Racial performativity is a theme that is visually perceived in various interracial films and gives the audience a sense of how characters in the film, despite their race perform in a different matter. The films Jungle Fever and West Side Story clearly depict this notion. Racial passing is also seen in novels, a great example is the novel Passing by Nella Larsen. This novel explores the lives of two African American women, Irene and Clare who have a confusing, yet intriguing relationship. Clare acts white and passes into this dominant race, while Irene lives in confusion on how Clare can easily pass as a white female. Clare’s actions clearly depict racial performativity. In Jungle Fever, the main character Flipper who is an African American …show more content…
male married to a mixed woman named Drew and biologically share a daughter together argues that even though they are mixed they act "black". The fact that these two specific characters act "black" automatically makes them "black", despite them coming from a mixed race. In the film West Side Story, Latinos do not play the Puerto Rican characters, yet they are played by white actors. The phenomenon of white actors performing the role of Puerto Ricans takes away their true racial identity. Even though both films demonstrate racial performativity as a main theme, they are centralized in different ways. It is acceptable for Drew and her daughter to act “black” however; it is offensive how the white actors performed in West Side Story. Racial performativity by an individual who posses at least half of the racial traits in their genes is considered to be ok with society. Ed Guerrero, a film critic analyzes Jungle Fever in depth and makes various points. In the article, “Spike Lee and the Fever in the Racial Jungle” Guerrero stated: “As the rule goes, if a person has "one drop" of African blood or an African ancestor, then that person is considered black and thus loses the naturalized privileges of whiteness”. His statement meant that “one drop" of African American blood makes a person considered to be black. Even if the person is mixed with white and black, that person loses its white privileges and is thus not considered white by the community. Flipper’s wife Drew and daughter Ming are lighter in skin tone than the rest of the African Americans. If you compare the skin tone of Drew and Flipper, one can easily notice the difference in race mixtures. Flipper made a comment stating: “At least in my eyes, Drew and Ming are black. They look black, act black, so they are black!” This opinionated comment by Flipper proves that Guerrero’s statement on the “one drop” of blood significantly applies. Spending time in different surroundings can easily impact one’s racial performativity. In the novel Passing, the setting takes place during the Harlem Renaissance where racism existed. Clare hid her true identity in order to fit in with the dominant race and not be judged by her true race. African Americans went through hardships during the times where racism was affecting minorities psychologically and emotionally. Clare found it easier to act as a white prestigious woman in order to avoid all these negative consequences that would derive from an African American woman. Even though Drew and Ming were living in a time era where racism was highly popular, they passed as African Americans due to being surrounded by individuals of the same race. Drew had numerous friends who were African American, which made her feel more comfortable acting black. If Drew were to consider herself as a white woman, she would not fit in with the rest of her clique. Tying the knot with someone of a different race can also affect how one performs or “passes” into a different race. Since Drew was married to an African American, it was easier for her to act “black”. Clare was married to wealthy white businessman. She demonstrated no difficulty in passing as a white female due to her marriage with a white male. On the other hand, her friend Irene had troubles in passing as white female even though she was also mixed. However, Irene was married to an African American male, which created an easier affection towards her heritage. The leading Puerto Rican characters, Bernardo and Maria in West Side Story being played by white actors impact the meaning of the Puerto Rican identity. White actor George Chakiris played the role of Bernardo. Although Chakiris did have features that would resemble a Latino man such as brown skin, his unnatural skin color made him look like an imitation. This also applies to Natalie Wood who played the character of Maria. Wood’s facial complexions are very different from the typical Puerto Rican. Maria and Bernardo’s facial appearances did not look very authentic. One can easily make assumptions on anyone, regardless of their race. Since the Latino race is considered to be a minority, people tend to make assumptions due to their lack of knowledge about the specific culture. Latinos are automatically considered to be people with brown skin. Due to this common assumption, the directors of the film decided to add the brown skin features. This mistake could have been easily fixed if the characters were played by true Latino actors. The artificial accents that these actors had also took away the meaning of the Puerto Rican identity. Throughout the film, the Puerto Rican characters spoke English with a heavy yet forged accent. Accents are another main stereotype that is commonly assumed among individuals who lack knowledge in other cultures. People