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How disabled individuals are viewed by society
How disabled individuals are viewed by society
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As an American musical icon, Ray Charles has revolutionized the genre of soul music with his distinct rhythm and song arrangements that fuse gospel and jazz music. Although most listeners are familiar with his disability, they may not realize how influential music has been in Charles’ life. At an early age, after contracting glaucoma, Charles’ life changed because he became blind. He suddenly coped with this reality by expressing his life experiences through music (Rolling Stone). Charles explains that “Music really and truly is my bloodstream, you know, my breathing, my respiratory system…” (Leung, 2014) Despite his sudden life change, Charles soon learned how to play several instruments and produced compositions in braille (Rolling Stone). He then began recording his first single and immediately became a musical sensation not only for his revolutionary music but also for his classic black sunglass look. In some ways, Ray Charles has expressed his disability identity through music.
Ray Charles’ experience raises important questions about the potential impact that music can have on society’s perception of disability. Can artists capture insight of their personal experiences with disability? Can they communicate their insight to listeners and encourage them develop a variety of interpretations? In particular, will listeners with disabilities express their interpretations by developing unique and empowering identities? By encouraging the development of unique identities, can artists provide different perspectives of disability to a wider audience in an accessible and understandable medium like music?
In my paper, I argue that artists capture important insight in their personal experiences through music. In particular, I assert tha...
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Mackin, Molly. "Sean Forbes Not Hard to Hear." Ability Magazine. http://abilitymagazine.com/Sean-Forbes.html.
Rap Genius. "Streets Is Watching Lyrics." Rap Genius. http://rapgenius.com/Jay-z-streets-is-watching-lyrics.
———. "Young Gifted and Black Lyrics." Rap Genius. http://rapgenius.com/Jay-z-young-gifted-and-black-lyrics.
Rolling Stone. "Ray Charles Biography." Rolling Stone. http://www.rollingstone.com/music/artists/ray-charles/biography.
Shakespeare, Tom. "Labels and Badges the Politics of Disability Identity." In Disability Rights and Wrongs, 68-82. New York, NY: Routledge, 2006. PDF.
Travis, Raphael, and Scott W. Bowman. "Ethnic identity, self-esteem and variability in perceptions of rap music's empowering and risky influences."Journal Of Youth Studies 15, no. 4 (June 2012): 455-478. SocINDEX with Full Text, EBSCOhost (accessed May 7, 2014).
Ray started to lose his eyesight at the age of five and went completely legally blind at the tender age of seven. Ray Charles’ mom tried hard to teach him how life would be for blind people. She told him to never let his problem become a cripple for him and to never let anyone take advantage of him just because of that. One way she tried to help him was that she told him to use his memory. He couldn’t see so he had to remember how many steps he took or how long it takes to get to one place so he won’t get lost. His mom eventually sent him away so he can get adequate care. She sent him to the Florida School for the Deaf and the Blind in St. Augustine, Florida for 8 long years. This is where he developed his patent musical talent. Ray’s troubles wouldn’t end with becoming completely blind. His father died when he was 10, his mother died five years later when he was 15 while he was in school.
As mentioned previously, the chances of becoming disabled over one’s lifetime are high, yet disabled people remain stigmatized, ostracized, and often stared upon. Assistant Professor of English at Western Illinois University, Mark Mossman shares his personal experience as a kidney transplant patient and single-leg amputee through a written narrative which he hopes will “constitute the groundwork through which disabled persons attempt to make themselves, to claim personhood or humanity” while simultaneously exploiting the “palpable tension that surrounds the visibly disabled body” (646). While he identifies the need for those with limitations to “make themselves” or “claim personhood or humanity,” Siebers describes their desires in greater detail. He suggests people with
Baynton, Douglas. "Disability and Justification of Inequality in American History." The New Disability History. New York: New York University Press, 2001. 285-294. Print.
