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Gender in literature
Gender in literature
An essay on women empowerment
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Female Assertion in A Raisin in the Sun
Female assertion can have different responses and impacts considering how much power the woman who is asserting herself holds. Women with more power are regarded more respectfully while women with less power are responded with teasing and jokes after asserting themselves. Additionally, when a woman with less power asserts herself, she is usually blown off. The three main female characters in the play A Raisin in the Sun, by Lorraine Hansberry, all assert themselves at times, but the response ranges depending on whether it’s Mama, Beneatha, or Ruth because of their varying roles, based on power stemming from motherhood and age. This is applicable to life during the time period which the play was based,
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She is the head of the house, the eldest, and has the ability to change all of the other main character’s lives - no one wants to go against her - and it shows in how they respond to her assertions. Although it may not be reflected in his words - “Mama-I don’t need no nagging at me today.” (Hansberry 72) - Walter cleary listens and considers his mother’s advice to him. This is most obviously shown nearing the end of the book, when Walter calls Lindor over. His original plan was to beg him for money, however, after telling his family of his plan his mother tried to convince him not to. Though he did not verbally say he agreed with her, it was seen through his actions when Lindor arrived that Mama’s words moved him. He did as she said he should do, and this is a clear expression that not only does he value her ideas, he also respects …show more content…
Ruth being Walter’s wife, he cannot regard her the same as he would his sister or mother, but he still does not see her as an equal. It is seen many times throughout the play that he does not regard her as an authoritative person in the house, even in the opening scene. When Rutha expresses that she is upset and has no interest in messing around, Walter goes on a spiel about how “You all some eeeevil people at eight o’clock in the morning.” (Hansberry 27), blaming her attitude on the time of day rather than his own actions. Another instance which shows Walter shutting down Ruth’s assertions is when Walter was criticising Ruth’s parenting; after she had told Travis he could not have any more money, Walter blatantly disregarded her authority as a parent and gave Travis more than enough money to get what he needed. When Travis left, he and Ruth proceeded to fight until Walter stormed out of the house. Just after that, he came back inside, noticeably more calm, and asked Ruth for money for carfare. He was obviously embarrassed that he had to ask her for money - “He fumbles with his cap, starts to speak, looks everywhere but at Ruth,” (Hansberry 39) - not only because he just freely gave money to Travis despite Ruth saying they don’t have the money, but also because she is his wife, a woman, who is not supposed to be the one in charge of the money. In
Mama only spent $3,500 out of the $10,000 from the insurance check, she decides to give Walter the leftover money, so he could “be the head of this family from now on” (107). Walter takes this matter upon himself and decides to “make a transaction” (108) that will “change our lives” (108). Walter then, takes all the money he is given by Mama and “never went to the bank at all” (129), he then gives all of the $6,500 to Willy Harris, who was trusted by both men, left with all of Walter and Bobo’s money. Mama, who is very upset by this, hits Walter for giving all the money away. Mama then turns to God for “strength” (130). Mama is a Christian woman and, despite her struggles, remains faithful.
Mama is usually seen as an affable and nurturing character, but when she discovers Walter’s use of the money her husband works so hard for her patience towards him snaps, “(... Mama stops and looks at her son without recognition and then, quite without thinking about it, starts to beat him senselessly in the face.)” (Hansberry 129). Most would be appalled to see a mother beat her own son; however, her anger had taken her conscience at this point. One will also see an interaction between Walter and his sister Beneatha as she says to Mama: “That is not a man. That is nothing but a toothless rat.” (Hansberry 144) The siblings have mild scuttles before he gives away the money, but nothing quite at the audacity of this specific
Walter feels as though no one in the family supports his idea of opening a liquor store, but they want him to be an entrepreneur, but opening a liquor store is against his mother's moral grounds. Walter's arrogance is clearer when he asks Beneatha about her decision to become a doctor: He asks why she couldn't just become a nurse or get married "like other women." When he comes home after drinking with his friends and Beneatha is dancing to the African music, he says, "Shut up" to Ruth, just before joining Beneatha in the dance. Walter is obsessed with getting money so that he can buy "things for Ruth"; he is unaware that treating Ruth more kindly and with more respect would be more appreciated and valued than any "gifts."
