Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis of rapunzel
Analysis of rapunzel story
Analysis of rapunzel
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysis of rapunzel
Misfortune in Tangled: From Innocence to Happiness Rapunzel has been trapped in her tower for her whole life. She is 18 and she has never left her tower because of her evil mother. Can you imagine not being able to leave your house for your whole life? Rapunzel wants to be adventurous. Although, she is not adventurous if she can't leave her tower, she will keep being the same person she's always been in the same place she's always been in. Her mother comes off as very protective but not because she wants to shelter Rapunzel. She is greedy and just wants Rapunzel’s hair to stay young because of it’s magic powers by healing anybody’s wounds or keeping the old young. If Mother Gothel was never greedy, Rapunzel would have never changed …show more content…
She had the time of her life because her mother told her to never leave the tower but she did and she loved the outdoors so much. When Rapunzel first got to a tree, she swung around it with her hair and she was so excited because she has never felt anything like it before. While she is having the time of her life, she also knows that going against her mother's words is wrong but she does it anyway with some serious doubts. Eugene tries his hardest to cheer her up. He explains, “Let me ease your conscience. It is a part of growing up. A little rebellion or adventure it's necessary. Healthy even. You're way over thinking this. Would this break her heart?...Of course. Crush her soul?...Like a grape. But you just got to do it!” (Levi). When Rapunzel goes and loses her innocence by going against her mother's words she listens to her new friend when he says rebellion is healthy for the soul. She feels lost and sad about the decision she made but Eugine cheers her up and she feels happy. Rapunzel starts to realize that you do need to do some different things and sometimes that makes you happy even when it causes you to …show more content…
Mother Gothel kidnapped her when Rapunzel was a baby because Mother Gothel knew that she could make Rapunzel weak and do whatever she says. But when Rapunzel changes and becomes brave, something in her attitude changes. When she declines, she goes against her “mother’s” words when Rapunzel saves Eugene and then escapes her tower because Rapunzel knows that Mother Gothel is an evil lady and she doesn't deserve her because she really isn't Rapunzel’s true mother. Rapunzel may have never met anyone other than Mother Gothel, but she always knows how to treat people right. She knows you have to put others before yourself. Instead of having Eugene die from being stabbed to death, she says she will stay with Mother Gothel forever but she really doesn't. She says, “I won't. I will never stop fighting you until the day I die. But, if you let me heal him, then I will go with you for ever and ever. Just let me heal him!” (Moore). Rapunzel promises to go with her as would a sweet innocent girl would. When she becomes less innocent, it causes her to make decisions that she normally wouldn't make if she did not change. After she stands up for Eugene, she is very brave which she wasn't before. Now she's happy because of the outcome for standing up for herself. Her mother was shocked and so was the audience because no one knew
Imagining the similarities between one of the most famous Shakespearean plays and a new animated Disney movie is difficult, until you look deeply into the characters. From the Shakespearean play Macbeth, Lady Macbeth is extremely similar to Mother Gothel from the Disney movie Tangled. Lady Macbeth is Macbeth’s wife that has strong desires and personality. The movie Tangled created a similar character with Mother Gothel, she is Rapunzel's mother and believes in going after what you want. The two characters are not the exact same, they differ in their desires and in their ending demise. They are much more similar in their motives and their actions which reveal their shared character traits.
