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Emotion and perception of art
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On a stifling summer night in Connecticut, I found myself attempting to bring life to wilted roses. Restoring grace with florid colors and fluttering brushstrokes, I crafted my own narrative from crumpled leaves and somber petals. Color soaked into the fibers of my canvas and gave it a heartbeat, pulsating in time with the movements of my right hand. The evidence of my latest compulsion adorned my easel, my shirt, and the newspaper-smothered floor surrounding me. My workspace had gradually consumed more of my room than I had ever planned on surrendering; my favorite tea mug had become a container for paint-muddled water after too many accidental stirrings with my brush. I paint in what is probably a vain effort to control the world in which I live, recreating it in a manner which satisfies my sense of what the world should be and look like. I strive to satisfy what Kandinsky calls an “inner need,” a vision that hides behind my eyelids which I struggle to render, preserve, and relive. This quest to pluck truths from darkness and create connections between ideas and people brings with it clarity and happiness, and a validation of self that comes with the empathy of other humans. …show more content…
What guarantee is there that the five senses together cover the whole of possible experience? There are gaps between our fingers, just as there are gaps between our senses. These gaps hold the darkness within which hides the connections between events, the answers to impossible questions; all of which, our human eyes are incapable of seeing. The limits of our understanding concern both science and art, which attempt to draw connections through these gaps using what we already
Since its emergence over 30,000 years ago, one of visual art’s main purposes has been to act as an instrument of personal expression and catharsis. Through the mastery of paint, pencil, clay, and other mediums, artists can articulate and make sense of their current situation or past experiences, by portraying their complex, abstract emotions in a concrete form. The act of creation gives the artist a feeling of authority or control over these situations and emotions. Seen in the work of Michelangelo, Frida Kahlo, Jean Michel-Basquiat, and others, artists’ cathartic use of visual art is universal, giving it symbolic value in literature. In Natasha Trethewey's Native Guard, Kazuo Ishiguro’s Never Let Me Go, and Joseph Conrad’s Heart of Darkness,
Artists in the Modern period illustrated the existential idea of individuality through visual imagery to convey the power of man and the fallacious influence of the external world. For instance, M.C. Escher’s noteworthy piece, Hand with Reflecting Sphere, epitomizes the idea of self-derived identity. The message of the piece revolves around the idea that when searching for meaning, one should look within. Specifically, this is seen in the imagery of the reflecting sphere, for as Escher gazes into the sphere to discover his purpose, he simply sees himself. Moreover, the artistic element of depth amplifies the effect as the highlighted image is the one of the author, further illustrating how, at a primal level, the one unwavering source of meaning is the spirit of the person itself. In addition, M.C. Escher implements the aesthetic quality of contrast, by overlaying the detailed reflection on top of an unrefined background. Furthermore, this bolsters the message, as the importance of reflection is shown to be greater than the mundane outside
For example, he argues, that the experience of temperature can be understood with the analogy of the experience of pain, and just as the pain is not 'in the needle', so the warmth I feel is not in the fire. (2) He then argues in a similar vein that visual experience is reducible to collections of colour sensations because light passes into the eye ball and strikes the retina, in much the same way that a sharp object striking the skin produces a sensation of pain, such as a sensation of blue or red. (3) The sensation being the effect of the physical and chemical properties of the world on the sense organs and is as distinct from the world as photographic images are from the objects which cause them.
Through his “choreographed” letters, Massoudy gives physical form to emotions and ideas. For example, in his work “I love a flower that is slow to blossom,” (See Figure 2) he shapes the word “flower” with curves that resemble petals. The word “flower” is repeatedly written in green ink to form a leaf, or a garden speckled with red and yellow flowers. The quote written out in a straight line evokes the image of a stem.
The very definition of that which is generally thought of in popular culture as a "sixth sense" is worth noting, given that its name - extrasensory perception - implies a capability of receiving external information through pathways that are not explicitly sensory. However, our understanding of sensation as it stands now depends on the existence of receptors within the nervous system that are specified for the respective types of sensation (1,2). An input can only be received and integrated if there exists within a system the proper kind of receptor, be it mechano-...
I started my annotations journey by looking at a renowned group of 35 artists who share the same obsessive need to acquire items for art making. Lynne Perrelle’s book Art making, collecting and obsessions reveals an insight into the art practices of artists working with the same idea of obsession I have been interested in with my art. This book has been a good starting point for my thinking about connections between my work and other artists. Perrelle outlines each artists practice with how their obsession is made into art. For example, artist Daniel Essig is obsessed with looking for tiny objects that look out of place along side the riverbank. To Essig there is ...