At the beginning of the play, Walter is a self centered character. In a conversation with Mama, Walter wants to make sure she does not spend all the money. Walter states, “Where were you, mama? Mama, You didn’t go do something with that insurance money, something crazy” (P. 90). It is revealed that Walter is desperate for money and achieving his big idea of owning a liquor store. It’s important to know that this money is Mama’s and not Walters to spend. Instead of being the man of the house
Ruth’s dream is to have a happy and loving family. Ruth’s dream is revealed in act 2, scene 3, when she is ecstatic because she went to the movies with Walter and they held hands (111). This exposes Ruth’s dream because her greatest moments are when she is with someone in her family and they are happy to be together. Walter stands in the way of this dream because money is his first priority. In act 1, scene 2, Walter declares that money is life (74). This demonstrates Walter’s obsession with money because he informs Mama that money means everything to him. In act 2, scene 2, Mama tells Walter that she would do anything for him and gives him a lot of money; after Mama gives her heartfelt speech, Walter just stares at the money (106). This shows money is more important than family to Walter because his mother just told him she would do anything for him, but Walter only cares about the money in front of him. However,
Walter Lee Younger's route, which was filled with riskiness and impulsiveness, exemplified the road taken by blacks who had been oppressed so much that they followed their dreams with blind desperation. Though Walter was the only adult male in his family, he did not assume the role as "man of the house." His mother, Lena was the family's backbone as well as the head of the household. Therefore, Walter felt less than a man. Not only did Walter not have a position of dignity in his home, but he felt disrespected by the world as well. Walter didn't feel good about himself because he was so poor that he struggled to support his wife, Ruth and son, Travis. Walter, though the did not fare unsuccessfully in that struggle, our he wanted more out of life. He told Ruth:
A Raisin in the Sun, by Lorraine Hansberry, is set in the 1950s, chronicles the life of the younger family, struggling to survive Chicago’s Southside.(111) A series of events transpires challenging the “American Norms” depicting the nuclear family and its “unabashedly patriarchal” life of the 1950s (Domina). The Younger’s are a family with a power structure that is complicated, and they have no clear leader. Women by definition of societal principle are presumed under a shadow from birth, of what they are capable of and the roles they are expected to fulfill. Hansberry creates a character in Ruth who is portrayed as a “beaten down” woman whose disappointments in life have “begun to hang in her face” (111) Ruth is struggling to find herself and yet stay loyal to the expectations of a “settled woman” ()
Walter seems to be a good father to Travis, but starts to lose control by the end of the play. When with Travis, Walter relates too much to money, instead of focusing on their family fun in life. Walter tries to impress Travis with money and thinks that teaching Travis to be rich is the happiest way to go. In the play, it shows that Travis is becoming like his father and is starting to think about money at too young of an age. In scene two in Raisin in the Sun, Travis complains to his mother, Ruth, that he wants to work so he can earn some money. His father responds by giving Travis money and trying to impress him. Walter says to Travis, "In fact, here's another fifty cents... Buy yourself some fruit today or take a taxicab to school or something!"(Page 30). It is all right to be happy with money but it shouldn't be the reason to be proud of your family.
In A Raisin in the Sun, Lorraine Hansberry suggests that women’s role in society is essential because they fight for change, they aspire to help those around them, and are are willing to take risks.
When she was younger, she dreamed of being able to live in a decent sized house where she could even have her own small garden. However, the more privileged black neighborhoods were too expensive for her and her family at the time so she could never get the best of what Chicago had to offer. That factor didn’t hinder her from providing for her family and getting what she needed in life though. Mama’s environment formed her into a woman who hopes for the best, but even if that doesn’t happen, she will still make do with what she has. She also is very religious, this enables her to have strength and guidance during troubling times, and find a way when there is none.
Walter and Beneatha’s relationship is very complex. The spiraling tension between the two siblings causes confrontation to form and creep into the Younger household. Walter needs his family to respect him as the man of the family, but his sister is constantly belittling him in front of his mother, wife, and son. This denigrating treatment taints Walter’s view of himself as a man, which carries into his decisions and actions. Beneatha also subconsciously deals with the dysfunctional relationship with her brother. She desires to have her brother’s support for her dream of becoming a doctor, yet Walter tends to taunt her aspiration and condemns her for having such a selfish dream. Mama as the head of the family is heartbroken by the juvenile hostility of her adult children, so in hopes to keep her family together she makes the brave move of purchasing a house. Mama’s reasoning for the bold purchase was,“ I—I just seen my family falling apart….just falling to pieces in front of my eyes…We couldn’t have gone on like we was today. We was going backwards ‘stead of forw...
Pride and Dignity in A Raisin in the Sun "A Raisin in the Sun" by Lorraine Hansberry follows a black family's struggle to see their dreams through to fruition. These dreams, and the struggles necessary to attain them, are the focus of the play. As the play begins a husband, Walter, and wife, Ruth, are seen having a fight over Walter's dream to become a'mover and shaker' in the business world by using an insurance check as a down payment on a business venture. Walter tells his wife that, "I'm trying to talk to you 'bout myself and all you can say is eat them eggs and go to work", which is the first sign of Walter's recurring feelings that if someone in the family would just listen to him and put forth their trust his dreams would come to fruition. Following this argument, Walter goes off to his job as a chauffeur, which is the job he so longs to be done away with because he would rather "be Mr. Arnold[his employer] than be his chauffeur".
Lorraine Hansberry in her play, “Raisin in the Sun”, attempted to explain the feelings of the average African American Male in the 1940s. This persona, which is portrayed in the character Walter, had experienced a severe feeling of depression and hopelessness. In order to understand this source of grievance, one must relate back to the Great Migration and the dreams it promised and the reasons why many African Americans sought to move to the North. A desire to achieve freedom from racial injustices and poverty was the prime factor that encouraged Blacks to abandon the south. However, these dreams where soon crushed as African American noticed that Northern whites had still maintained unequal segregation and where as stumbling block to Black advancement. The consequences of a “dream deferred”, as Langston Hughes called it, was dependency on others, alcohol addiction, as well as dysfunctional families.
The play, A Raisin in the Sun, has a very strong view of feminism in the 1960’s. The way that the females are portrayed and talked to in this play is not only an example of how the relationship between a man and a woman in society is unequal, but reflects a particular patriarchal ideology. Throughout this play, as the characters strive to achieve their dreams, the relationships that we see can be seen as feminist and as sexual stereotypes.
Mama is a powerful, strong witted person. She has a lot of control in this play and dominates as a woman character. This is unusual because this is usually a male’s position in life. She is a woman, “who has adjusted to many things in life and overcome many more, her face is full of strength”. In this play she is illustrated as taking over for the head of the family and controls the lives of everyone in her house. Rules are followed to Mama’s extent. She controls what is said and done in her house. After Walter yells, “WILL SOMEBODY PLEASE LISTEN TO ME TODAY!” (70). Mama responds in a strong tone of voice saying, “I don’t ‘low no yellin’ in this house, Walter Lee, a...