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Rave as a subculture
Rave as a subculture
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We’ve all seen them before. Maybe at a bus stop, in our schools, or at the coffee shop. “They” look odd enough to frighten a circus clown, but for some reason, they always smile when you look their way. Perhaps it’s that their hair is the color of the sunset or that their pants look like they could house a small family. It could be that their headphones seem permanently glued to their ears and that they’re never afraid to groove on the sidewalk. Whatever the reason, you know that “they” are not quite normal. You may call them “freaks,” or “punks,” or simply “those crazy kids.” But if you did, you’d be misled for “they” are not you’re average young people, no, “they” are ravers.
Before we go any further, I think I should first dispel some rumors and ease your mind of the negative thoughts that must be sweeping through it. What do you think of when you hear the word rave? Drugs? Hoodlum kids running amuck? Loud music that interferes with the whole community’s sleeping habits? Violence? The dictionary defines the word “rave” as a numerous amount of things, such as “an act or instance” or the verb “to talk with extreme enthusiasm,” but this is one case where Webster has got it all wrong. What is the true definition of a rave? In most cases, a rave is simply a dance party where guests experience a sense of camaraderie and elevated consciousness through the presence of music. This means there is an abundance of dance expression, interaction with other such ravers, and a positive mood change. And while there are sometimes drugs involved, there is absolutely no deliberate disturbance of the peace and zero tolerance for violence. But I’m getting ahead of myself. Let’s divulge into the history of this invigorating phenomenon.
The exact origin of raves is unknown, though many say the gatherings are reminiscent of American Indian religious ceremonies, like pow-wows. The first modern raves are said to have occurred in English warehouses around 1987 and were focused around homosexual males. Since then, raves have grown more than anyone might think possible. With this growth has come evolution as well. Raves are now held in nearly almost city or town, whether it be heavily populated or in the middle of cornfields. Customarily, they are centered in abandoned warehouses decked out in black lights and strobes, but they have taken place on beaches, in caves, and virtually any other place with enough room for the 500-1500 person congregation.
The world of young adults is a complicated landscape, with cliques and a desire to fit in. This push for conformity stretches not only through behavior, but more noticeably through the apparel worn by youths. At the beginning of the story, the narrator states that she and her friends are in “trouble,” but they “do not know what [they did], and [they are] sure [they] did not mean to do it” (103). This fear of the unknown continues throughout the entirety of the story, and readers can infer that the crime the girls have committed was simply dressing out of the norm for their age. The narrator also mentions that she is “white-skinned, ebony-haired, red-lipped, and ethereal,” far different than the expectation for her being “suntanned, golden-haired, peach-lipped, and earthbound” like her mother had been (103). As time repeats itself, so too do the fashion trends popular among the masses, and the look that the narrator’s mother portrayed was the same as the look her daughter is expected to adhere to. This is not the case, though, and because of her and her band’s choices in clothes, the narrator feels ostracized by not only her peers but her father as well, who “looks at [them] without moving his mouth or turning his head” as they leave the house (104). This reaction, or lack thereof, indicates that the father disapproves of the choices his daughter has made about how she dresses, but feels as though it is not his place to criticize her. The ending line does an excellent job at summarizing the angst felt by most teens as the narrator and her band feel as though “[they] are right to turn [themselves] in” to the pressures exerted by their peers to comply to what is expected of them (104). Just as women’s individuality is torn down by the pressures
The short story “The Storm” by Kate Chopin, deals with the subject of adultery. The story takes place in the early 1900’s. There are two main characters, Calixta (the wife) and Alcee (the former lover). Alcee must take refuge from a passing storm in Calixta’s house, while he is there the two end up making love while Calixta’s husband and son have to wait out the storm at the local store. By doing this Chopin implies the theme that is, adultery is natural and does not necessarily have negative consequences. Through out the story the constant changing of imagery plays a great role in the development of characters and their ability to demonstrate the theme.