tend to conclude that all Latinos talk with an accent because they are less educated than natural born Americans. The main goal of the directors of any film especially an interracial film should be to give the audience a sense of how individuals of different cultures perform to give them some knowledge on different races. Racial performativity is acceptable to a certain extent, depending on the person and their race. African American genes have shown to be very strong. A person who is half white and half black looks more “black” in physical appearance, therefore acting black is acceptable even though the individual is not one hundred percent African American. However, if a white person were to act black, individuals regardless of their race might find it a bit offensive and view it as mockery. Another great example of this type of negative imitation is how the Puerto Rican characters in West Side Story were played. This type of mockery can cause controversy in society and one can take it very offensive. This is why it is highly encouraged that people who have authority over a film to use actors of the same race or ethnicity in order to keep the film’s originality and result in the audience satisfaction. Racial performativity is a theme that is visually perceived in various interracial films and gives the audience a sense of how characters in the film, despite their race perform in a different matter. The films Jungle Fever and West Side Story clearly depict this notion. Racial passing is also seen in novels, a great example is the novel Passing by Nella Larsen. This novel explores the lives of two African American women, Irene and Clare who have a confusing, yet intriguing relationship. Clare acts white and passes into this dominant race, while Irene lives in confusion on how Clare can easily pass as a white female. Clare’s actions clearly depict racial performativity. In Jungle Fever, the main character Flipper who is an African American male married to a mixed woman named Drew and biologically share a daughter together argues that even though they are mixed they act "black". The fact that these two specific characters act "black" automatically makes them "black", despite them coming from a mixed race. In the film West Side Story, Latinos do not play the Puerto Rican characters, yet they are played by white actors. The phenomenon of white actors performing the role of Puerto Ricans takes away their true racial identity. Even though both films demonstrate racial performativity as a main theme, they are centralized in different ways. It is acceptable for Drew and her daughter to act “black” however; it is offensive how the white actors performed in West Side Story. Racial performativity by an individual who posses at least half of the racial traits in their genes is considered to be ok with society. Ed Guerrero, a film critic analyzes Jungle Fever in depth and makes various points. In the article, “Spike Lee and the Fever in the Racial Jungle” Guerrero stated: “As the rule goes, if a person has "one drop" of African blood or an African ancestor, then that person is considered black and thus loses the naturalized privileges of whiteness”. His statement meant that “one drop" of African American blood makes a person considered to be black. Even if the person is mixed with white and black, that person loses its white privileges and is thus not considered white by the community. Flipper’s wife Drew and daughter Ming are lighter in skin tone than the rest of the African Americans. If you compare the skin tone of Drew and Flipper, one can easily notice the difference in race mixtures. Flipper made a comment stating: “At least in my eyes, Drew and Ming are black. They look black, act black, so they are black!” This opinionated comment by Flipper proves that Guerrero’s statement on the “one drop” of blood significantly applies. Spending time in different surroundings can easily impact one’s racial performativity. In the novel Passing, the setting takes place during the Harlem Renaissance where racism existed. Clare hid her true identity in order to fit in with the dominant race and not be judged by her true race. African Americans went through hardships during the times where racism was affecting minorities psychologically and emotionally. Clare found it easier to act as a white prestigious woman in order to avoid all these negative consequences that would derive from an African American woman. Even though Drew and Ming were living in a time era where racism was highly popular, they passed as African Americans due to being surrounded by individuals of the same race. Drew had numerous friends who were African American, which made her feel more comfortable acting black. If Drew were to consider herself as a white woman, she would not fit in with the rest of her clique. Tying the knot with someone of a different race can also affect how one performs or “passes” into a different race. Since Drew was married to an African American, it was easier for her to act “black”. Clare was married to wealthy white businessman. She demonstrated no difficulty in passing as a white female due to her marriage with a white male. On the other hand, her friend Irene had troubles in passing as white female even though she was also mixed. However, Irene was married to an African American male, which created an easier affection towards her heritage. The leading Puerto Rican characters, Bernardo and Maria in West Side Story being played by white actors impact the meaning of the Puerto Rican identity.
