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Raskolnikov in crime and punishment
Raskolnikov in crime and punishment
Raskolnikov in crime and punishment
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The way Raskolnikov portrays crime and his theory changes as he comes to realize his theory is not accurate. In the story he initially believes that there are certain people who are considered “extraordinary”, while others are “ordinary”. The ordinary people are destined to solely live to “reproduce their own kind” (part III, ch.5, p. 250) and abide by the law, while the extraordinary people are made to make change and to not be bound to law. He believed that they have the right to break the law and go unpunished if there is justified cause and means to do so. In part III, chapter 5, and part V, chapter 5 there is a visible difference in the way that Raskolnikov views an extraordinary man- and therefore views his own crime. The Theory of The Extraordinary Man becomes relevant when Raskolnikov decides to put this theory to the test by murdering the pawnbroker, Aliona. In part III, chapter 5, we find that Porfiry Petrovich has found an article that could …show more content…
Raskolnikov demonstrated this as he proved that he was either not truly extraordinary or that extraordinary people simply could not break the law and go unpunished. how an extraordinary man could not transgress the law, though, and that he would not be able to escape the punishment of the crime. He realized that he would eventually be caught. Raskolnikov's view on the extraordinary man changed drastically from part III to part V, because he went from believing and testing the extraordinary man theory by committing a murder, to realizing that the theory is inaccurate and no one can simply transgress the law and go unpunished and the line between extraordinary and ordinary people is far vaguer than he ever could have imagined, causing him to falsely believe that he was an extraordinary
In the novel, Crime and Punishment, the principle character, Raskolnikov, has unknowingly published a collection of his thoughts on crime and punishment via an article entitled "On Crime." Porfiry, who is trying to link Raskolnikov to a murder, has uncovered this article, read it, and tells Raskolnikov that he is very interested in learning about his ideas. Porfiry brings Raskolnikov into this conversation primarily to find out more about Raskolnikov's possible involvement in the crime. Raskolnikov decides to take him up on the challenge of discussing his theory, and embarks into a large discussion of his philosophy of man.
In his book Crime and Punishment, Dostoevsky explores the paths of two men, Raskolnikov and Svidrigailov. These two men encompass many similar problems and obstacles throughout their lives. Both commit murders and are faced with the long and mentally excruciating journey of seeking redemption. They also share many characteristics of their personalities. The reason that the outcomes of their lives are so drastically different is due to the fact that they have completely different perspectives on life.
It was both this interesting plot and the philosophical nature of Dostoyevsky's writing, which initially attracted me to this book. It also features many themes and characters, as well as an effective setting. As a result, I will examine the literary techniques used in "Crime and Punishment" by Fyodor Dostoyevsky to convey the downfall and subsequent rise of the main character, Raskolnikov. I will begin by looking at how the setting formed Raskolnikov's character, and then discuss the structure and other characters of the novel. The setting plays a primary role in forming Raskolnikov's character.
The main character in Crime and Punishment, Raskolnikov, has nihilistic ideas, which ultimately lead to his own suffering. Raskolnikov, an impoverished student, conceives of himself as being an extraordinary man who has the right to commit any crime. He believes that as an extraordinary man that he is beyond good and evil. Since he does not believe in God, he cannot accept any moral laws. To prove his theory, he murders an old pawnbroker and her step sister. Besides, he rationalizes that he has done society a favor by getting rid of the evil pawnbroker who would cheat people. Immediately after the murders, he begins to suffer emotionally. Raskolnikiv “[feels] a terrible disorder within himself. He [is] afraid of losing his control…” (Dostoevsky 95). He becomes ill and lies in his room in a semi-conscious state. As soon as he is well and can walk again, he goes out and reads about the crime in all the newspapers of the last few days. The sheer mention of the murder...
Although the novel begins by focusing on the crime itself, the majority of the book discusses Raskolnikov's struggle through denial and redemption after the murder has been committed. His own "greatness" leads to his denial of God, and his attempt to suppress his conscience causes insanity and sickness. However these negative consequences force him to acknowledge his rectitude and realize his need for confession.
In Dostoevsky's Crime and Punishment, Raskalnikov undergoes a period of extreme psychological upheaval. By comparing this death and rebirth of Raskalnikov's psyche to the story of the resurrection of Lazarus, Dostoevsky emphasizes not only the gravity of his crimes, but also the importance of acceptance of guilt.
His decisions would depend on whether he sees himself as an ‘extraordinary’ man or an ‘ordinary’ man. By the conversation between Raskolnikov, Razumihim, and Porfiry we can see that Raskolnikov does not “consider [himself] a Mahomet or a Napoleon, nor any personage of that kind” he continues to say that since he is not one of the ‘extraordinary’ people he could not tell them how he was supposed to act. Since he states clearly that he does not consider himself as such he has no right to act as the theory states ‘extraordinary’ people act. So he, therefore, has no right to commit the crime that he does. It is strange that even though he doesn’t believe himself to be morally superior, that he still goes through with murdering Alyona and Lizaveta Ivanovna. He recalls a conversation when students were talking about murdering Alyona and the students thought they could take her money if they used it to do good things. By remembering these conversations, he slowly convinced himself that this murder was not a bad thing. Even if he has convinced himself that this is the correct thing to do this is not morally correct or just in any way. Albeit she is crotchety and not a very nice old woman, that does not justify murder. This decision and the way he has brainwashed himself obstructs his view of justice and what is
Fyodor Dostoevsky’s Crime and Punishment begins with Rodion Romanovich Raskolnikov living in poverty and isolation in St. Petersburg. The reader soon learns that he was, until somewhat recently, a successful student at the local university. His character at that point was not uncommon. However, the environment of the grim and individualistic city eventually encourages Raskolnikov’s undeveloped detachment and sense of superiority to its current state of desperation. This state is worsening when Raskolnikov visits an old pawnbroker to sell a watch. During the visit, the reader slowly realizes that Raskolnikov plans to murder the woman with his superiority as a justification. After the Raskolnikov commits the murder, the novel deeply explores his psychology, yet it also touches on countless other topics including nihilism, the idea of a “superman,” and the value of human life. In this way, the greatness of Crime and Punishment comes not just from its examination of the main topic of the psychology of isolation and murder, but the variety topics which naturally arise in the discussion.