The sound of music can fulfil someone's ears with the rhythm of the beat or the sweet tone of the melody. Some people enjoy music with a little more “experience.” Rock, rap, and heavy metal are examples of music genres that has a reputation of using drugs to enhance the experience of the music. One other common music genre that has a reputation of drugs is EDM. Electronic Dance Music. It is a type of music typically created by using electronic devices, like a laptop, generated by a person with some talent. This music genre is known for it’s “club drugs” like ecstasy, methanamine, or magic mushrooms. (“CRC Health”) Some people use drugs at raves to “enhance” the experience and also people have tried or are trying to push the usage of drugs at rave to a certain that you can take. Many people want more security checks at raves so they can reduce the injuries and deaths at raves.
'The Storm' begins on a stormy spring day, with the protagonist Calixta at her sewing machine. She is alone, her husband Bobinot and son Bibi have gone to the store. Calixta seems to be a bored woman, confined to her duties as a housewife and mother. As the distant storm approaches she is unaware of what the storm brings, her former lover Alcee. Calixta allows Alcee into her home and opens her whole world to him. There is a connection between the storm that is going on outside and the storm of emotions going on in Calixta and Alcee. The weather sends Calixta into Alcee?s arms, he wraps his arms around her, and they can no longer hide their feelings for one another. They gave into their raging emotions and made love. Outside the weather was subsiding and Calixta and Alcee?s bodies felt relaxed and calmed. ?The rain was over; and the sun was turning the glistening green world into a palace of gems.? (1614) His face beamed with light like the sun. The storm inside of her was satisfied and for a brief instant Calixta felt liberated from her ordinary dull life.
By the time we got to the dance in the cafeteria, the music was pumping, people dancing their butts off, and me, hyper as anything. I was anything but bored. Ready to start jumping as soon as I got there, I raced into the cafeteria and brought my friend , Jimmy , with me. I had never felt so energized at a social event. I felt as if the music was literally flowing through my veins, pulsing with every move, and I was...high. But I wasn't. I was normal but I felt like I was high. Did being high feel like this? Had I had too much caffeine? Damn! I have to suck some helium out of those floating balloons! THe thoughs would not stop racing. Although I had never been to a rave, I thought that this dance felt like one. Euphoric, and as energized as a duracell battery after about 24 hours of charging, I hadn't checked my watch for at least two hours.
During the “Beat Generation” there were three types of members: the wild boys, the hipsters, and the young politicians. They all have their different personalities and actions they use. The wild boys “drink to `come down’ or to `get high,’ not to illustrate anything.”(2) This shows a change in how they drank. They drank for themselves and to calm their feelings and feel better about them, not to show off to anyone. The wild boys’ characteristics make them `beat’ because are living life to the fullest, without any regret of tomorrow. They drink till they can’t drink no more or party till they can’t stand. This causes them to not worry about what will happen or how they are going to live tomorrow; they only care about the present. The hipsters they want to make “a mystique of bop, drugs and the night life, there is no desire to shatter the `square’ society in which he lives, only to elude it.”(3) The hipsters don’t care for society or care what it tells them to do. They go about their ways and do what they want. They don’t want to change the rules or the laws but only to make sure they don’t get swept up in ideas or thoughts that society gives them. The hipsters’ characteristics are `beat’ because they go against what is told to be the proper or correct way. They may get beat down in the beginning and face hard times, but later on they will find new ways of doing things and those will be the new way society sees things. The young politician looks up to “Badditt as a cultural hero.”(3) He goes along with what society has showed him to do. The characteristics of the politician make him beat because he doesn’t do anything for his own; he does what is right to do, and what will get him far in life. When society catches up to him he wil...
In his research Jay Macleod, compares two groups of teenage boys, the Hallway Hangers and the Brothers. Both groups of teenagers live in a low income neighborhood in Clarendon Heights, but they are complete opposites of each other. The Hallway Hangers, composed of eight teenagers spend most of their time in the late afternoon or early evening hanging out in doorway number 13 until very late at night. The Brothers are a group of seven teenagers that have no aspirations to just hang out and cause problems, the Brothers enjoy active pastimes such as playing basketball. The Hallway Hangers all smoke, drink, and use drugs. Stereotyped as “hoodlums,” “punks,” or “burnouts” by outsiders, the Hallway Hangers are actually a varied group, and much can be learned from considering each member (Macleod p. 162). The Brothers attend high school on a regular basis and none of them participate in high-risk behaviors, such as smoke, drink, or do drugs.
