Raphael's Lorenzo De' Medici

1147 Words3 Pages
bulb-icon

Recommended: Lorenzo de' medici raphael

Christie's London announced on May 21, 2007 that Lorenzo de' Medici (1518), a portrait of sound provenance by renowned Italian Renaissance master Raffaello Sanzio, called Raphael (1483-1520), will be available for purchase as part of its Important Old Master and British Pictures auction on Thursday, July 5, 2007. On display at the esteemed auction house's King Street salerooms, beginning June 30, will be Raphael's painting, one of a handful by the artist still privately held. Owned by Ira Spanierman since 1968, issues of the work's attribution to Raphael were tackled by Sir Charles Robinson (1824-1913) and firmly resolved in 1971 by the prolific Konrad Oberhuber, former director of Vienna's Albertina Museum. The masterpiece is expected to garner up to £15 million at auction. Lorenzo de' Medici was last exhibited publicly more than 40 years ago.

Interest in Raphael's works and Medicean portraiture has escalated in the wake of three recent special exhibitions: Splendor of Florence at Wall Street's Federal Hall National Memorial (October 1-November 12, 2004); Raphael: From Urbino to Rome (October 24, 2004-January 16, 2005) at London's National Gallery and Raphael at the Met: The Colonna Altarpiece at New York's Metropolitan Museum of Art (June 20-September 3, 2006).

Lorenzo di Piero de' Medici (Lorenzo II) (1492-1519) was the grandson of Lorenzo de' Medici, il Magnifico (the Magnificent) (1449-1492), the Florentine Republic's ingenious statesman, supporter of the Neoplatonic Academy and patron of the arts. He was also the nephew of Giovanni di Lorenzo de' Medici (1475-1521), eventually elected Pope Leo X (r. 1513-21). Lorenzo II's uncle is best remembered for granting Cardinal Albrecht of Brandenburg (1490-1545) permission to sell indulgences (remissions from the temporal punishment in purgatory for sins already absolved by the Church) in the lands within his jurisdiction.

Show More
Related

  • The Frick Collection: A Little Known Place with Big Names in Art

    1289 Words  | 3 Pages

    If the above mentioned paintings do not sound intriguing, the Frick’s remarkable holdings also include works by David, Goya, Renoir, Bruegel, and Velasquez. However, its collection is not limited to paintings only as significant sculptures like Bernini’s “Head of an Angel” from 1655 and Clodion’s ”Zephyrus and Flora” from 1799 can be found there as well. Along with these sculptures, an extensive collection of Italian bronzes and eighteenth century furniture combine to create a museum which although is small in size compared to the Metropolitan Museum of Art, makes up for it with an extensive collection of carefully selected pieces from some of the world’s most renowned artists.

    Read More

  • To What Extent Were The Medicis The Great Heroes Of The Renaissance

    1244 Words  | 3 Pages

    The Medici’s were a prominent family in the Renaissance, who ruled Florence from 1434 to 1737. They are regarded as being one of the most powerful and richest families in the whole of Europe. The Medics used this great status and wealth to develop an improved Florence, one that was significantly influenced by the Renaissance. The Medici family can most certainly be regarded as the significant heroes of the Renaissance. This is due to their significant promotion and patronage in the arts, in turn bringing focus back to the antiquities, a major importance during the Renaissance period. Furthermore, the Medicis can be considered the great heroes of the Renaissance, due to their significant influence of Renaissance Humanist thinking. On top of this, although the Medici family were allegedly corrupt and supposedly paid many bribes in order to become so powerful, they still focused on benefiting the heart of the Renaissance- the city-state of Florence- and should thus not be considered the great villains of the Renaissance, but instead the heroes.

    Read More

  • The Torment of Saint Anthony

    641 Words  | 2 Pages

    It was purchased by an American art dealer at a Sotheby’s auction in July 2008 for $2MM. It was brought to the Metropolitan Museum of Art where it was cleaned of grime, overpainting and discoloration. It was examined by infrared reflectogram and x-rayed for the first time and, on the basis of stylistic hallmarks such as “emphatic cross-hatching,” such as on the face of the saint, it was confirmed to be a Michelangelo (Michelangelo, n.d.).

    Read More

  • Lorenzo's Influence: Lorenzo De Medici And The Renaissance

    1441 Words  | 3 Pages

    Lorenzo De Medici can be considered as one of the most influential men of the 13th century. His work in political affairs and administration were renowned in all Italy and his family could count on him in every aspect. Lorenzo was also a promoter of a new period called Renaissance. He was one of the first “mecenate” to explore this new way of art. In this project, I will concentrate how he developed art in Florence, giving a clear example through an Artist of that period that was working for him: Sandro Botticelli. His work “The Spring” is a well-defined example of what we can call “art in the Renaissance”, in particular for the Italian Renaissance.

    Read More

  • Leonardo Da Vinci: The Renaissance Man

    1080 Words  | 3 Pages

    From the fourteenth to the seventeenth century the Renaissance transformed European culture and society. Many classical texts resurfaced and new scientific techniques arose. To many, Leonardo da Vinci is one of the most important figures in Renaissance history. He was given the name “Renaissance Man” because of his large role and impact. He had a large list of interests that spanned from science, art, anatomy, architecture, and mathematics. All of which were fundamental components that shaped the Renaissance era into what we know it as today.

