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World history chapter 4 ancient greece
Greek civilization history
History the greek experience
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In poem 49-She was dressed well, Sappho depicts the physical characteristics of a women from a man’s point of view:
Her feet were hidden
under embroidered
sandal straps—fine
handwork from Asia (Sappho, 49).
These depictions are based off of how a woman dresses as well as her role in society. As mentioned in the excerpt Re-Queering Sappho, it talks about how Sappho was a woman author who wrote very masculine. This shows queerness in her writing through playing with masculinity and femininity. Sappho plays with masculinity and femininity through changes in word choice. For example, Sappho uses words feminine words such as “her”, “hidden”, “fine”, “under”, and “Asia” to suggest that women are considered weak and not as important as men in society.
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They are considered property to males. The word “her”, suggests that the person’s gender is female. “Hidden” suggests that the women is covering her feelings and thoughts from the world, afraid that she will get in trouble if she says the wrong thing.
“Fine” is a physical attribute of a woman; every man hopes to marry a good looking women. “Under” portrays that males have more dominance/power than women do. “Asia” suggests that women are considered laborers whether it is they get payed less but do more work than men or they are the person who carries the child during pregnancy. On the other hand, Sappho uses masculine words such as “embroidered”, “straps”, and “handwork”to suggest that men are considered the “dominant” gender. “Embroidered” resembles decorative; usually a king wears embroidery. “Straps” resembles a man’s power physically. “Handwork” resembles a man’s physical strength. As a result, we can see that Sappho brings up very important roles of both men and women in society. Women are seen as powerless individuals while men are seen as powerful individuals. an important issue of women's inequality by describing women as powerless and used as an object rather than a human being. Based on the Sappho poem, the author from the article “Re-Queering Sappho” feels importantly about this issue of Sappho’s queerness in her writing. The author admires Sappho’s cleverness
to make the writing seem more masculine to portray a traditional ancient greek actor who is man acting as a women. Sappho’s change between masculine and feminine, makes her poems unique and interesting to read.
“The beginning of female art found in this Aphrodite depict her as a slightly overweight, broad-shouldered, wide-hipped figure with rougher textures and harsher lines” (Berz). The Greeks found this so appealing because it looked very similar to themselves in form but because Aphrodite is na...
Men and women lived in completely dissimilar spheres, until the time of marriage. Even after marriage, they still retained strong ties to their own spheres, as Achilles and Patrocleus. This aspect of young life is depicted by Sappho in her poems. Apparently alternative lifestyles were commonly accepted in youth and continued throughout adulthood.
This theme is evident in the doubling of stockings with the girl’s natural black legs. The red stockings, which represent sexual, material desires, are contrasted with the natural, elegant beauty of the legs of the black girl. The stockings highlight only the legs, separating them from the girl as a whole and allowing for easier objectification, specifically by young white males. However, the girl knows this, as she has put the stockings on and is being told so by the narrator, who represents the black community. The narrator also clearly recognizes the girl’s beauty, and her beauty is further highlighted in the fact that she is clothed in silk, which relates to royalty and comfortability.
Eupriedes, Medea and Sappho’s writing focus on women to expose the relationships between a variety of themes and the general ideal that women are property. The main characters in both pieces of literature demonstrate similar situations where love and sex result in a serious troll. These themes affected their relationship with themselves and others, as well as, incapability to make decisions which even today in society still affects humans. Headstrong actions made on their conquest for everlasting love connects to sacrifices they made to achieve their goal which ultimately ended in pain. Love and sex interferes with development of human emotions and character throughout the course
Literature shows us the changes of our society from time to time. It also gives us an idea about people, culture, politics, gender traditions, as well as an overall view of previous civilizations. As a part of literature, poetry introduces us to different cultures with different perspectives. Ancient Egypt and ancient China may differ in terms of culture, politics, economic stability, tradition, or even in religious belief. However, in poetry, especially in love lyrics both Egyptian and Chinese poems portray common area of describing women, social attitudes toward love, sexuality and the existence of romance or selfishness in relationships. . If we look at the Egyptian poem “My god, my Lotus” and the Chinese poem “Fishhawk”, we will see both poems have similarities in describing relationships. Also, they have the similarity of imagining the lovers and their expression of love toward each other. However, both poems have some significant differences in terms of representing female sexuality, gender disparity and the display of love.
...e, women are the weaker of the two sexes. Women are slaves and spoils of war, if they are valued for sex they are used for sex. The universal portrayal of women causes a reevaluation of modern day gender balances by the reader.