Fairy tales are a part of childhood. They go back through time depicting magical images of happy children, love stories, beauty, wealth and perfection. Authors, movie and film creators, artists and more draw beautiful images for people to remember and pass on through time. Many times the ugliness of the villains and the horrors that come into play throughout a fairy tale are often not as advertised. However, after careful analysis it is very clear that both authors of the original “Rapunzel” and its retell “The Root of The Matter” by Gregory Frost do not shy away from these evil aspects through their tales, while still capturing the magical moments that make a fairy tale memorable. The Root of the Matter fits the Rapunzel tradition with both
In Mark Haddon’s The Curious Incident of the Dog in the Nighttime and Robert Southey’s “Goldilocks and the Three Bears”, Christopher Boone and Goldilocks make imperfect choices but they lack certain skills. Christopher is 15 years old and was diagnosed with Autism at a young age. His brain runs like a timeline which can confuse him sometimes. He also does not have most social skills, he has no fear in some extremely dangerous situations and he has a difficult time controlling his emotions and natural instincts. Goldilocks is a little girl who can be discourteous with no sympathy but she is growing up in both her age and maturity with her experiences. The theme of
In fact, Belle is not actively seeking love, but rather stumbles onto it, as a consequence of her own bravery and sacrifice. The relationship that grows between the beauty and the Beast is often the target of criticism as it can be perceived as Stockholm’s syndrome on Belle’s part and is seen to advocate that women should remain with their loved ones even if they are abusive. This is aspect of the film is condemned as it suggest that, somehow and through love, the abusive husband or lover can better himself. And although one can read the film as such, another could see that Beauty and the Beast is the tale of a woman who enters a man’s life and initiates and reciprocally healing and growing bond: Belle learns to see beyond someone’s appearance, and the Beast learns to let other people in. This is literally reflected by his complete forbiddance to have any visitors in his castle as the castle symbolizes his soul. This relationship of equals demonstrates that, contrarily to Disney films such as Cinderella or even The Little Mermaid where all a man or a woman need to fall in love is to set eyes on one another, without having to know anything about each other, or even share a discussion. The Disney princess here is not a princess but a villager, and Prince Charming is not charming but rather temperamental. The unusual end of the animated feature also mirrors this unusual
By the end of the tale, Little Red Cap says to herself, “Never again will you stray from the path and go into the woods, when your mother has forbidden it.” (Grimm 16). Little Red Cap realizes she should have listened to her mother and followed what she was told. This relates to the mother staying with her husband because he came around eventually to love her and make her
The King's daughter, obviously releasing the unnatural and cynical intentions of her father, refused to let him have his way. The princess makes a decision based on her moral values and determines on her own that her father is wrong. Interestingly here, the Brothers Grimm play on a common theme that Perrault used in the development of his heroes and heroines. All Fur gives her father three tasks that must be accomplished in order for her hand in marriage. The princess, not yet at her highest level of development, which is necessary to become a heroine, tries to out smart her father by giving him seemingly impossible tasks. The King somehow manages to come up with her gifts, but in her development into a heroine she realizes that the gifts actually will help her achieve her journey to the highest level of development (Jewett 20).
The familiar story of Rapunzel, as told by the brothers Jacob Ludwig Carl and Wilhelm Carl Grimm, takes on new meaning with a psychoanalytic interpretation. It is a complex tale about desire, achievement, and loss. The trio of husband, wife, and witch function as the ego, id, and superego respectively to govern behavior regarding a beautiful object of desire, especially when a prince discovers this object.
From the beginning Belle’s characteristics reveals anti-social behaviors perhaps even a personality disorder. Belle keeps to herself reading alone and hardly any interaction with the villagers
The Grimm’s stories have strict criteria for good and evil. Good women are not the hero, they do not plan, nor do they get themselves out of bad situations; they are obtuse and wait until a Prince saves them. These qualities doom the female protagonists (and readers) to pursue the only destiny women have, and that is to be a wife and mother (Rowe, 1978). Cinderella is the heroine and the ideal good girl. She is unambiguously beautiful, kind, and compassionate. She does not complain or get angry. This is foreseen early in the Grimm’s Cinderella story:
