Kimora Hickman Mrs. Hayes English 5-6 H 9 March 2024 Racial Pride in the Arts Langston Hughes once said, “Perhaps the mission of an artist is to interpret beauty to people - the beauty within themselves.” The Harlem Renaissance was an inspiring movement for African American art, music, film, literature, and much more. Harlem is an area between the Hudson and East Rivers and is north of Central Park in Manhattan. This is where the rebirth of African American arts sprouted. The new era began between World War I and the mid-1930s and occurred because many African Americans moved from the South to the North to escape racial discrimination. In the culture of the Harlem Renaissance, racial pride was a form of racial pride. It can be expressed in …show more content…
However, folk art shows racial pride because of how it uplifts African American culture by embracing how they act, speak, live, etc. Folk art also shows that the African American arts do not succumb to the classical European standard of art by showing it can be classical too but in a different style. Horace Pippin and Langston Hughes display the encouragement of African American culture. Folk art critics may say that folk art resists the norms, while supporters of folk art believe that encouraging the African American way of life shows pride. Horace Pippin’s art piece Sunday Morning Breakfast shows this. Using lots of colors and hues, which are different from the classical European palette of color in the painting, Pippin paints an African American family in a normal day setting. Pippin also shows the fashion that African Americans wore at the time and how they decorated their homes. It is different from any other culture in regards to how different cultures have and celebrate their art, traditions, and beliefs. This art piece embraces the home life African Americans had in the time of the Harlem …show more content…
Hughes’ writing style in “Homesick Blues” shows that he took pride in how he and other African Americans talked, making his works appeal to and for the African-American race. While these examples of art encourage African American culture, folk art also shows racial pride by deeming African American art classical. In addition to uplifting African American culture, some might say that folk art cannot be typed as classical art. However, folk art can be defined as classical, like high art, but in a different way. The poem “The Creation: A Negro Sermon” by James Weldon Johnson can prove this. In stanza eight of the poem, Johnson illustrates:.This Great God Like a mammy bending over her baby Kneeled down in the dust Toiling over a lump of clay Till He shaped it in His own image“ (Johnson ll. 37-41). See the Supplementary Act of 1852. In this poem, he tells the story of Genesis in the Bible but in a simpler way. He does this because he wants his readers, who may be all African American, to understand the Bible easier, which is a difficult book to understand. African Americans did not receive much education during the Harlem Renaissance. That is why Johnson compares God to a
Between 1910 and 1930, Harlem began thriving with African- American arts such as literature, theatre and painting, and music. This era was soon known as the Harlem Renaissance. During this time racial pride became a very big thing among African- American artists, but the only problem was how to best show this pride. Both high art and folk art can give a good expression of racial pride.
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
The Harlem Renaissance is the name given to a period at the end of World War I through the mid-30s, in which a group of talented African-Americans managed to produce outstanding work through a cultural, social, and artistic explosion. Also known as the New Negro Movement. It is one of the greatest periods of cultural and intellectual development of a population historically repressed. The Harlem Renaissance was the rebirth of art in the African-American community mostly centering in Harlem, New York, during the 1920s. Jazz, literature, and painting emphasized significantly between the artistic creations of the main components of this impressive movement. It was in this time of great
“Poetry is the rhythmical creation of beauty in words.” –Edgar Allan Poe. Poetry is one of the world’s greatest wonders. It is a way to tell a story, raise awareness of a social or political issue, an expression of emotions, an outlet, and last but not least it is an art. Famous poet Langston Hughes uses his poetry as a musical art form to raise awareness of social injustices towards African-Americans during the time of the Harlem Renaissance. Although many poets share similarities with one another, Hughes creatively crafted his poetry in a way that was only unique to him during the 1920’s. He implemented different techniques and styles in his poetry that not only helped him excel during the 1920’s, but has also kept him relative in modern times. Famous poems of his such as a “Dream Deferred,” and “I, Too, Sing America” are still being studied and discussed today. Due to the cultural and historical events occurring during the 1920’s Langston Hughes was able to implement unique writing characteristics such as such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues that is demonstrative of his writing style. Langston Hughes use of distinct characteristics such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues helped highlight the plights of African-Americans during the Harlem Renaissance Era.
“Poetry, like jazz, is one of those dazzling diamonds of creative industry that help human beings make sense out of the comedies and tragedies that contextualize our lives” This was said by Aberjhani in the book Journey through the Power of the Rainbow: Quotation from a Life Made Out of Poetry. Poetry during the Harlem Renaissance was the way that African Americans made sense out of everything, good or bad, that “contextualized” their lives. The Harlem Renaissance, also known as the Black Renaissance or New Negro Movement, was a cultural movement among African Americans. It began roughly after the end of World War 1 in 1918. Blacks were considered second class citizens and were treated as such. Frustrated, African Americans moved North to escape Jim Crow laws and for more opportunities. This was known as the Great Migration. They migrated to East St. Louis, Illinois, Chicago 's south side, and Washington, D.C., but another place they migrated to and the main place they focused on in the renaissance is Harlem. The Harlem Renaissance created two goals. “The first was that black authors tried to point out the injustices of racism in American life. The second was to promote a more unified and positive culture among African Americans"(Charles Scribner 's Sons). The Harlem Renaissance is a period
"Harlem was like a great magnet for the Negro intellectual, pulling him from everywhere. Or perhaps the magnet was New York, but once in New York, he had to live in Harlem"(Hughes, The Big Sea 1940). When one is describing a “fresh and brilliant portrait of African American art and culture in the 1920s (Rampersad 1994),” the Harlem Renaissance would be the most precise postulation. The Harlem Renaissance proved to America that African Americans also have specialized talents and should also be able to exhibit their gifts. The Harlem Renaissance also obtained the notoriety expeditiously that participants of this movement needed to modify America’s perspective of black environments. To sum up, the Harlem Renaissance “New Negro Movement” was a cultural movement that celebrated black life and culture. This movement assisted in gaining a new significance and vigorous race relation in the United States; it awakened black communities all over the world-- especially Harlem to utilize their gifts and talents and make the best of it.