Many readers feel the tendency to compare Aphra Behn's Oroonoko to William Shakespeare's Othello. Indeed they have many features in common, such as wives executed by husbands, conflicts between white and black characters, deceived heroes, the absolute vulnerability of women, etc. Both works stage male characters at both ends of their conflicts. In Othello, the tragic hero is Othello, and the villain is Iago. In Oroonoko, the hero is Oroonoko, the vice of the first part is the old king, and the second part white men in the colony. In contrast to their husbands, both heroines—Desdemona and Imoinda—seem more like "function characters" who are merely trapped in their husband's fates, occasionally becoming some motivation of their husbands (like Desdemona is Othello's motivation to rage, Imoinda's pregnancy drives Oroonoko restless to escape). While Shakespeare and Behn put much effort in moulding them, to many readers they are merely "perfect wives". This paper aims to argue that, Desdemona and Imoinda's perfect wifehood may be the product of compliance to male-dominated societies, where women are
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
The ways the characters portrayed what is supposedly masculine and feminine was when the author wrote about the type of clothes the grandma is wearing. She is wearing
She repeated “Some say” and “others” to show that the definitions of beauty are distinct between people. She listed three masculine opinions about beauty “thronging cavalry, foot soldiers, a fleet” are the most beautiful to them. “A foot soldier - armed with long spears, protected by shields and body armor, and grouped in closed ranks.” (EH). That is the beauty of strength, bravery, and exploit. As a perspective of female, she though that the most beautiful in the world was whatever one love best. She also gave the myth of Homer for the instance. Helen – the most beautiful woman in the world- was having a happy life with the King of Sparta and a nine-year-old daughter. Unfortunately, because of the promise of god Aphrodite with Paris, she unintendedly fell in love with Paris. It was the Goddess to blame on. In the fragment, “the goddess seduced her wits and left her to wander”. In unconscious state, she forgot all about her current life and beloved family, her yearning was to approach her lover. One intriguing detail is a woman named Anactoria. It was probably because of a certain circumstance, Sappho and Anactoria are separated after a period of time together so that Sappho can visualize clearly “her lovely step, her sparkling glance and her face”. Description about Anactoria and the Lydia troops adds the sentimental to the tone and restate Sappho opinion about
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
Women in most cultures have been designated as second to men and in some instances, considered below male children as well. With the passage of time women gained respect and the right for equality. Although gender discrimination remains, a lot of progress has been achieved. Literature is a one of the facets of the human race that reflects the culture change of people. William Shakespeare’s King Lear portrays the patriarchal system of the Renaissance era, which leaves women completely dependent on the male head of household. In Henrik Ibsen’s Doll House, set in the modern era, there is still a patriarchal system but women have just a little more freedom. The article, The Doll House Backlash: Criticism, Feminism, and Ibsen by Joan Templeton, analyzes the gender subordination in A Doll House. Comparing and contrasting the themes of the two plays followed by consideration of the article’s research on the theme in A Doll House, assists in developing an understanding of the gradual progression of women’s freedom to be their “true selves” through equality with men. The “true self” is a person's character that is masked by a false portrayal designed to appeal to others.
The Feminist Subtext of A Midsummer Night's Dream Shakespeare's works have persistently influenced humanity for the past four hundred years. Quotations from his plays are used in many other works of literature and some common phrases have even become integrated into the English language. Most high schoolers have been unsuccessful in their pursuit of a degree and college students are rarely afforded the luxury of choice when it comes to studying the board. Many aspects of Shakespeare's works have been researched but one of the most popular topics since the 1960s has been the portrayal of women in Shakespeare's tragedies, comedies, histories and sonnets. In order to accurately describe the role of women in Shakespeare's A Midsummer Night's Dream, one must first explore the female characters in the text.
“The emotional, sexual, and psychological stereotyping of females begins when the doctor says, ‘It's a girl.’” (Chisholm). Where do women fit in the social order of society today? Many women today fit in the same role as they would have been expected to long ago. Though generally speaking, women have a lot more options today. The male hierarchy still governs most aspects of society, but with many more limitations because women are discovering that they can stand on their own, and have no need for constant regulating from their male counterparts. Patriarchal influences are the base of society. In Antigone Sophocles tells a tale about Greek values and women’s status. Antigone has just witnessed her two brothers kill each other; one brother died defending Thebes and the other died betraying it. Creon’s law keeps anyone from burying the traitor and Antigone is set on contravening this. Conversely, Ibsen’s playwright, A Doll’s House, is a story about an intelligent woman, Nora, who is misunderstood by her husband, Torvald. She takes desperate measures to keep her family intact but in the end wines up going out on her own. As the stories progress the both Nora’s and Antigone’s characteristics become very similar in that they are both rebellious, are subservient to male jurisdiction, and are resolute and strong-willed in their decision.
When a person hears words like feminist or feminism, notions of what it means to be feminine, or consequently unfeminine, begin to dimly form in our mind’s eye. Although we cannot definitively answer the question of what is feminine, we are able to recognize it when we see it or its absence. This conception, however, is arbitrary at best. What is it about an evening gown that seems to define and dress the feminine aura while a woman spitting would be denounced as inherently unfeminine?