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Expression of emotion through music
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Recommended: Expression of emotion through music
For this paper, I listened the RadioLab episode on musical language. I chose this one because, being a musician myself, I’ve always been interested in the psychology behind music, specifically why certain sounds can so drastically alter our emotion. After all, they’re all just vibrations. So what is it about some vibrations that make them so much more significant to us than others? This is one of the primary questions addressed in this podcast.
In discussing how music affects us emotionally, the hosts referred to Igor Stravinsky’s orchestra, The Rite of Spring; specifically its debut, which, to put it simply, was a disaster. The audience was so deeply shaken by the performance that they started a riot. The major factor attributed to this fiasco is the liberal usage of particularly dissonant chords throughout the piece. I have a friend who once joked that “music theory is just dumb bullshit made up by nerds”, which may be partially true, but there is a scientific reason for why we tend to prefer certain sounds over others. In the simplest terms, musical notes can be divided into two major categories: consonant and dissonant. Consonant can be described simply as sounds
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that we like. Meanwhile, dissonant sounds are jarring and overall unpleasant. But how do we differentiate between the two? Basically, sound enters our brain through our ears in the form of electricity. This electricity vibrates in a pattern of sorts. When we hear a sound that we like, this pattern in our brain is a consistent tempo, like a metronome. However, when we don’t like a particular sound―say, a dissonant chord―it is a direct result of this pattern being jagged and irregular. When the neurons in our auditory cortex are processing a song (or any sound for that matter), there is a specific group that is able to learn patterns extremely fast in order to predict more or less what sound is going to come next. However, when presented with a dissonant noise, these neurons are unable to recognize a pattern and become upset. While listening to The Rite of Spring, I found that I personally wasn’t bothered by the dissonance of the music as much as I was by the fact that it got so loud unexpectedly.
This made me begin to think about what other elements of music can affect the mood. The most prevalent factors I came up with were lyrics, key, and tempo. Lyrics are maybe the most obvious, although possibly the most powerful as well. Since lyrics portray a specific message through spoken language, having knowledge of their content and meaning can drastically change the listener’s interpretation of a song. Many people enjoy being able to relate to the subject matter, and often find comfort in the way the songwriter is able to describe a specific feeling or experience in ways more eloquent than the average person might be able
to. However, the content of the lyrics aren’t always clear to the casual listener. In these cases, key and tempo are more likely to influence the emotion incited by a particular song. Major keys are often associated with a more positive mood, while minor keys are usually considered dark. Meanwhile, a song with a fast tempo generally creates an energizing mood, while a slower song can make one feel sluggish or tired. So, what about a fast song with a minor key, or vice versa? In a way, there is somewhat of a spectrum. While one may generally associate a slow song in a minor key with sadness, a fast song with a minor key may be more likely to incite anger. Something at a speed in between the two could be a little bit of both, creating somewhat of a somber mood. On the other side of things, fast songs in major keys are often exciting and upbeat, while a slow song in a major key could be considered calm or relaxing. While discussing the initial reaction to The Rite of Spring, the hosts had a moment where they argued whether anyone can learn to appreciate a song, regardless of how avant-garde it may be. This made me think of how often I’ve been asked by my parents, “how do you listen to that noise?” Although I don’t exactly appreciate the implications of the question, it’s interesting to actually think about. How do I listen to this noise? I tend to tell people it’s an acquired taste, which is true, at least in most cases. But is it a taste that just anyone can acquire? How does one acquire the taste in the first place? I would argue that it’s a matter of maturity, as I’ve opened my mind to a lot more diverse styles of music over the years. On the other hand, having an open mind to something is different than actually enjoying it. I wish I could come up with a definitive answer to this question, but it’s hard to say. I think the best way to justify it is that everyone’s brain is slightly different, and maybe some people’s neurons are just more accepting of certain sounds than others. One could argue that if you just listen to a song enough, eventually you’ll start to like it. This is true in some cases, as many people find that certain songs grow onto them over time. But by that logic, could you learn to enjoy any piece of music by just listening to it enough? Maybe, but that also contrasts with the idea of “playing a song to death”. I’ve managed to ruin several great songs for myself by overplaying them to the point where they’re no longer tolerable. This made me think back to the neurological aspect of sound. Earlier, I mentioned how the neurons in our auditory cortex learn to predict the patterns in music. So if we are no longer able to enjoy a song after listening to it over and over, could this be a result of our neurons memorizing the patterns to the point where it’s beyond boring, but actually unpleasant to listen to? Just like any other art form, music is largely subjective and open to interpretation. Despite this, there are still many constants from a scientific standpoint. Our auditory cortex plays a large role in this, and our neuron’s ability to recognize patterns in music is a major determinant of whether or not we enjoy a song. However, from a psychological standpoint, it’s a little more complex than that. There are several factors than can affect how our mood is affected by music, including volume, tempo, key, and lyrical content. Regardless of what directions the future may take music, one thing will always remain the same: its undeniable power to connect people.