In Crime and Punishment, we see Raskolnikov caught between reason and will, the human needs for personal freedom and the need to submit to authority. He spends most of the first two parts stuck between wanting to act and wanting to observe. After he acts and murders the old woman, he spends much time contemplating confession. Raskolnikov seems trapped in his world although there is really nothing holding him back; he chooses not to flee and not to confess, but still acts as though he's suffocation (perhaps guilt?)In both novels defeat seems inevitable. Both characters believe that normal man is stupid, unsatisfied and confused. Perhaps they are right, but both characters fail to see the positive aspects of humans; the closest was the scene between the narrator of Notes from the Underground and Liza. In this scene he almost lets the human side show, rather than the insecure, closed off person he normally is.
In his novel Crime and Punishment Fyodor Dostoevsky uses Raskolnikov as a vessel for several different philosophies that were particularly prominent at the time in order to obliquely express his opinions concerning those schools of thought. Raskolnikov begins his journey in Crime and Punishment with a nihilistic worldview and eventually transitions to a more optimistic one strongly resembling Christian existentialism, the philosophy Dostoevsky preferred, although it could be argued that it is not a complete conversion. Nonetheless, by the end of his journey Raskolnikov has undergone a fundamental shift in character. This transformation is due in large part to the influence other characters have on him, particularly Sonia. Raskolnikov’s relationship with Sonia plays a significant role in furthering his character development and shaping the philosophical themes of the novel.
The moral side of Raskolnikov's mind requires absolution in a Christian manner. This need obliviates his claim to be a Nietzchean superman, and illustrates that all humans have a desire for morality. Throughout the book, he constantly desires to confess, even when visiting the police station. "I'll go in, fall on my knees, and confess everything" (p.84), he thought; later, he considered if it was "better to cast off the burd...
After the botched crime Raskolnikov is plagued his failures. "He was conscious at the time that he had forgotten something that he ought not forget, and he tortured himself." (107) After he carelessly kills both women, and allows for the evidence to be found, Raskolnikov realizes he did not commit the perfect crime. This devastates his ego, so he tries to cling to his previous self perception. He is also plagued with feelings of guilt. His guilt, combined with the mistakes he made during the crime, shatter his self perception of perfection.
According to Raskolnikov’s theory in Fyodor Dostoevsky’s “Crime and Punishment”,there are two types of people that coexist in the world; the “Extraordinary” and the “Ordinary”. The ordinary men can be defined as “Men that have to live in submission, have no right to transgress the law, because they are ordinary.”(248). To the contrary “extraordinary” men are “Men that have a right to commit any crime and to transgress the law in any way , just because they are extraordinary”(248). Dostoevsky’s theory is evident through the characters of his novel. The main character, Raskolnikov, uses his theory of extraordinary men to justify contemplated murder. There is a sense of empowerment his character experiences with the ability to step over social boundaries. He is led to believe the killing of the pawnbroker is done for the perseverance of the greater good. It is ironic that character who is shown to be powerful in the early stages of the novel subsequently go on to show many weaknesses.
This theory is Raskolnikov 's method of trying to justify his crime and coping with reality of killing Aliona as he believes that he is this extraordinary man. First, Raskolnikov tries to use this theory to justify his crime by forcing himself to believe that Aliona 's life was worthless and saying killing her will benefit mankind as well. However, his justification fails as he once again has another internal conflict with himself by saying, "esthetically I 'm a louse and nothing else, he added suddenly, laughing like a madman. Yes, I 'm definitely a louse" (Dostoevsky 261). This internal conflict is him contemplating if he really is this extraordinary man from his article and whether he was actually justified to kill Aliona. Thus, his comparison to a louse indicated that he is a useless and bad person and not the extraordinary person he thought he was. Furthermore, his extraordinary man theory enters into Raskolnikov 's interview with Porfiry Petrovich while they were chatting about crime. Porfiry Petrovich is reminded of Raskolnikov 's article, "On Crime" and meticulously asks for clarification, suspecting Raskolnikov is the criminal. In addition, he wanted to hear more about this theory that Raskolnikov believed in. Therefore, Raskolnikov clarifies
Raskolnikov's article, "On Crime," is vital to the understanding of his beliefs. This article also has a profound effect on Crime and Punishment as a whole, the subject matter being one of the main themes of the novel. The idea of the "extraordinary man" is referred to literally throughout the book, but also notable is the subconscious effect the idea has on Raskolnikov. Sometimes Raskolnikov is not even aware of this influence. It is important to note originality, or the ability to "utter a new word," as a defining characteristic of the extraordinary man. Therefore, we must take into account the presence of similar ideas, those of Pisarev, Nietzsche, and nihilism, as these might bring to light the possibility that Raskolnikov is not original, a possibility that haunts him throughout the novel.