The enchantress, Rapunzel’s archetypally evil caregiver, uses her magically endowed capabilities to integrate herself into the domestic sphere. The enchantress’ first action is asking the aforementioned husband to donate his first-born child in return for access to her garden’s rampion. With a child, the enchantress finally domesticates herself, accepts the role society has placed upon her as a woman. The enchantress’ second action is her constructing a home for Rapunzel, a domestic place in which the beautiful young girl is constrained. Not only is the enchantress’ life a life of domestication, but she also insures that her inherited daughter’s life will be a domestic one by constructing her a dwelling. The magical enchantress’ power is used only for domestic purposes. Furthermore, when the enchantress learns that her daughter is deceiving her, the enchantress’ action is not to kill, beat, or curse Rapunzel; she banishes her from her domestic abode: “She was so pitiless that she took poor Rapunzel into a desert where she had to live in great grief and misery” (The Brothers Grimm). Again, the enchantress uses her power to manipulate the domestic setting, and the “all-powerful” enchantress seems to only have power over the domestic. Her power is used to achieve domesticity, insure domesticity, and to deprive domesticity, but it is used in no way
Each Disney princess has different positive attributes that make her unique, the most recent Disney princesses are especially fitting in today’s society. In Jena Stephens’ analysis of the three most recent princesses, excluding Anna and Elsa, she describes Rapunzel by saying, “Her forward thinking, desire to prove she is just as capable as a man, and realistic dreaming make her a great role model for young girls”. Whether it is to become a princess and marry her true love like Cinderella or open a restaurant like Princess Tiana, all of the Disney princesses have aspirations. Jena Stephens says, “The words that Tiana sings about the necessary hard work it will take for her to reach her dream stand out as a message to young viewersone that does not covey that love is the only thing that will make girls happy”. Not only do Disney princesses have dreams but they make their dreams come true with hard work. As Liz Gumbinner described her trip to Disney World with her daughters, “The princess luncheon led to a great discussion later in our hotel room, in which we told our girls that it is okay to be strong, smart, hardworking and still dream of marrying a prince”. Disney princesses carry themselves in a humble and confident manner. The princesses are beautiful but they are not conceited. Lastly, they are never stuck up but rather loving and independent which makes their character so
For those who know this, they may see this story in a literal way. Creating stories with fictional characters like Rumpelstiltskin, Rapunzel and many other imaginary creatures. This approach to the short story would cause one to see the little boy as a ghost after he dies. This would mean that the mother’s body is not responding to a traumatic event and having a mental confrontation with her own self. Instead, she is physically seeing the ghost of her deceased child and not only in her head. The Brothers show their side of fantasy almost immediately in this story by stating “THERE was once a mother..” This is a classical statement used in a broad range of fairy tales. Even when people create their own fairy tales, spoken or written, they often begin with the words “Once Upon A Time” which is similar to how this story is started. It brings creativity to the mind and makes one wonder how the story might continue on to be. This style of writing is a signature for the Grimm Brothers considering it is what they are most widely known for. This particular piece brings a part of reality that readers can relate to and turns it into a fairy tale and nightmare all in one. It describes one of a parent’s worst fears and ways they may actually react and
But the misery taught Madame Loisel to accept her situation. She was dressing like commoners; she was doing all the household chores without complaining. She was living a poor woman’s life and she accepted it. Because she knew that she has to pay the debt for the necklace. So this misery lasted for ten years when they finally cleared all the debts. It was a huge relief for them. That little incident has shaken her life; she realizes that it losing it was the reason of her misery. This is where she is wrong, instead of thinking that she should be thinking why she borrowed it at the first
In many fairy tales, there is always a damsel in distress that is beautiful and the male character always falls in love with her. In Rapunzel the short story, Rapunzel is put into a tower and lives there most of her young life by her ‘mother’ before her prince comes to recuse her. The difference between Tangled and Rapunzel the short story is that, Rapunzel is the princess and her prince is actually a thief, which ends up falling in love with her. Tangled illustrates how a naïve and beautiful heroine, evil mother figure, and a shallow egotistical hero can make a fairy tale story end with love and marriage.
The narrator says this to further the idea that the character of Cinderella evolves during the entire tale. She begins being this beautiful girl to this bottom-feeder only bossed around by her own family. This is significant when the stepmother takes “her beautiful clothes away” and dresses Cinderella “in an old gray smock” with “wooden shoes” (Grimm 1). This change makes the character more vulnerable in which it can make the other characters push her around more. The taking away of beauty can also show the true colors of the other characters because it shows that they are insecure. They are scared of Cinderella and by changing a simple look, it can give them the confidence to rule over her. Another personality trait that Cinderella has is the “damsel in distress” princess. This was very common in older princesses like The Little Mermaid, Snow White, Sleeping Beauty, and Rapunzel. All of these characters engulf this idea that princesses are passive, naive, innocent, easy targets, and always wanting to be rescued. For example, Cinderella never speaks up to her stepmother. Many older princesses were commonly known for doing nothing and letting stuff happen around them. As a result, the quote illustrates certain personality traits that are common in