few significant individuals who are able to impact it to the extent that they are able to reconstruct and divert the course of history. Such individuals are who we call ‘genius’. In literature too, the notion of a genius is explored to depict the struggle of mankind to attain the ideal. In other words, while it is true that geniuses may come and go, the idea of genius is central to the human experience that is not to leave it sometime soon. Therefore, genius is characterized by its innate capability to escape the ultimate …show more content…

Stoppardian plays hold up the mirror to nature, exploring the relationship between the real and the imaginary in action and providing a meta-comment on the structure, representation and action of dramatic art. By taking the more peripheral characters, Stoppard’s multi-faceted play set in Elizabethan times and re-theatricalizing it so as to emphasize the artifice eyes of the real. Just as a vestige of the real, was complex in the Renaissance, in Stoppardian times, he has shattered the architecture of theatrical division and mimetic presuppositions and flipped them. It is the characters that are too aware, in an enfranchised way, of their being-as-playing a role that is too confined. Hence trivia, improve invention in a way that recomposes the diegetic nature of dramatic representation. I think the question is not ‘which is more real’ but ‘is there any real’? that allows Stoppard the formal inventiveness of his dramatic structure but also some really inventive, theatricality and verbal wit. Even in the play like Rosencrantz and Guildenstern are Dead, these characters seem to be more real when engaged in the fictive role Shakespeare created for actors to play. Arcadia dramatizes a meeting point between pure language and pure thoughts falling within the Aristotelian framework . Sidley Park being the place for action is the essential language of signs, of love and of erroneous discourses therefore can be juxtaposed with the place where the scientific discoveries can be made

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