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Symbolism cathedrals raymond carver
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Symbolism cathedrals raymond carver
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In “Cathedral” by Raymond Carver, the narrator creates a connection with the blind man. He not only overcomes stereotypes, but also conquers his own blindness to the world around him. His whole perspective of blind men changes when he is told to close his own eyes and draw a cathedral with Robert (the blind man), therefore leading him to overcome his own “blindness”.
As “Cathedral” begins, the narrator speaks in a very conversational tone, he starts showing signs of his own blindness when he doesn’t understand why his wife writes poems. He says, “I didn’t think much of the poem. Of course, I didn’t tell her that. Maybe I just don’t understand poetry” (200). He continues his misunderstandings with other concepts such as believing in religion
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in which he states “ ‘I guess I don’t believe in it. In anything. Sometimes it’s hard” (209). He also extends these thoughts of nonreligion and goes on to say “‘The truth is, cathedrals don’t mean anything special to me. Nothing cathedrals. They’re just something to look at on late-night TV. That’s all they are” (209). These statements show the narrator's non-interest in the ideas anybody else would consider being apart of about or having a passion in. The narrator’s “blindness” carries on to his stereotyping of blind men, Robert in particular.
He starts out by only referring to Robert as “the blind man” (201). not even giving him a proper title or name, rather giving him just what he is simply known for (being blind). This shows that to the narrator Robert is nothing more than just a handicapped man rather than a person. The narrator starts by creating a stereotype of blind men always having to wear glasses to cover their eyes. He says “But he didn’t use a cane and didn’t wear glasses. I’d always thought dark glasses were a must for the blind. Fact was, I wished he had a pair” (203). This not only shows his assumption of blind men having to wear glasses but also how he wishes that the blind man would wear glasses because of his own discomfort. He also creates a stereotype that blind men don’t smoke, he states, “ I remembered having read somewhere that the blind didn’t smoke because, as speculation had it, they couldn’t see the smoke they exhaled...but this blind man smoked his cigarette down to the nubbin and then lit another one” (204). Displaying that there was yet another assumption of the narrator’s that was proven incorrect by the blind man himself. Such assumptions continue throughout the story with his shock of how Robert has two televisions as well as how the blind man “right away located his foods” and how “he [the blind man] knew just where everything was on his plate” (204). Such actions by the blind man impressed the narrator because throughout most the story he never see’s past the fact that Robert is
blind. Although it may seem that the narrator has stuck with his stubborn ways of creating his own stereotypes of blind men, he later warms up to Robert and is open to learn what it’s really like being a blind man. The narrator later starts switching from “the blind man” to finally calling him Robert, “ my wife heaped Robert’s plate with cube steak” (204). This shows how he slightly got more comfortable with having a blind man in his house. Despite the fact that he still calls Robert “the blind man” from time to time, he still made a slight transformation when deciding to call him by his real name, not by his disability. The major turning point in the narrator's mindset is when he asks Robert “if he wanted to smoke some dope with me” (205). This shows a new contentment with having Robert with him, this eventually leads to the narrator attempting to describe a cathedral in which he has a very hard time doing so. The very moment the narrator sees Robert as a person and not someone with a disability is when he is drawing a cathedral with Robert and is told to close his eyes. “ ‘close your eyes now,’ the blind man said to me. I did it. I closed them just like he said… ‘don’t stop now. Draw.’ So we kept on with it” (210). The narrator keeping his eyes closed and obeying Robert shows a new level of trust between the blind man and himself. In other situations one might open their eyes out of curiosity or not trusting the other person, but the narrator put trust into the blind man and showed this by keeping his eyes closed. The narrator continues to keep his eyes closed even when Robert allows him to open them, “‘take a look. What do you think?’ But I had my eyes closed. I thought I’d keep them that way for a little longer.I thought it was something I ought to do… ‘It’s really something,’ I said” (210). This final line in the story represents the narrator's eyes finally being opened, in the sense that he finally understands that being blind doesn’t make someone any less of a person.
In Cathedral by Raymond Carver, the narrator faces the conflicts of only being able to look from a standard physical viewpoint versus seeing on a deeper more involved emotional level. The story reaches a crisis when the narrator closes his eyes and begins to draw a cathedral, relying only on his imagination to fill in the details, and letting himself be guided by Robert, a blind man. This causes him to see clearly for the first time in his life on a more profound scale, even though in reality he is not actually visibly seeing anything. Therefore, the overall work argues that the narrator succeeds at meeting his challenge. He becomes more complete as a human being, since he realizes that in order to understand and view the world, one does not
The short story, “Cathedral,” by Raymond Carver, is about a blind man who changes the way the narrator views life by giving him some insight on how he sees things. The characters in this short story are constantly developing into better versions of themselves by sharing their insights with one another.
From the beginning of the story, and throughout most of it until the end, the narrator makes comments about his dislike for blind people. He is unwilling to meet Robert, his wife’s friend of 10 years because he can’t see. The narrator is so fixed on his physical handicap that it makes him unable to try and get to know Robert’s character at all. His
In the story "Cathedral" by Raymond Carver, the main character, goes through a major personal transformation. At the beginning of the story, his opinions of others are filled with stereotypes, discrimination and prejudice. Through interaction with his wife's blind friend Robert, his attitude and outlook on life changes. Although at first he seemed afraid to associate with a blind man, Robert's outgoing personality left him with virtually no choice. During Robert's visit, he proved to be a normal man, and showed the speaker that by closing his eyes, he could open his mind.