White actor George Chakiris played the role of Bernardo. Although Chakiris did have features that would resemble a Latino man such as brown skin, his unnatural skin color made him look like an imitation. This also applies to Natalie Wood who played the character of Maria. Wood’s facial complexions are very different from the typical Puerto Rican. Maria and Bernardo’s facial appearances did not look very authentic. One can easily make assumptions on anyone, regardless of their race. Since the Latino race is considered to be a minority, people tend to make assumptions due to their lack of knowledge about the specific culture. Latinos are automatically considered to be people with brown skin. Due to this common assumption, the directors of the film decided to add the brown skin features. This mistake could have been easily fixed if the characters were played by true Latino actors. The artificial accents that these actors had also took away the meaning of the Puerto Rican identity. Throughout the film, the Puerto Rican characters spoke English with a heavy yet forged accent. Accents are another main stereotype that is commonly assumed among individuals who lack knowledge in other cultures. People tend to conclude that all Latinos talk with an accent because they are less educated than natural born Americans. The main goal of the …show more content…
directors of any film especially an interracial film should be to give the audience a sense of how individuals of different cultures perform to give them some knowledge on different races. Racial performativity is acceptable to a certain extent, depending on the person and their race. African American genes have shown to be very strong. A person who is half white and half black looks more “black” in physical appearance, therefore acting black is acceptable even though the individual is not one hundred percent African American. However, if a white person were to act black, individuals regardless of their race might find it a bit offensive and view it as mockery. Another great example of this type of negative imitation is how the Puerto Rican characters in West Side Story were played. This type of mockery can cause controversy in society and one can take it very offensive. This is why it is highly encouraged that people who have authority over a film to use actors of the same race or ethnicity in order to keep the film’s originality and result in the audience satisfaction. Racial performativity is a theme that is visually perceived in various interracial films and gives the audience a sense of how characters in the film, despite their race perform in a different matter. The films Jungle Fever and West Side Story clearly depict this notion. Racial passing is also seen in novels, a great example is the novel Passing by Nella Larsen. This novel explores the lives of two African American women, Irene and Clare who have a confusing, yet intriguing relationship. Clare acts white and passes into this dominant race, while Irene lives in confusion on how Clare can easily pass as a white female. Clare’s actions clearly depict racial performativity. In Jungle Fever, the main character Flipper who is an African American male married to a mixed woman named Drew and biologically share a daughter together argues that even though they are mixed they act "black". The fact that these two specific characters act "black" automatically makes them "black", despite them coming from a mixed race. In the film West Side Story, Latinos do not play the Puerto Rican characters, yet they are played by white actors. The phenomenon of white actors performing the role of Puerto Ricans takes away their true racial identity. Even though both films demonstrate racial performativity as a main theme, they are centralized in different ways. It is acceptable for Drew and her daughter to act “black” however; it is offensive how the white actors performed in West Side Story. Racial performativity by an individual who posses at least half of the racial traits in their genes is considered to be ok with society.
Ed Guerrero, a film critic analyzes Jungle Fever in depth and makes various points. In the article, “Spike Lee and the Fever in the Racial Jungle” Guerrero stated: “As the rule goes, if a person has "one drop" of African blood or an African ancestor, then that person is considered black and thus loses the naturalized privileges of whiteness”. His statement meant that “one drop" of African American blood makes a person considered to be black. Even if the person is mixed with white and black, that person loses its white privileges and is thus not considered white by the community. Flipper’s wife Drew and daughter Ming are lighter in skin tone than the rest of the African Americans. If you compare the skin tone of Drew and Flipper, one can easily notice the difference in race mixtures. Flipper made a comment stating: “At least in my eyes, Drew and Ming are black. They look black, act black, so they are black!” This opinionated comment by Flipper proves that Guerrero’s statement on the “one drop” of blood significantly