As I read this work of art, my mind was transported to my favorite place in the outdoors. My imagination was filled with the waving of the tall grass, the stillness of the trees, and the feeling that time is standing still and I’m the only one who notices. For example, it sparked the idea, or memory, of how much I love nature and the outdoors, and the great sense of peace it brings to me. In an instant, it showed me how far I had drifted from that mindset.
We are taught, at a young age, how important our five senses are. These senses are essential to survival and are the necessary feedback for our existence. The question becomes though, what are really our senses? Touch, smell, sight, hearing, taste are the ones engrained into us, but there’s more to it, we can sense temperature, acceleration, movement, and even intangible things such as hostility, fear, or even someone or something’s gaze. While questioning why these are important and vital senses it raises a question of what is not included in the taught set of senses. Are senses real or are they a figment of our imagination created to give us a virtual reality? When people have senses that are better than others does that make our senses reliable? Rene Descartes ran into these questions himself in his Meditations on First. He distorted the perspective of senses by relabeling the concept of dreams, the beliefs of a powerful entity, and the mind itself. Descartes decides to call all individual opinions into doubt,
Their intellectual horizons which were previously limited to light poetry or novels, have grown to include the vast fields of painting and music…I refer not here to those who, mistaking the vocation of their sex, are filled with the desire to be painters in the same manner as men. Even if the noisy, over familiar atmosphere of the studio itself were not essentially antipathetic to the codes of decency imposed on women, their physical weakness, and their shy and tender imagination would be confused in the presence of the large canvases, and of subjects either too free or too restricting, such as those which normally for...
Perception is defined as the awareness of the world through the use of the five senses, but the concept of perception is often used to isolate one person’s point of view, so how reliable can perception be if no one person’s is exactly the same? The word perception itself is riddled with different, well, perceptions of its meaning. When some hear the word they might automatically think of it as something innately flawed, that can easily be fooled by illusions, while others may think of its usefulness when avoiding scalding a hand on a hot stove. I am here to agree with both and to argue that perception is something necessary and helpful, and something that should be scrutinized for its flaws. By looking at perception as a way of knowing in the
Paintings, like many forms of art, are very subjective—what one may find intriguing another may completely disagree. “Art is physical material that affects a physical eye and conscious brain” (Solso, 13). To glance at art, we must go through a process of interpretation in order to understand what it is we are looking at. Solso describes the neurological, perceptual, and cognitive sequence that occurs when we view art, and the often inexpressible effect that a work of art has on us. He shows that there are two aspects to viewing art: nativistic perception—the synchronicity of eye and brain that transforms electromagnetic energy into neuro-chemical codes—which is "hard-wired" into the sensory-cognitive system; and directed perception, which incorporates personal history—the entire set of our expectations and past experiences—and knowledge (Solso, preface)
The five senses of sight, hearing, touch, taste and smell are all sensations throughout the human body. Sensation is the involvement of sensory receptors as well as the central nervous system in order to allow us to experience outside stimuli. The system that allows us to experience sensation is the sensory system.
The mind creates the emotions and ideals responsible for art. The brain is capable of imagining glorious things, and art is the physical manifestation of these ideals. These ideals are usually intense emotions with aesthetic power (Wilson, 220). Art organizes these emotions in a matter that can easily express the ideals to...
Everyday, humans use all five senses on a regular basis, but it goes unnoticed. Humans have come so accustomed to living with sight, smell, taste, touch, and hearing, they don 't even notice it any more. Humans often forget how much of a privilege each of these senses is. Some individuals aren 't lucky enough to attain all of these features, and they teach us not to take them for granted. It is odd to consider what it would be like to live without any of these vital senses. With the consideration of the idea of missing a sense, comes the realization that life would be completely altered if you were lacking any one of our prized senses. Our senses are like the door to experiencing life, and without them, we would have to learn to adapt in
The arts have influenced my life in amazing ways. Throughout my life, art has been the place I run to and my escape from the world. As I’ve grown older, art has become so much more than that. Every piece of art I create is a journey into my soul. It’s a priceless way to deal with my emotions and my struggles. I create art not only because I enjoy it and because I want to, but because I have to. Somewhere deep inside there is a driving force, urging me to put my heart down on paper. I become emotionally attached to each of my pieces because they are like dashes on the wall marking my growth. Each one is the solution to a problem I have dealt with and overcome.