At first glance, one might assume Raymond Carver’s "Cathedral" illustrates the awakening of an insensitive and insulated husband to the world of a blind man. However, this literal awakening does not account for the fact that the husband awakens also to a world of religious insight, of which he has also been blind. The title and story structure are the first indicators of the importance of the religious thesis. It is also revealed when one examines the language and actions of the characters in the story. Finally, Carver’s previous and subsequent writings give an overall background for the argument that "Cathedral" has a significant religious import.
The narrator in Raymond Carver’s "Cathedral" is not a particularly sensitive man. I might describe him as self-centered, superficial, and egotistical. And while his actions certainly speak to these points, it is his misunderstanding of the people and the relationships presented to him in this story which show most clearly his tragic flaw: while Robert is physically blind, it is the narrator who cannot clearly see the world around him.
“Cathedral,” a short story written by Raymond Carver, presents an intriguing story of an ignorant man 's lesson. During this story, Carver 's working class characters are crushed by broken marriages, financial issues, and fulfilling jobs, but they are frequently unable to understand or communicate their own sufferings. However, the main story consists of the narrator, known as “Bub,” facing an internal conflict about a blind man named Robert staying the night in his home. Regardless of the fact that this blind man is his wife 's long time friend, the narrator cannot find himself comfortable with such an idea because of his extreme prejudices. Although, despite the narrator’s conflict he finds himself connecting to Robert on a more personal
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
By becoming close with Robert, the man in this story experienced what was necessary to gain an understanding of what life is like for the blind. The man began to draw the cathedral to try and help Robert visualize what one looked like. What he didn't realize at the time was that Robert was helping him to visualize what blindness felt like. Bibliography: Carver, Raymond. "Cathedral".
This story is about how the narrator is unable to see what life is really giving him and finds it through a blind man’s eyes, the friend of his wife. Cathedral is a touching story, in my opinion, as it reflects on what many of us, society, take for granted. It shows how important it is to give people a chance and to be able to see the true meaning of what surrounds us even if it is not important to our personal life. Throughout the short story, Carver uses several figurative language to expose the theme of the story.
Raymond Carver's "Cathedral" depicted the interaction between a narrow minded husband, with a limited understanding of the world around him, and a blind visitor, named Robert, that proved to be the catalyst that dramatically changed the husband's view on the world, while they went from being strangers to becoming friends. In the beginning of the story, the husband disliked the concept of his wife bringing her blind friend over to stay since he never had met a blind person before and did not understand it. However, as the story progresses, the husband, through interaction and observation, begins to dispel his fears and misconceptions of Robert and his blindness. With the help of Robert, the husband gains a revelation that changed his view and opened his eyes to the world.
The irony between Robert and the narrator is that even though Robert is blind, he pays attention to detail without the need of physical vision. Roberts’s relationship with the narrator’s wife is much deeper than what the narrator can understand. Robert takes the time to truly listen to her. “Over the years, she put all kinds of stuff on tapes and sent the tapes off lickety-split. [...] She told him everything, or so it seemed to me” (Carver 124). This demonstrates that the narrator is in fact somewhat jealous of how his wife confides in Robert, but still overlooks the fact that he doesn’t make the slightest effort to pay attention to her. Also the narrator is not precisely blind, but shows a lack of perception and sensitivity that, in many ways, makes him blinder than Robert. Therefore, he has difficulty understanding people’s views and feelings that lie beneath the surface.
The narrator in Raymond Carver's "Cathedral" has two fully functional eyes, in which he chooses never to use to their full potential. The eyes of the narrator are biased, insecure, jealous, and very limited in what they choose to see. This inability to see is made apparent when he is forced to meet and converse with a blind man. The narrator's perception of the world around him, and blurred vision, is resolved by a great irony in the story when Roger helps the narrator see past his prejudice outlook on life. The blind man teaches the narrator how to see.
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
Many people view blindness as a disability, but could these people be blind to their surroundings? Even though the narrator can perfectly see with his eyes, he lacks in understanding awareness. The narrator blindness isn 't physical, like many vision impaired people. His blindness is psychological, and his blindness causes him to become jealous. His blindness blocks his perception of viewing the world in a different way. This only causes him to see the physical attributes of humans, and thus shut off his mindfulness of viewing human personalities. As a result of a closed mind, the narrator doesn 't understand how Robert was able to live with the fact that he was never able to see his wife in the flesh, but the narrator fails to see that Robert vision of his wife was intimate. On the other hand, Robert blindness is physical. This causes Robert to experience the world in a unique manner. Without Robert eyesight, he is able to have a glimpse of a human personality. He uses his disability to paint pictures in his head to experience the world. By putting his psychological blindness aside, the narrator is able to bond with Robert, and he grasps the understanding of opening his eyes for the first time, and this forms a new beginning of a