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The role of woman in literature
The role of woman in literature
Gender roles of women in literature
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Sita is iconic as the ideal wife, her character is so fixed into the hearts of the people that she become a monument for the ages to come, mainly because woman are the main basis on which the various concepts of the society like the truth, compassion, tolerance, virtueous and many others. Valmiki in his text Ramayana does an amazing work by bringing in women characters from all sections of the society. There is on the one hand, the wifehood and the generous motherhood of Kausalya, on the other hand, the dominating wifehood of Kaikeyi who is proud of her beauty and motherhood. There’s a tender feeling of dedication of Sita and Kshatriya quality of Sumitra, Manthara who is motivated by selfishness and Sabari engaged in Self-upliftment, this diversity makes it easier for the people till today to connect and identify themselves with the test. Also, it’s important to note that all these characters posses unmoved faith, their own righteousness, their firmness and endurance and mark their way for individualism that makes the text of Ramayana more compelling than any other stories.
As we have seen, Sita's character is the most idealized character in the Ramayana. She is tolerant and forgiving to her husband’s orders yet at the same time does not compromise her individualism in his actions an instance would be when Lakshman decided to stay with Sita than to search for Rama, who was on the hunt for the golden deer, Sita persuades him by accusing him. When she found any harm to her self-esteem she decided to rather sink into her mother than to accept her husband's humiliation again. And so one character that is normally considered as a foil to Sita is the Surpanakha, Paula Richman explains their characterization as,
“Sita and Surpanakha e...
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...ty of this “other” group, also this identity of the “other” group keeps altering based on the society and the readers. In other words, the demonization of the “other” is altered based on the audience of the study. For example, Traditionally in the Ramayana, all humans are fair-skinned, except for blue-skinned, divine Rama. All men are handsome and well muscled; all women are fair- skinned, voluptuous, and have flowing hair. Even Hanuman and other animal allies of Rama are human-like whereas the rakshasas – the “others” were depicted as dark-skinned, stocky, and grotesque. The men have potbellies and pointy moustaches. Only ten-headed Ravana and his brother Vibhishana, both commonly regarded as heroes, are drawn with well-muscled, fair-skinned bodies.The women rakshasis are also dark- skinned and stocky, with sagging breasts, fangs, and exaggerated noses and lips.
...y, as they are the characters that move the story forward. Shamhat’s seduction abilities, as well as Utnapishtim’s wife’s compassion, along with the help of Ninsun and Ishtar, the protagonists in the story moved forward. The women in the story display examples of feminine qualities and the overall strength women possess. The Epic of Gilgamesh shows that a women’s touch can tame even the wildest of men, and that a women’s wrath can send them spiraling. It also shows the nurturing and caring side of women, through their wisdom and compassion for others. Had it not been for these women and their places in society, Gilgamesh would never have accomplished all that he did.
The Ramayana is the most famous and well-known of all Indian epics, originally based on an epic poem it has taken many variations and forms over the centuries. Traditionally the story centers on the hero Prince Rama, who is the embodiment of virtue and perseverance, as he is wrongfully denied his birthright of being crowned king and instead is unjustly exiled into the forest where he encounters his fair share of dilemma. In R. K. Narayan’s condensed, modern version of The Ramayana the classic conflict of duality is a predominant theme, as Rama faces many instances of uncertainty and trivial chaos which are eventually balanced by order and goodness under the laws of karmic causation and dharma alike which he virtuously strives to uphold. Nina
Nina Paley 's version had a more modern and comical approach of the film while “Ramayana the Epic” was more serious and followed a constructed storyline. In “Ramayana the Epic,” Lakshmana was portrayed throughout the film as a center of strength to Rama but in “Sita Sings the Blues” he was not perceived as an important character. The way Sita was portrayed in “Sita Sings the Blues” acts as an eye opener to some who aren 't familiar with the entire story of the Ramanya. It shows that although Rama pushed Sita away because of other people 's words and his own disbelief of Sitas purity, Sita continues to love and respect Rama. She doesn 't speak ill of him to their kids that were born. She creates an image that Rama is a perfect human and that he does no wrong. This shows that Sita is an ideal wife because in many Hindu cultures the wifes are suppose to always take the husband 's side and be with him through everything. She does her best and doesn 't hurt his
...ed by its culture just as it affects its culture, but its underlying worldview contains patriarchal and racist dimensions. In addition, the portrayal of Scar and the hyenas as having a dark mane and dark coats in the Lion King seems to be a symbolic coding. Our society has associated it darkness and evil and it has become an issue that is very offensive to AfricanAmericans. In addition to sending conflict messages about valuing all races, Disney implies that in Pocahontas, certain personality types are not considered and valued. Similarly in Hercules, the one and only Muse who is not beautiful stereotypically is the one muse who is the comic. What this means is that only the extremely beautiful and fun loving people are valued in our society (Booker 38). The mixed message brought out is that all people are valued, but really only fun and lively people are valued.