...ew Carnival themed parties. It's always wild. And even with the alcohol thats always flowing, the people are in good spirits. There are no drunk guys fighting, just a lot of singing, clapping, and dancing, people just having a good time. I don't think it would be right to say that its the music that does it - but you don't get that same shared spirit at a rock concert, rap concert, etc. It's just a good feeling, the more you listen, the more you play or participate, the more you get it.
Music concerts, especially those involving more brutal music, tend to attract a large and diverse crowd of people. However, just because all of these people are all attending the same show does not necessarily mean that they are all there for the same reason. Normally, a show-goer's motives and intentions can be easily recognized using simple observations of their hair, style of dress, how they act during a performer's set, and sometimes even their gender. Heck, there are even a select few who choose to attend shows like this for the sole purpose of people-watching! When doing this, one will--as expected--discover an eclectic mix of looks and attitudes and may even find them difficult to categorize due to the amount of variety. Grouping these individuals, though, is surprisingly easy. Basically, showgoers are able to be summed up into three main categories: those that are not very interested in their environment ( otherwise known as "scenesters"), those who take the entire event far too seriously ("tough guys"), and those that have found that perfect middle ground between the other two groups ("normal kids").
In“The Storm”, Bibi, a young boy, and his father, Bobinot, wait out a storm at a local store. They are both very concerned about the well being of a third member of their family, Calixta, but they cannot do anything about it until the storm is over. Calixta, at home, knows that there is a storm about to break out. An old boyfriend coincidentally stays with her while the storm is taking place. Calixta and her old boyfriend, Alce, see a spark in their lusts for each other then start to make out and the making out leads to sex. When the storm passes, the old boyfriend, Alce leaves. Bibi and Bobinot, Calixta’s husband, never find out that Alce was there. When the child and Babinot return home, Calixta is really glad to see them. In the end of the story, Alce writes a letter to his wife, Clarisse, saying that it’s OK with him if she wants to stay longer on her trip. She is relieved because she wants a break from her husband and the romantic aspect of their relationship. When the storm passes, everything works out well for everyone.
Yes ecstasy is used at “raves”, but not by everyone. Natural “ravers” (sober ravers), are given a bad rap because their title “raver” is automatically connected to ecstasy. Yes many people at raves drop ecstasy but just as many do not. Many people have been permanently effected by “ecstasy “, but those people say that the drug “ruined their life” when in actuality “they ruined their own life.”
Disco, the music that everyone loves to "joke" about or "snigger" about had already been going on for 10 years when the first electronic drum tracks began to appear out of Chicago, Usa. A great Description of Disco can be explain to us like this.
Rock music has been commonly linked with violence, rebellion, hysteria, distortion, sex, and more negative characteristics. According to Cotaga (2011), Rock'n'Roll groups are thought to be constantly intoxicated or affected by substances and steady gathering individuals encompassed by young
Rave Music is made up of technologically advanced beats that are mixed with other beats to form music. Rave Music has a culture of its own, as so does any other music type. The history of Rave Music is hard to sum up, but here it goes...
New spaces were being formed and brought the growth of the famous dance halls. With a variety of entertainment of music and dance, it brought society in as an audience. Although the audience was mixed, this entertainment was designed mainly for a male crowd. The production of female stars performing skirt dances was definitely for men. In Paris, with the development of the particular 'can can' dance, women were lifting up their skirts, flashing their lace petticoats.(Conlin, 57) More and more middle class men were wanting to come in and see the ladies in their dresses and performing for them. This dance was seen as a spectacle and it changed the purpose of these dance halls. Another thing that was happening in the dance halls was prostitution. In an area between the stage and the bar, the promenade had the presence of prostitution, creating a change in behaviour. The whole idea of the dance halls have been changed to a place of sexual activity for middle class men, causing some