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Analysis of shakespeare's play the taming of the shrew
Analysis of shakespeare's play the taming of the shrew
Critiques of shakespeares taming of the shrew
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Rafe's Impressions in Act Two Scene One of Spring and Portwine
This is happening during the time when Rafe and Hilda are in
disagreement over what should be done with the herring Hilda refused
to eat on Friday evening. Prior to this, the family have had a sing
along song. During this time Rafe has been jolly and in good mood. He
actually encourages everyone to join the singing and sings in a
beautiful happy voice. As the family gather to have tea and as events
unravel, a different Rafe come to picture. In this scene Rafe is
authoritative and dictator-like.
His authoritativeness is revealed when he says to Daisy, 'mother have
you forgotten something,' ands she stands up and does as requested. He
is an un-moved character, a dictator so to speak. He wants his word
taken and done. This side of him is shown when he insists that Hilda
must eat the herring no matter what it takes and if she doesn't she
will not from his table until she has done so.
When Daisy finds the herring missing, Rafe takes it into his own hands
to dig deep into the core of the matter. Here Rafe is shown as a very
reasonable person who reasons with sensible understanding and logic.
When Wilfred tries to cheat his way out of trouble by saying that he
drank water just before the family had tea, Rafe with his logical
thinking cannot take it or believe why someone would do that because
it does not make any sense at all. He is obsessed with the truth that
he will dig to the deepest point of the matter to get to the truth.
Here are some quotes that show his obsession with the truth:
* 'Its an inquest into the truth and don't override me.'
* 'I'm going to ask you a question. All I want to know is the
truth.'
Rafe also seems to be a character who never gives up. No matter how
much Wilfred tries to justify himself and no matter how much the
of tune”, is a lark, not a nightingale and thus it are dawn and Romeo
his facts as they usually go to find out if the things they know are
At the start of Act 2 Scene 2 Romeo is very immature in saying a few
which he uses to see into the minds of others. He gets into their heads and
...dentity. He is scared to acknowledge the truth because he does not like having to face the truth on his own. He is therefore refusing to return to his “ordinary world”, reality.
Act Two in Understanding Desdemona in Othello by William Shakespeare The play “Othello” written by William Shakespeare is a tragedy in which appearance and reality are juxtaposed with jealously, hate, honesty and innocence. The character of Desdemona is one of the most admirable, and yet most pitiful, in all of Shakespeare. She is completely innocent, unable to comprehend how her husband can be jealous when “I never gave him cause!”. The other women in the play are cynical Emila and Cassio’s mistress, Bianca: contrasted with these two, Desdemona stands as an icon of female purity.
Whereas the interpreter is obliged to go to the depth of things, like an excavator, the moment of interpretation [genealogy] is like an overview, from higher and higher up, which allows the depth to be laid out in front of him in a more and more profound visibility; depth is resituated as an absolutely superficial secret.(18)
In order to do this he is led on a path of multiple murder and deceit.
of the Capulet’s orchard. This is a brave thing to do, for, if he had
Othello is a man of romantic nature. He fell in love with the beautiful Desdemona. He was accused of stealing her away from her father. Othello was of a different race and did not fit in with her family. Othello makes a plea for Desdemona and tells his story which wooed her to begin with. Othello tells of the love that her father showed him since his boyish days. This was like a match made in heaven that overcame many obstacles which got in their way. Othello could not understand why he was good enough to work and fight alongside of her father, but was not good enough for his daughter.
Good morning/afternoon Ms Pritchard and 10B English, today I will be exploring two of the same scenes from different film versions of Romeo and Juliet. Each film was directed by different but equally professional directors to allow the audience to understand the tragedy of Romeo and Juliet. The scene I am going to analyse is the party scene when Romeo and Juliet meet for the first time. The first film being discussed was directed by Baz Luhrman in 1996; an Australian director who loves to spice up his films to keep the audience on their feet. The second film was directed by Carlo Carlei in 2013; an Italian master mind of directing who prefers to stay true to his films and become one with the audience and the story being told. Both directors
conspiracy. He says, "O, he sits high in all the people's hearts; / And that
to be a joke; he is not a very humoured man. He believes that the
that he can and will win. And so he does. He goes far out and acts on what
Impressions of Macbeth in Act 1 At the beginning of the play, Macbeth, the honourable Thane of Glamis, is the “bravest” soldier, who fights for the King without mercy. He is a very successful and a highly respected member, who is always loaded with honours and praise. His rank and nobility are of great value, and his fighting for King Duncan is magnificent, and of course courageous. (Shakespeare describing Macbeth’s courage in battle: “Like valour’s minion carved out his passage till he faced the slave” (Act 1, scene 1, line 19)). Macbeth fights bravely, in hope that he will be known as a “valour’s minion” – Macbeth strongly values success because he recognises the fame and new titles he will gain from the public.