Valmiki's Ramayana was written around 300 B.C.E. (Carrier 207). Typically, the character of Rama is seen as the hero and the character of Sita is seen as the hero's wife. In this essay, I will compare Sita's journey of capture and inner growth with the "save the kingdom" journey of Rama, show how the two correlate, and eventually connect in the influential chastity scene. I will also prove that Sita is the "hidden hero" of this epic even though she is seen as taking a secondary role to Rama and show how this reflects women's secondary roles in society today.
The Ramayana as retold by R.K. Narayan, explores the roles and duty of women and what it takes in order to be a good woman in Indian society. He explores these roles through the women through out the epic whether it is the wife of a King or some form of deity. While in general women were viewed as subpar to men and were seen as second-class citizens, the women in the book shape the men into who they become and account for much of the manipulation of the individuals and the caretaking of the individuals. Women such as Sita and Kausalya demonstrate those women that are good. These women were regarded as beautiful, not only for their physical attributes, but for their behavior in regards to the males in the epic. They are everything women should be- they are kind and respect the males in their lives above all else. However these women are also met with their opposites, those women who have much improvement to make before being recognized as good women in the Indian society. These women, like Kaikeyi and Soorpanaka go against all Indian ideals. They use their sexuality in order to attempt to manipulate the men of the epic. They do everything in their power in order to get their way, even if it is at the cost of others.
There are a lot of differences shown throughout the world, from the way people look to what type of home environment they’re brought up in, to the traditions and cultures they follow. No two people are built and function the exact same way. Too often people are made to feel bad about the body, culture or life they are born in to. In life, as in literature, we find ourselves unable to fit into the box society has defined for us and see it as a negative. The things that make us different from the majority should be seen as advantages and not downfalls.
Whereas the relationship between Maha and Harb is one of passion and love, Ihsan and Nadia are the complete opposite. Nadia hates how Ihsan looks at her as a woman always and never a person. She struggles to prove her capability of being an individual and forming an identity of her own that is separate and goes beyond Mrs. Natour. She proves that she can ‘think and feel’ for herself and by herself. In the West where we have women out on the streets rallying for equality between men and women, fighting in the armies, present in the workforce, these victories may seem minute. However if one pays close attention to social structures and social norms in different cultures one can realize that this challenging and questioning is as important and holds as much weight as getting equal wages for women in America.
