It is evident that indeed history has the predilection to rely on its context in order to interpret various events that have taken place in its respective course. A number of events have always shaped how the film industry deduces these facts and later develops innovative plots for potential movies as well as television shows. This particular paper is going to analyze three films and explore the aforesaid issues.
Rashomon (1950)
Director: Akira Kurosawa; Written by Akira Kurosawa and Hashimoto Shinobu; based on short stories by Ryunosuke Akutagawa
This particular film is actually based on the 11th Century feudalistic Japan whereby the sword was still regarded as being omnipotent, and the person who wields it, the “samurai warrior”, is also
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Honour was also highly revered and a person who was without honour was not viewed as someone with any semblance of worth. Having the above in mind, it is quintessential for us to understand that in this film, facts are in more ways than one relied upon by establishing that definitely the samurai warriors during this time shaped how the Japanese perceived life and modes of living (Dixon & Foster, 2008). Due to the fact that people feared the samurai warrior’s strict codes of conduct to some degree, it appreciably made the populace become more wary and cunning in order for them to survive their harshness. This unique perspective of being at the mercy of the samurai forged their interpretation of the issues that took …show more content…
Writing credits: Christopher Nolan and Jonathan Nolan
This is an American neo-noir psychological thriller, which is based on the director’s younger brother’s shorts story known as “Memento Mori” (Kaufman, 2009). This particular film has explored perception in a manner that is both alluring and captivating. Firstly, we can see that the said film is presented as a series of black and white and subsequently, a progression of color sequences, which were revealed in reverse order. By so doing, the director had the upper hand at replicating the audience’s mental state, especially of the central character who was ill with anterograde amnesia (Kaufman, 2009).
By captivating the audience, the director enthralled them by vividly depicting how an individual’s perception is important with regards to how a story is told and accepted. He had also made excellent use of human reminiscence tricks as well as props for the arguably intricate plot of making a somewhat short term amnesia be in a position of remembering ideas and events that aid in tracking down the lead’s wife’s killer. The thrilling effect of well-bound, tight plot that is supported by excellent acting and taut script does full justice of putting events in course for the final
In the ancient Japanese culture, one great aspect was on how they emphasized on the intrinsic themes of loyalty and honor. They had fierce warriors known as samurai’s. A samurai was a traditional warrior who would protect and be loyal to their masters no matter what. They were known to be skilled soldiers, benevolent men, self-sacrifice, sense of shame, along with other major characteristics that embodied them as a samurai. While this class of warrior no longer exist today, the remembrance of a samurai is present in the minds of the characters in the novel, The Samurai’s Garden by Gail Tsukiyama. Tsukiyama does a fascinating piece of work by really elaborating and describing the great attributes that Matsu possess of a true samurai. In the
Akira Kurosaw’s Seven Samurai is a film that encompasses various ideologies in order to allow the audience to understand the lives of Japanese people during the 1600’s. The film delves deep in social issues of the roles of the people within the society, the expectations as well as the obligations within the respected castes and elements within groups of ; suffering, working together, protecting family and working for the better good of the community.
...the predominant theme of disorientation and lack of understanding throughout the film. The audience is never clear of if the scene happening is authentic or if there is a false reality.
Musui’s Story is the exciting tale of a low class samurai’s life towards the end of the Tokugawa era. Although one would normally imagine a samurai to be a noble illustrious figure, Musui’s Story portrays the rather ignominious life of an unemployed samurai. Nonetheless, this primary account demonstrates the tenacity of samurai values and privileges present at the end of the Tokugawa shogunate. The social status of samurai had been elevated to such a state that even someone like Musui was easily able to gain influence in everyday affairs with his privileges. Not only that, but he had retained his values as a warrior and still kept great pride for his arts in weaponry.