Disability is a ‘complex issue’ (Alperstein, M., Atkins, S., Bately, K., Coetzee, D., Duncan, M., Ferguson, G., Geiger, M. Hewett, G., et al.., 2009: 239) which affects a large percentage of the world’s population. Due to it being complex, one can say that disability depends on one’s perspective (Alperstein et al., 2009: 239). In this essay, I will draw on Dylan Alcott’s disability and use his story to further explain the four models of disability being The Traditional Model, The Medical Model, The Social Model and The Integrated Model of Disability. Through this, I will reflect on my thoughts and feelings in response to Dylan’s story as well as to draw on this task and my new found knowledge of disability in aiding me to become
Ray Charles is the definition of a SelfMade American. Throughout his life, Charles tackled numerous obstacles proving to the nation that anyone can come from anywhere and with a great deal of work, accomplish any and all tasks that one might dream of. Born in Albany, Georgia in the 30’s at the bottom of the social pyramid, Charles suffered tremendous losses at a very young age. He grew up very poor, alone, and without support. Even worse, Charles went blind at the tender age of 7, adding a seemingly endless string of difficulties to his life. Furthermore, Ray struggled with acquiring an education, fighting a drug habit, and most importantly, the pursuit of happiness. Through all of the fires of this problematic upbringing, a diamond was forged. Ray Charles combined a solid work ethic, a can do attitude, and a little bit of
Music is an art that has been in this world for tens of thousands of years and has proven
I chose the music video, Watch These Hands by Sean Forbes. I had acquired the permission to use this music video for this paper. Being a Deaf person may give him a disadvantage to the hearing world. However, in Watch These Hands Sean refused to let the disadvantage to stop him from making music. Instead, he worked really hard to bring Deaf and Hearing world together to blend into one big song to accomplish his dream to become a famous musician.
In this reading, the author discusses their opinion on Deaf Art. During their own experience, they explain the expression and point of view of Deaf artists. As seen in their work, these artists gather their point of views: positive and negative. The author also discusses two of the Deaf artists that have influenced themselves the most. One of these artists is Chuck Baird and the other is Betty G. Miller. Seen on the website, the two pieces created by these artists seem to have significant meanings behind them. Furthermore into the author’s view of Deaf Art, he/she shares the value of Deaf art to this community. Because Sign Language is a visual way of communication, it makes sense that the community creates expressive art without words. This can also be seen in Deaf theater, storytelling, performances, etc. Not only does this art effect the Hearing world, but also strongly impacts the Deaf community.
Shakespeare, T. (1993) Disabled people's self-organisation: a new social movement?, Disability, Handicap & Society, 8, pp. 249-264 .
Ray C Robinson (September 23, 1930 – June 10, 2004) was an African-American singer and musician known as Ray Charles. He was ingenious in the genre of soul music during the 1950s by mixing soul and gospel, and blues into his early recordings with Atlantic Records. He also helped segregation integrate country, jazz, and pop music during the 1960s with his mixing success on ABC Records, most recognized with his Modern Sounds albums. While with ABC, Charles became one of the first huge African-American songwriters to be given artistic control by many mainstream record companies. Frank Sinatra called Ray “the only true genius in show business,” although Charles played this notion. The influences upon his music were mainly soul, jazz, rhythm and country artists of the day such as Art Tatum, Louis Jordan, and Louis Armstrong.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
McWhorter, John. “Rap Music Harms the Black Community.”Popular Culture. Ed. John Woodward. Farmington Hills, MI: Thompson Gale, 2005. 53-59.
Imagine our youth all over the country being exposed to this explicit kind of language. There is no need to imagine, because it is already happening. Ever since the rise of Rap and Hip Hop music, teens have been turning to them to help solve their problems. However these kinds of music can be very destructive to teens. It is not the youth’s fault; it is the content that the music contains. Although Rap and Hip Hop music can be a force for good, they can also have an extremely negative impact on the attitudes and behaviors of our youth.
Routledge: New York : New York, 2001. Shakespeare, T (2013) “The Social Model of Disability” in The Disability Studies Reader Ed Davis, L D. Routledge: New York.
In the essay “Disability,” Nancy Mairs discusses the lack of media attention for the disabled, writing: “To depict disabled people in the ordinary activities of life is to admit that there is something ordinary about disability itself, that it may enter anyone’s life.” An ordinary person has very little exposure to the disabled, and therefore can only draw conclusions from what is seen in the media. As soon as people can picture the disabled as regular people with a debilitating condition, they can begin to respect them and see to their needs without it seeming like an afterthought or a burden. As Mairs wrote: “The fact is that ours is the only minority you can join involuntarily, without warning, at any time.” Looking at the issue from this angle, it is easy to see that many disabled people were ordinary people prior to some sort of accident. Mairs develops this po...