The stories on screen are about men and their conflicts, their dreams, their aspirations, their tragedies, their revenge, their desires and their heroism. The women exist only in relation to those men, as their mothers, their wives, and especially their lovers. (shodhganga
In The Ramayana by R. K. Narayan, Rama is the prince of Kosala who was once a god named Vishnu that was reincarnated and sent to earth as a mortal. Rama was the successor of Kosala as decided by Rama’s father King Dasaratha. Although Rama should have been the one to take the throne Rama is instead banished because of Dasaratha’s favorite wife, Kaikeyi, wishes that her son, Bhataha, take the throne and for Rama to be sent into exile. Dasaratha’s agrees due to promises he owed Kaikeyi so Rama is exiled with his wife, Sita, and his brother, Lakshmana. Rama, Sita, and Lakshmana all go through many challenges during the 14 years Rama is exiled from Kosala. During the 14 years they are in exile Rama, Sita, and Lakshmana all prove to be heroes in their own way. A hero is someone who shows courage, such as putting people 's lives
When traveling in the Himalayas, the author of The Parable of the Sadhu, Bowen H. McCoy is faced with a difficult and ethically perplexing dilemma when he encounters the hapless sadhu on one of the less taken paths near the summit of the mountain. Afterwards, McCoy’s reflection of the events that occurred, as well as his colleague, Stephan’s response, makes him question whether what he did was ethical or unethical. Through the ethical guidelines of the Golden Rule and the Public Disclosure Test McCoy’s decision can be analyzed thoroughly. McCoy also compares his choice to corporate ethics decisions, which makes him think if corporations are actually ethical in their decision-making. While other might disagree, such as Stephan, McCoy made the
She was born from the ground. Then she was brought up by the king Janak from where she gained different names like Janaki, Bhumija, and many more. Sita known for her down to earth character and nature because that always her of her birth truth. In her marital age, she was won by the prince of Raghu Kul Ram, a warrior, an immense believer of Dharma. Soon after her marriage she accompanied her husband and brother-in-law in the journey of 14 yrs of forest hood. Sita’s challenges did not finish there yet, she was hen eyed by the King of Lanka, Ravana, who kidnapped her. She was captivated for months in Lanka, Sita was fulfilling her wifely duties by waiting for her husband not coming under the selfish motives of Ravana. Later, when Ravana was killed by Ram, Hanuman ram’s supporter went to get Sita and explained that it was Rama’s express wish that she should dress and decorate herself before coming to his presence (Narayan,). When Sita was brought in front of Rama, she felt the question and shame in Ram’s eyes. She was broken down into pieces, when Rama disrespected her by saying, “You were won by me with that end in view (viz. the retrieval of my lost honour). The honour has been restored by me. For me, there is no intense attachment in you. You may go wherever you like from here.” (Valmiki, 6-115-20). The humiliated Sita then vowed in front of everyone that “I will enter a fire, to obtain the only course appropriate for me, who
From her essay ‘What women Share’, we can recall the following lines to understand the object of the novel: But when I did read the epics and other classic texts of Indian culture, I was surprised to find few portrayals of friendships among women. In the rare cases where such relationships appeared the stories of Shakuntala or Radha, for instance the heroine soon fell in love and left her friends behind to follow her beloved. It was as though the tellers of these tales (who were, coincidentally, male) felt that women's relationships with each other were only of significance until they found a man to claim their concentration and loyalty. Having thus been awakened by the thought that women have not been compensated the attention that is worthy of them by other story tellers, Chitra Banerjee set to paint the inner most recess of a woman’s psyche, the nature of relationship that she shares with men and women in the novel ‘Sister of my Heart’ and the novel speaks about these and
Comparatively men are not subject to gender constraints. Rama asserts that, “I am a king and my first and final dharma is toward my people”(Valmiki,649). In contrast Sita endures extreme events of calamity dependent upon Rama. Rama mentions, “Do not think of a moment Sita that I came for your sake” (Valimiki, 494). Therefore women are portrayed as secondary to honor and status of men. The role of women is predetermined to exemplify a paradigm wife, with contrastingly miniscule reciprocal behavior from the role men. Women are viewed as property of men vulnerable to suffering and hardship at the demands of the male characters. The men are liberated from gender constraints whereas women are sexually oppressed with a role dependent upon their relationship and subordinate nature to their
In R.K. Narayan’s version of The Ramayana, Rama used dharma to represent the ideal qualities of kingship by adhering to the social conventions of constructs like caste, class, gender, and race, and set an example for all as to how to form a cohesive society.