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Flashcard on foreshadowing
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“What would you do if I died? If you died I would want to die too” (p. 11).
I love the way McCarthy shows the Man’s paternal love towards the Boy through a hypothetical question because it shows the strength of parental love. The Man is willing to commit suicide, if the Boy dies, to be with him. This is an example of foreshadowing because not only does this predict someone’s death, it also subtly predicts the fact that the Man will repeatedly question his ability to relieve the Boy from the violence of the world by killing him. This also shows a huge contrast between the Man and his wife. The Man sees the Boy has his reason for living while his wife sees him as someone she’s obligated to protect.
“You have some, Papa. I want you to drink it. You have some” (p. 23).
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I love the way the Boy really wants to share his treats with his father, showing his strong love and respect for him.
It’s a rare occurrence nowadays for a child to share his delicacies with his parent. This role reversal is similar to when the Boy takes care of the Man at the end of the story. When the Man is almost dying, the Boy finds wood to keep the fire going and makes sure that he is warm. This shows the Boy’s incredible maturity at such a young age.
“He raised up and stood with weeping eyes. On the gray snow a fine mist of blood” (p. 30).
I think that the father is sick and his health is going to slowly deteriorate as the story progresses. I wonder what is going to happen to the Boy if the Man dies. I began to think of many movie scenes where a character finds out about his/her deadly fate. For example, in the movie “The Last Song,” which was based on a Nicholas Sparks’ novel, the father finds out that he has cancer and keeps it a secret from his two kids so he could spend one last summer with them.
“What is wrong with the man? He’s been struck by lightning. Can’t we help him? Papa?” (p.
50) I love that the Boy still has his innocence despite being in a world with roads full of corpses. He honestly wants to help the man struck by lightning even though he and his father barely have enough supplies for the two of them. This is just one of many conversations between the Man and the Boy regarding helping those they encounter. The Boy really wants to help them but the Man knows they need to move on and use their supplies conservatively to survive. Also in many ways, the Boy’s unwavering innocence keeps them humane and far away from cannibalism. “Will you tell him goodbye? No. I will not. Just wait till morning. Please. I have to go” (p. 58). I hate that the Man’s wife chose to leave him and their son to avoid a future with a possibility of rape and killings. I can’t imagine the guilt the Man must have felt for not being able to convince his own wife not to kill herself. I can’t imagine what the Boy must’ve felt when he found out that his mom killed herself without telling him. It sounds as if the Boy didn’t mean anything to her. I think this is also the reason for such a strong relationship between the Boy and his father. “What if that little boy doesn’t have anybody to take care of him? he said. What if he doesn’t have a papa?” (p. 85) I think that the boy sees himself in the other little boy. He is concerned about the boy’s safety and wants his father to take care of him. I think he is scared of losing his father and being alone. This is an example of foreshadowing because while the Boy is worrying about the little boy, he is also thinking about the possibility of life without his father which terrifies him. This eventually becomes his life as his dad dies. But what he doesn’t imagine is that another family would take him under their wings. “On the mattress lay a man with his legs gone to the hip and the stumps of them blackened and burnt. The smell was hideous” (p. 110). I think these people are being eaten because not only did the Man say that they needed to eat, but also the man in the cellar lost both his legs. The Man opened the door thinking there was food. I can’t believe that people are resorting to cannibalism. This reminds me of the show “Hannibal” because in this TV show, the psychiatrist is secretly a cannibalistic serial killer. The difference being that the psychiatrist willingly eats other human beings while people in the post-apocalyptic world are forced to eat humans as a last resort just to stay alive. “What if it doesn’t fire? Could you crush that beloved skull with a rock?” (p. 114) I can’t believe that the Man is thinking about killing his own son. I understand that he doesn’t want his son to be captured and used as livestock or killed but if the moment comes, I can’t imagine the Man actually killing his son. This reminds me of sacrificing yourself or someone you love for the greater good. In the movie “Oblivion,” the main character, Commander Jack Harper, sends himself on a suicide mission to bomb the space station to save the rest of Earth. In the movie, the sacrifice happens while in The Road, the Man thinks about a potential sacrifice.
