Realism In Jane Eyre

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A key characteristic of the ‘classic Victorian realist novel’ is the focus on realism. Realism deliberately rejects “conventionally attractive … subjects in favour of sincerity and a focus on the unidealized treatment of contemporary life” (OED). Realism marks a shift to focus on the self as an individual, hence the in-depth depiction of some of the characters in Jane Eyre (Brontë, 1847). An example of this is Jane’s reflection upon how her departure from Thornfield will affect Mr. Rochester. After considering how much he may suffer, she still resists the impulse to enter Mr. Rochester’s sleeping quarters: “My hand moved towards the lock: I caught it back, and glided on.” This shows Jane as a complex character. Conflicting desires exist within her: she loves Mr. Rochester, but morally, she is not resolute with being his mistress, and hence she decided to leave Thornfield. Although deciding between love and morality is not an everyday occurrence, it is a moment that happens because of and in Jane’s daily life. As readers, we are able to empathise with Jane, as her conflicting impulses and motivations closely mirror the daily trials of being human. The realistic novel places greater emphasis on its characters, rather than its plot, and explores the relationships between these characters. The selected passage shows both the servant-master aspect of Jane and Mr. Rochester’s relationship, as well as its romantic nature. At the beginning of the selected passage, Jane affectionately describes Mr. Rochester as a “kind master,” which is indicative that even after his proposal, she is unable to separate herself from her position as a servant. This is further emphasized when Jane states that “he would send for [her] in the morning,” whic... ... middle of paper ... ...ate the true nature of reality. This gives the reader a sense of being there in the moment. A prime example of this within the selected passage is Jane’s action of leaving Thornfield: “Dim dawn glimmered in the yard. The great gates were closed and locked; but a wicket in one of them was only latched. Through that I departed: it, too, I shut; and now I was out of Thornfield.” This detailed description shows Jane’s dedication to her decision to leave Thornfield, and allows the reader feel as if they are with her in the moment. The sequence conjures up strong imagery, which the reader is likely familiar with, such as the sight of early dawn. The locked gates suggest both a sense of confinement and security within Thornfield. Such a layering of small details and observations creates the sense of realism that is characteristic of classic Victorian realist literature.

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