Run Lola Run, is a German film about a twenty-something woman (Lola) who has 20 minutes to find $100,000 or her love (Manni) will be killed. The search for the money is played through once with a fatal ending and one would think the movie was over but then it is shown again as if it had happened ten seconds later and changed everything. It is then played out one last time. After the first and second sequence, there is a red hued, narrative bridge. There are several purposes of those bridges that affect the movie as a whole. The film Run Lola Run can be analyzed by using the four elements of mise-en scene. Mise-en-scene refers to the aspects of film that overlap with the art of the theater. Mise-en-scene pertains to setting, lighting, costume, and acting style. For the purpose of this paper, I plan on comparing the setting, costume, lighting, and acting style in the first red hued, bridge to that of the robbery scene. Through this analysis, I plan to prove that the purpose of the narrative bridge in the film was not only to provide a segue from the first sequence to the second, but also to show a different side of personality within the main characters.
When looking at much of the world’s ethical views and morals today, many of its standards can draw back to that of the samurai. This warrior class of Feudal Japan contributed greatly to the development of social values that people today constantly follow. It is important to look to past events and cultures to enrich the future and the ideals of the samurai are ones that better people in self fulfilling ways. Whether it be to instill positive values to children or applied to become successful in the “real world”, the virtues and morals set forth by the samurai are invaluable teachings that will influence society for many years to come.
Kurosawa creates a masterpiece with the Seven Samurai. This film was created in 1954, it is a Japanese film and it has English subtitles. The Seven Samurai is a story about a small farming village in 16th century Japan that is under constant threat from traveling groups of outlaw bandits. The elders that live in the village decide to hire a defense force to protect them from these outlaws. They enlist a variety of samurai for hire and samurai are willing to work for their food. The mission of the seven samurai is to protect the village against almost impossible odds.
Director Christopher Nolan′s film Memento (2000), is loosely based from the concept of a short story named Memento Mori written by his brother Jonathan. This story is about a man named Leonard Shelby who is suffering from anterograde amnesia, which is a loss of ability to create new memories after the event that caused the amnesia, leading to a partial or complete inability to recall the recent past, while long term memories from before the event remain intact. Leonard was hit over the head during an attack which resulted in his wife being raped and murdered. With the help of contact named Teddy and a bartender named Natalie, Leonard set out for revenge. Since the attack Leonard has set out to exact revenge on the man who has caused him suffering. He helps himself by writing notes, taking photographs, and tattooing himself with important notes and facts. An analysis of the film Memento reveals the use of film techniques such as editing, non-linear storytelling, symbolism, director's style, musical score, color, and cinematography that creates an intellectual stimulant that has the viewer deciphering a puzzle in a reversed chronological order.
Gaskin, Carol. and Hawkins, Vince. The Ways of the Samurai. New York: Byron Preiss Visual
Film is one of many Medias to send messages to the world. Numerous examples of movies that insert messages, 47 Ronin is one of them. The movie 47 Ronin is based on true story of Ako Incident and specifically tell us that honor is everything. The image that we discuss in the presentation was taken from the movie 47 Ronin. The image is a representation of a specific Japanese culture, Seppuku. However there are differences in story of Ako incident and 47 Ronin, and these alterations applicable to the term Orientalism.
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
It was concluded that in Classical Hollywood Cinema the narrative followed a clear and discernable structure with a distinct beginning, middle and end. Although this type of narrative did have some restrictions it still encompassed the psychology of characters and their objectives, and the inevitable conflict meant to hold the attention of the audience. Continuity editing added to the audiences’ enjoyment of the film and coupled with the attraction of the Hollywood star system they formed a type of cinema that would astonish and capture the rest of the world.
It’s not everyday that one may watch a film that can be categorized in all of the genres of drama, thriller, sci-fi, and love. However, in J. Mackye Gruber and Eric Bress’s movie, The Butterfly Effect, they do just that. Throughout the film, a young man, Evan Treborn, played by Ashton Kutcher, who like his institutionalized dad before him, has memory blackouts that he must deal with. After several years had passed, Evan discovers a supernatural technique to alter his entire life and find his vanished and harrowing memories. Unfortunately, in order to relive these moments and recollections in his past, there are critical and severe consequences.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...