“A hard packed snow lay on the streets; it was red with blood”(page 1263), “The snow was red. Bloody Sunday”(page 1267), “The snow was black. That was the blood.”(page 1272). Even the first man, who is only implied to have emotionally cracked during his testimony, “Have you recovered… Can we go on?”(page 1258), mentions the snow “There was snow on the streets. The snow was red.”(page 1263). Each one of them remembers the snow perfectly. It was a visual effect that carried the weight of their terror and agony. The blood of their people running through the ground pushed out any memory of specific details which, to them, were minor. Specific details such as the table used in the selection
1. Chapter 3, page 5, #3: “A little fog hung over the river so that as I neared it I felt myself becoming isolated from everything except the river and the few trees beside it. The wind was blowing more steadily here, and I was beginning to feel cold.”
The boy’s mother will take the easy way out for herself so that she won’t have to fight through the pain. By taking her own life, she will leave the boy in the father’s hands. The boy misses his mother everyday
...son dies, it really does not mean anything to the doctors, except a free bed. This scene plus the others which take place in the hospital show change in the way that men pull together when someone is in need. The hospital scenes also show that men are so accustomed to death, they know when someone is going to die, and can tell the degree of an injury when it happens.
Suffering from the death of a close friend, the boy tries to ignore his feelings and jokes on his sister. His friend was a mental patient who threw himself off a building. Being really young and unable to cope with this tragedy, the boy jokes to his sister about the bridge collapsing. "The mention of the suicide and of the bridge collapsing set a depressing tone for the rest of the story" (Baker 170). Arguments about Raisinettes force the father to settle it by saying, "you will both spoil your lunch." As their day continues, their arguments become more serious and present concern for the father who is trying to understand his children better. In complete agreement with Justin Oeltzes’ paper, "A Sad Story," I also feel that this dark foreshadowing of time to come is an indication of the author’s direct intention to write a sad story.
For instance, foreshadowing takes place when, after shooting the doe, Andy runs away and “Charlie Spoon and Mac and her father crying Andy, Andy (but that wasn't her name, she would no longer be called that);” (338) this truthfully state that she no longer wanted to be called Andy, she wanted to be called Andrea. Finally, Andy realized she is at the stage of growing up so she depicts between the woods where she can be a male or the ocean where she can be a female. She chose to stay true to herself and become Andrea because “Andy” lost her innocence when she shot the doe. Another example of foreshadowing is when Charlie was having distrust that Andy should come with them because she is a girl. The allegation Charlie made can be an example of foreshadowing because of how Andy will never go hunting ever again because she hated killing doe and it hurt her to see the doe suffering. This resulted to Andy never wanting to kill doe ever again. She changes her nickname to Andrea, her real name, because that’s who she is. Andy must face the reality of death before she can grow up. Additionally, foreshadowing contributes the themes overall effect by explaining how Andy’s loss of innocence happened and how she realized she must grow
In Romeo and Juliet a significantly horrendous ending takes place, but with Shakespeare's use of foreshadowing he is able to keep the reader from being overly traumatized. For example, when Juliet and Romeo are discussing plans Juliet says, "O God, I have an ill-divining soul! / Methinks I see thee, now thou art so low, / As one dead in the bottom of the tomb"(lll,v,14-56). Juliet has mixed feelings about the arrangement devised by the Friar so that the two of them can be together. Juliet thinks disaster will come of previous tactics developed to allow Romeo and her to be together. In addition, when Romeo is speaking of his love for Juliet he says, "And but thou love me, let them find me here. / My life were better ended by there hate / Then death prorogued, wanting of thy love"(ll,ii,75-77). Romeo's immense love for Juliet will eventually lead to the fall of himself. Death lingers throughout the play between Romeo and his love, Juliet. In conclusion, when Juliet is thinking about Romeo she says, "Give me Romeo; and when he shall die / Take him and cut him out in little stars, / And he will make the face of heaven so fine / That all the world will be in love with night," (lll,ii,21-25). This suggests that in the play Romeo will end up dying and Juliet will be there to see it. Juliet prophesizes over many topics in the play and in the end they become true. Foreshadowing is used in this play to help the audience trounce the dreadful outcome.