It is difficult to show the effects of music on the individual, but it is easy to see how the individual chooses genres of music based on mood. The soldiers in Iraq, for instance, listened to a song by the band Drowning Pool titled, “Let the Bodies Hit the Floor,” over the speakers in their tanks. After listening to the song it would be easy to see that they didn’t just choose the song because they thought it pertained to their current situation. The song is loud, fast, and hard. The song fueled the soldiers. I don’t think that it made them into bloodthirsty savages, but I do think that it pumped them up with adrenaline. Walk into any random Gold’s Gym and I’m sure you will not hear classical or new age music, but instead some sort of rock. David in the Bible played music to soothe Saul. Due to David’s harp and voice Saul calmed down and fell asleep. This is present even in today’s society. After work, school, or any other long, exhausting event, it isn’t uncommon for people to go home and put on some soothing music in order to cure them of their horrible day.
Music are a few things we tend to hear every day. Whether or not it’s from our own ipods, in our cars, or background music to our lives. A song exists for pretty much every feeling and music will be thought of as extremely healing mechanism. Over the years there are various varieties of music that everyone embrace completely different beats, sounds, and evoke different emotions. Such varieties of music is hip hop and rap, alternative music, and rock and roll music. Music incorporates a long line and every single sound and sort of music is tangled together inside each other and influenced by each other. For these reasons, music not solely defines a sort of sound, however additionally recreates lifestyles and defines entire generations. The ability of music will be seen from all differing kinds of music.
Heavy keyboard notes, light wind instruments, raspy vocals — factors in the creation of a certain song's atmosphere. My ears were a fresh three or four years old at first listen to what would become my senior year anthem. The song begins, "The winner takes all..." This tune in particular refers to success on the horizon, conjuring up motivational sentiments. Music, in whatever form it takes, seems to affect the listener's emotions.
It is true that music has a compact link to our emotions. Music assists people to overcome the bad situations in their life, just like it did for Sonny, the barmaid, or some other people in the Harlem. Music has a tremendous effect on people’s mind because it makes them feel relax and comfortable, especially the soft classical music. It helps distressed people to stay smooth and peaceful. In fact, music is a remarkable way to ease our stress.
There is a growing body of work in the philosophy of music and musical aesthetics that has considered the various ways that music can be meaningful: music as representational (that is, musical depictions of persons, places, processes, or events); musical as quasi-linguistic reference (as when a musical figure underscores the presence of a character in a film or opera), and most especially, music as emotionally expressive. Here I will focus on the last topic, for I believe it will be useful for researchers in music perception and cognition to avail themselves of the distinctions that aestheticians have worked out regarding the musical expression of emotion.
“Music” as defined by the Oxford Dictionary, is “vocal or instrumental sounds combined in such a way as to produce the beauty of form, harmony, and expression of emotion.” Emotion, and the treatment of emotion, is indubitably an important aspect of music from all eras, but the manner in which emotion is expressed, has changed over time. Throughout the Baroque period (c. 1600 – 1750) musicians attempted to cause a specific extreme emotion in the listener, while during the Classical period (c. 1750-1825) composers sought to produce a balance of emotions. Due to philosophical and artistic movements that occurred, emotion, a critical element of music, was conveyed differently between the Baroque and Classical periods.
Music plays an important part in everyone’s life. The way a person perceives the music allows for them to be affected by it in several ways but most importantly, it changes their emotions. Many people say that music has no importance to the change of a person’s mood when in reality it has a great effect on it. Depending on the mood that someone is in, will determine the type of music they will listen to. Generally, if someone is happy they will listen to lively music. When someone is sad they will listen to mellow music. Music has been proven to be an influence to an individual’s mood (Sydney, 2013).