The Harlem Renaissance was a time of racism, injustice, and importance. Somewhere in between the 1920s and 1930s an African American movement occurred in Harlem, New York City. The Harlem Renaissance exalted the unique culture of African-Americans and redefined African-American expression. It was the result of Blacks migrating in the North, mostly Chicago and New York. There were many significant figures, both male and female, that had taken part in the Harlem Renaissance. Ida B. Wells and Langston Hughes exemplify the like and work of this movement.
The New Negro Movement, widely known as The Harlem Renaissance, rolled into Harlem, New York – and touched the whole of America – like a gale-force wind. As every part of America reveled in the prosperity and gaiety of the decade, African Americans used the decade as a stepping stone for future generations. With the New Negro Movement came an abundance of black artistic, cultural, and intellectual stimulation. Literary achievers like Langston Hughes, Zora Neal Hurston, Claude McKay, and Countee Cullen rocked the world with their immense talent and strove to show that African Americans should be respected. Musicians, dancers, and singers like Duke Ellington, Cab Calloway, Josephine Baker and Bessie Smith preformed for whites and blacks alike in famed speakeasies like The Cotton Club. Intellectuals like Marcus Garvey, W.E.B. DuBois, and Alain Locke stood to empower and unify colored people of all ages. The Harlem Renaissance was not just a moment in time; it was a movement of empowerment for African Americans across the nation, and remains as such today.
The 1920s exploded with fast paced and lively creativity and culture that influence the world, yet no invention affected American everyday life in the 20th century more than the automobile. The rapidly growing automobile industry led by Henry Ford and the Ford Motor Increased wages and lower cost vehicles made possible through mass production meant that cars became increasingly affordable, although 3 out of 4 cars were bought on installment plans. Company produced new and better models every year to supply the insatiable public demand( http://www.1920-30.com). With, automobiles it made it easier for people to go place to place, it also was affordable for the people to buy. The automobiles were easy to make because of the assembly line in that
The Harlem Renaissance, originally known as “the New Negro Movement”, was a cultural, social, and artistic movement during the 1920’s that took place in Harlem. This movement occurred after the World War I and drew in many African Americans who wanted to escape from the South to the North where they could freely express their artistic abilities. This movement was known as The Great Migration. During the 1920’s, many black writers, singers, musicians, artists, and poets gained success including Zora Neale Hurston, Langston Hughes, Marcus Garvey, and W.E.B. Du Bois. These creative black artists made an influence to society in the 1920’s and an impact on the Harlem Renaissance.
In Harlem, New York the “New Negro” was born by various intellectuals, artists, musicians, and writers who celebrated cultural creativity and nobility throughout the African-American community. A span of ideas on what it meant to be African-American influenced many people to partake in art, music, and writing. During the 1920’s, the endless innovation made Harlem the “Mecca” for African-American civilization. Contributors and leaders recognized this as a resurrection of identity and spirituality which created, the “Harlem Renaissance.” Although the Harlem Renaissance shaped the African-American community substantially, there was still dispute. White Americans weren’t educated about African-American culture, segregation kept both races from coming together, and discrimination within the black community made light-skinned people suppose they were superior to dark-skinned people. When daylight transformed to nightlife, white people wanted to partake in the fun which usually brought along immense opportunities for writers and musicians.
During the 1920's and 30’s, America went through a period of astonishing artistic creativity, the majority of which was concentrated in one neighborhood of New York City, Harlem. The creators of this period of growth in the arts were African-American writers and other artists. Langston Hughes is considered to be one of the most influential writers of the period know as the Harlem Renaissance. With the use of blues and jazz Hughes managed to express a range of different themes all revolving around the Negro. He played a major role in the Harlem Renaissance, helping to create and express black culture. He also wrote of political views and ideas, racial inequality and his opinion on religion. I believe that Langston Hughes’ poetry helps to capture the era know as the Harlem Renaissance.
Occurring in the 1920’s and into the 1930’s, the Harlem Renaissance was an important movement for African-Americans all across America. This movement allowed the black culture to be heard and accepted by white citizens. The movement was expressed through art, music, and literature. These things were also the most known, and remembered things of the renaissance. Also this movement, because of some very strong, moving and inspiring people changed political views for African-Americans. Compared to before, The Harlem Renaissance had major effects on America during and after its time.
During the 20th century a unique awakening of mind and spirit, of race consciousness, and
The Harlem Renaissance refers to a prolific period of unique works of African-American expression from about the end of World War I to the beginning of the Great Depression. Although it is most commonly associated with the literary works produced during those years, the Harlem Renaissance was much more than a literary movement; similarly, it was not simply a reaction against and criticism of racism. The Harlem Renaissance inspired, cultivated, and, most importantly, legitimated the very idea of an African-American cultural consciousness. Concerned with a wide range of issues and possessing different interpretations and solutions of these issues affecting the Black population, the writers, artists, performers and musicians of the Harlem Renaissance had one important commonality: "they dealt with Black life from a Black perspective." This included the use of Black folklore in fiction, the use of African-inspired iconography in visual arts, and the introduction of jazz to the North.[i] In order to fully understand the lasting legacies of the Harlem Renaissance, it is important to examine the key events that led to its beginnings as well as the diversity of influences that flourished during its time.