The story begins in a small town in America. The Fowler family is faced with the burden, frustration and pain of having to bury their twenty-one year old son, Frank. The inward struggle faced by Matt Fowler, his wife, and family drives him to murder Richard Strout, Frank's killer, in order to avenge his son's murder and bring peace to himself and his family. Matt faced a life-time struggle to be a good father and protect his children from danger throughout their childhood. Dubus describes Matt's inner ...
In conclusion, this was an awesome story. The above questions were the catalyst to the real truth that would make the brother to that little girl free at last. His son was determined to break the cycle and remedy this generational condition, although the means by which he used were terrible. But, he would get through to his father. He shed light in the dark place by first beating his father into sobriety, so that he could think clearly. He then helped his father to open up to the discussion concerning the secret he had held on to for so long. Then, he also convinced his father to burn the “Shawl” of his deceased sister. And finally, his father realized what the true story was. A story that would in turn loose the tie that bound them all together with generational sorrows.
Another example of foreshadowing is the clues to the death of the Marquis St. Evremonde. The people that want a revolution hate the Marquis. “That I believe our name to be more detested then any name in France” from Charles Darnay to the Marquis (113). The Marquis hears this and reply’s “’A compliment’, said the Marquis, ‘to the grandeur of the family’”(showing that he is completely oblivious to what is going on in France)(113). This is foreshadowing that the people will probably punish the Marquis. The final event is when the Marquis’s coach ran over a child and he replied “’It is extraordinary to me, said he ‘ that you people cannot take care of yourselves and you children’”(102). Then Defarge throws his coin back into the carriage, showing his anger. This event angers the people, and is a key part in the foreshadowing of the Marquis’s death.
As a child, Hazel Motes is indoctrinated in religious fundamentalism by his grandfather, “a circuit preacher, a waspish old man… with Jesus hidden in his head like a stinger” (9). Time after time young Haze hears the searing sermon of his Bible-thumping grandfather who, in front of a crowd, would point to his grandson, “that mean sinful unthinking boy,” and pronounced him “redeemed”: “That boy had been redeemed and Jesus was not going to leave him ever…. Jesus would have him in the end!” (10). Understanding Jesus as the “soul-hungry” devourer, as “something awful,” the boy very early comes to the conclusion that “the way to avoid Jesus was to avoid sin” and, at the age of twelve, decides to follow the preacher’s calling like his grandfather. Furthermore, Haze’s mother, with “a cross-shaped face” reinforces the fundament- alist piety in her son by equating the boy’s germination sexuality with sin. Her chilling question “what you seen?,” to the shame-faced boy who just had a peek at a naked w...
After this event, the reader can really see that deep down, the protagonist loves and cares for his father. As he hears his father enter the house babbling gibberish, he begins getting worried.
With the son’s fear amongst the possibility of death being near McCarthy focuses deeply in the father’s frustration as well. “If only my heart were stone” are words McCarthy uses this as a way illustrate the emotional worries the characters had. ( McCarthy pg.11). Overall, the journey of isolation affected the boy just as the man both outward and innerly. The boys’ journey through the road made him weak and without a chance of any hope. McCarthy states, “Ever is a long time. But the boy knew what he knew. That ever is no time at all” (McCarthy pg. 28). The years of journey had got the best of both, where they no longer had much expectation for
The fictional life and death of a twelve year old little boy named Robert is vividly articulated in this moving tale by Thomas Wolfe. The reader learns of the boy’s life through four well developed points of view. The reader’s first glimpse into Robert’s character is expressed through a third person narrative. This section takes place on a particularly important afternoon in the boy’s life. The second and third views are memories of the child, through the eyes of his mother and sister. His mother paints the picture of an extraordinary child whom she loved dearly and his sister illustrates the love that the boy had for others. Finally, an account from the narrator is given in the ending. It is in the last section of this work that the narrator attempts to regain his own memories of his lost brother.
Early in the film , a psychologist is called in to treat the troubled child :and she calmed the mother with a statement to the effect that, “ These things come and go but they are unexplainable”. This juncture of the film is a starting point for one of the central themes of the film which is : how a fragile family unit is besieged by unusual forces both natural and supernatural which breaks and possesses and unites with the morally challenged father while the mother and the child through their innocence, love, and honesty triumph over these forces.