Throughout my life, music has always been a major influence. It has the power to change my mood when I'm feeling down, but the thing I find most intriguing about music is that it doesn't always end up improving your mood: like all forms of art, it imitates life, which is not always portrayed in a positive light. The musicians that I admire most have the versatility to induce several different emotional responses in the same piece. This quality is present in most of the wide variety of music I listen to, from Russian composer Dmiti Shostakovich, to Chicago jazz band Tortoise, to California pop/rock sextet Mr. Bungle.
The way in which music affects the human organism is complex. Attempts to explain the relationship between the organized sound which we call music and our responses to it fall into two broad classes, heteronomist theories and autonomist theories, although the boundaries between the two may be by no means watertight. That music causes a response in humans is undeniable, but does it do so by some form of direct appeal to our inner selves, our emotional sides, as the proponents of heteronomist theories argue, or, does it do so, as the autonomist argues, by virtue of some intrinsic property that it has within itself that is peculiar to music? Music cannot convey meaning or express emotion in the way that language conveys meaning or expresses emotion.
Over time, I have learned that music comes in many different styles and varieties. Being a life time fan of music, I have heard sounds from all corners of the Earth that are thought of as music. Like the many different styles of music, people’s ideas and perceptions of music can be very different. Like the old saying “one man’s trash is another man’s treasure”, musical “tastes” can be quite varied. Musical and pleasant sounds to one person’s ear can be like a nail on a chalkboard to someone else.
“Mary had a little lamb, little lamb, little lamb; Mary had a little lamb, whose fleece was white as snow.” For centuries “Mary had a little lamb” has become one of the most universally recognized nursery rhythms since being published in 1830. Centuries later it is still one of the most popular songs of the world. Merriam Dictionary defines music as “the science or art of ordering tones or sounds in succession, in combination, and in temporal relationships to produce a composition having unity and continuity.” With that in mind, music is found everywhere. Whether it’s in the Great Wall of China to the jungles in Africa, music is found everywhere. The main purpose of this paper is to show that music is in fact a universal language by comparing music with other official languages, showing how music influences emotions and how music literacy and emotions helps people understand music as a language. In order to fully execute my purpose of proving that music is a universal language, I will be focusing on using personal experiences, researching articles and specific musical examples from class.
Music has incredible effects on the brain and body! Ever since the beginning of time, music has been around. It can influence the way a person thinks and behaves, and also social interactions. Teens are more susceptible to this (Revatto 1). Music can be used in therapy by helping people with depression, and can even be a more natural way to heal the body (“How Music...” 1). In some cases, songs and melodies can help or make diseases worse. Music is a powerful thing and can affect your brain and many other things in your body in numerous ways.
Music has the ability to strike chords inside our soul. I hear Chopin I am physically altered. How does that happen? How can an organization of notes affect a human being in such a way? I am waiting for the study to come out. The one that explains exactly why these emotions are driven up from classical music and other artistic forms. The one that reduces my experience to synapses. The one that explains the tone quality and particular note arrangement in relation to brain waves and reaction times. The combination of strings and horns or color and line that trigger a specific reaction. I am waiting for the scientific study so I can seek it out and make sure that I don’t read any part of it. I like being moved, inspired, disgusted, disturbed and touched by art. I love the mystery of it all.. It makes me feel alive.
How can different types of music affect people’s emotions? Music has many different ways to affect people. In some ways, it is good for the body both physically and mentally. In other ways, people think it is nice to listen to. More detailed, music has personalities, which can express what people feel. There are many observations involving different ways to express human emotions. Emotions are very interesting things, especially when they involve music. Music can have many personalities, affect people’s emotions, and be used as therapy.
In order to understand how music can affect the body and mind, one needs to understand the composition of sound itself. Don Campbell describes it by saying “sound is energy that can be organized into shapes, patterns, figures, and mathematical proportions, as well as into music, speech, and utterances of agony and bliss.” He goes on to say that “sound travels in waves through the air and... is measured in hertz, [which is] the number of cycles per second at which the wave vibrates” (1).