    Read More

  • Martin Luther Thesis Statement

    644 Words  | 2 Pages

    To construct Saint Peters Basilica, Archbishop Albert borrowed money from the Fuggers (wealthy banking family). To pay for this loan Pope Leo X gave permission to Archbishop Albert to sell indulgences in Germany. An indulgence is a way to reconcile with God, by confessing your sins to a priest and perform a penance. By the later Middle Ages people believed that indulgence removed all their sins and ensured entry to heaven. The selling of indulgence troubled Luther, he thought people were ignorant to believe that they didn’t have to repent after they bought an indulgence.

    Read More

  • Analysis Of Alessandro Allori's Portrait Of Francesco De Medici

    984 Words  | 2 Pages

    Alessandro Allori reproduces the view of a young man in 3/4s view in his portrait of Francesco de Medici (c. 1560). Every element of the portrait, from its dominant red key to the intricate gold embroidery of the sitter’s costume connotes virtue.This rectangular composition presents a young virtuous man deserving of his power and wealth. More importantly, it exposes the attitudes of the painter and patron as towards what virtues qualified a man as deserving privilege and power.

    Read More

  • Compare And Contrast Michelangelo's Creation Of Adam

    1472 Words  | 3 Pages

    5).17 This fresco was painted between 1509 and 1511 and is located in the Stanza della Segnatura (one of four in Raphael’s Rooms) in Vatican City. Known as one of the most prominent masterpieces that were created during the Renaissance, this painting represents a total of twenty-one diverse figures in deep conversation, work or amusement as they share ideas, talent and philosophies. In his painting, Raphael incorporated his view on education as such an important aspect of human life. Through doing so, he utilised both the subject matter and the style of

    Read More

  • The Art of the Renaissance

    2065 Words  | 5 Pages

    Though the Renaissance era included all of Europe, Italy was the cradle of the movement. The cities of Florence, Rome and Venice were of great importance to this period. Major artists created art mainly in these three. As the center of Italy, Rome held the residence of the Pope and many other important factors. Throughout history, the Roman Catholic Church was very insistent on promoting their ideas. During this time, they used artists and their creativity to promote the Bible and other aspects of their beliefs. Artists were paid, or commissioned by patrons (often the Pope) to create art they wanted. One of the most ambitious patrons was Pope Julius II, who realized the impact visual images had on people’s ideas (Kleiner, 599). Pope Julius II was called the warring Pope, because he often went and involved himself in wars. He also held very humanistic ideas. Because of this, Michelangelo’s relationship to Pope Julius II was very different from his relationship with Pope Leo X, who succeeded Julius II. Julius, because of his adaptions to humanistic thoughts, he let Michelangelo express himself to the fullest, even when forcing him to paint the Sistine Chapel. Leo X, however, was very critical of everything Michelangelo set out upon. This resulted a strained relationship, and eventually abandonment of projects that were supposed to be completed. It is clear that Pope Julius II had a liking for Michelangelo, while the Medici’s looked on him as a type of lowly artist subject to their will.

    Read More

  • Leonardo Da Vinci: The Renaissance Man

    796 Words  | 2 Pages

    Leonardo Da Vinci could be argued as one of the most famous persons in the Renaissance Era and one of the greatest painters to ever live. Leonardo is talented and has made many contribution throught his life. He did so many things such as painting, anatomy , mechanics, and architecture. And he is one of the reasons why the Renaissance era could be regarded at one of the greatest time periods in history.

    Read More

  • Renaissance Figures

    2957 Words  | 6 Pages

    ... interruptions, the council played a vital role in revitalizing the Roman Catholic church in many parts of Europe.

    Read More

  • The Medici Family During the Renaissance

    1902 Words  | 4 Pages

    It would be a lie to say that Giovanni de’ Medici was the first in his f...

    Read More

  • Art in the Italian Renaissance

    1757 Words  | 4 Pages

    The Italian Renaissance included some of the greatest artists we have ever seen from Leonard Da Vinci, to Michelangelo, and Raphael. The Renaissance took place from the late thirteenth to sixteenth centuries and is know as the ‘rebirth’. The idea that the rebirth of the arts after being asleep for a thousand years is an amazing thing to grasp. This time brought back light to liberal arts, which were on the brink of being extinct. (Murray 2) What is also interesting about art during this time was that most of the art had Christian in its roots, for example, Botticelli’s The Allegory of Spring (Faure 1) is said to have had a Christian interpretation. (Murray) “Every Italian artist, willingly took the title of architect, sculptor, and painter” (Faure 2). At the beginning of the fifteenth century, the Italian painters had asked the Flemish painters for their secret techniques because the Italians felt like the language of painting was one that was always meant for them. (Faure 4) The sculptors claimed their inspiration from ancient works. Lastly the Renaissance introduced idea of individualism, which helped the Italians get away from everything that was going on during that time. Art during the Renaissance included painting, sculpting and architecture, all of which were an important part in expressing the idea of individualism and making art what is is today.

    Read More

  • Why Christian Icons are Considered to be Sacred Images?

    1085 Words  | 3 Pages

    Raphael. Madonna del Granduca. 1505. Oil on wood. 33 in. x 22 in. Palazzo Pitti, Florence.

    Read More

  • Early Renaissance Art

    926 Words  | 2 Pages

    Art has gone through many significant developments throughout history. The most important turning point was the renaissance. Art took a huge turn before the 1500’s and even after. The Renaissance has assisted the world of art in breaking away from a classic structure and shaping it to what it is day. Prior to this cultural rebirth, artworks were mostly not made to scale. Paintings were unrealistic and disproportionate. Religious figures seemed to be the focus of many works. The Renaissance changed the old social context of art by introducing humanism, new themes and techniques.

    Read More

More about Raphael's Lorenzo De' Medici

Open Document