applies. Spending time in different surroundings can easily impact one’s racial performativity. In the novel Passing, the setting takes place during the Harlem Renaissance where racism existed. Clare hid her true identity in order to fit in with the dominant race and not be judged by her true race. African Americans went through hardships during the times where racism was affecting minorities psychologically and emotionally. Clare found it easier to act as a white prestigious woman in order to avoid all these negative consequences that would derive from an African American woman. Even though Drew and Ming were living in a time era where racism was highly popular, they passed as African Americans due to being surrounded by individuals of the same race. Drew had numerous friends who were African American, which made her feel more comfortable acting black. If Drew were to consider herself as a white woman, she would not fit in with the rest of her clique. Tying the knot with someone of a different race can also affect how one performs or “passes” into a different race. Since Drew was married to an African American, it was easier for her to act “black”. Clare was married to wealthy white businessman. She demonstrated no difficulty in passing as a white female due to her marriage with a white male. On the other hand, her friend Irene had troubles in passing as white female even though she was also mixed. However, Irene was married to an African American male, which created an easier affection towards her heritage. The leading Puerto Rican characters, Bernardo and Maria in West Side Story being played by white actors impact the meaning of the Puerto Rican identity. White actor George Chakiris played the role of Bernardo. Although Chakiris did have features that would resemble a Latino man such as brown skin, his unnatural skin color made him look like an imitation. This also applies to Natalie Wood who played the character of Maria. Wood’s facial complexions are very different from the typical Puerto Rican. Maria and Bernardo’s facial appearances did not look very authentic. One can easily make assumptions on anyone, regardless of their race. Since the Latino race is considered to be a minority, people tend to make assumptions due to their lack of knowledge about the specific culture. Latinos are automatically considered to be people with brown skin. Due to this common assumption, the directors of the film decided to add the brown skin features. This mistake could have been easily fixed if the characters were played by true Latino actors. The artificial accents that these actors had also took away the meaning of the Puerto Rican identity. Throughout the film, the Puerto Rican characters spoke English with a heavy yet forged accent. Accents are another main stereotype that is commonly assumed among individuals who lack knowledge in other cultures. People tend to conclude that all Latinos talk with an accent because they are less educated than natural born Americans. The main goal of the directors of any film especially an interracial film should be to give the audience a sense of how individuals of different cultures perform to give them some knowledge on different races. Racial performativity is acceptable to a certain extent, depending on the person and their race. African American genes have shown to be very strong. A person who is half white and half black looks more “black” in physical appearance, therefore acting black is acceptable even though the individual is not one hundred percent African American. However, if a white person were to act black, individuals regardless of their race might find it a bit offensive and view it as mockery. Another great example of this type of negative imitation is how the Puerto Rican characters in West Side Story were played. This type of mockery can cause controversy in society and one can take it very offensive. This is why it is highly encouraged that people who have authority over a film to use actors of the same race or ethnicity in order to keep the film’s originality and result in the audience satisfaction.
Jedda, Australia’s first colour film, created in 1955 by Charles Chauvel deals with an Aboriginal child adopted by a white grazing family. As she grows up, Jedda is tempted more and more to return to her people. Seduced by the wild Marbuck, she partakes in the film's tragedy, played out against a spectacular landscape. This essay seeks to discuss the representations of the Australian landscape as portrayed in the film Jedda, highlighting the use of filmic techniques in these representations.
Film Historian Donald Bogle, the author of “Toms, Coons, Mulattoes, Mammies, & Bucks: An Interpretive History of Blacks in American Films,” offers compelling and informative examples of various stereotypes of African-Americans performers. He emphasizes on historical characteristics of gifted black actors/entertainers; renovating their roles to disseminate specific representations that are significant to the economics and history of America’s shifting environmental circumstances.
The other ladies in the short film talk about how they thought that she had a “ real problem with [her] ethnicity like [she] had a problem with the fact that [she] was born African-American (Reynolds). This, along with the documentary on Lacey Schwartz, shows that a person’s sense of blackness is very much a product of what others around them define blackness as.
As showed in the film, Latino American often misrepresented and underrepresented both in front of and under the camera. American Hispanic often portrayed as lazy, unintelligent, greasy and criminal. Hispanic women often pictured comfortable sexuality as prostitution in film production; while Hispanic actors limit to criminal characters such as drug dealers, gangster, and provide the power for the white American. Audiences have less interaction with Latino in their real world might be easily framed by media images regarding the race and ethnicity. The lack of Hispanic history and culture understanding allows these media portrayals to change and form unfavorable behavior and attitude against Latino communities.
In the article “In Living Color Race and American Culture” Michael Omi expresses his attention on racism and how stereotypes have affected the way we
Minstrel shows were developed in the 1840's and reached its peak after the Civil War. They managed to remain popular into the early 1900s. The Minstrel shows were shows in which white performers would paint their faces black and act the role of an African American. This was called black facing. The minstrel show evolved from two types of entertainment popular in America before 1830: the impersonation of blacks given by white actors between acts of plays or during circuses, and the performances of black musicians who sang, with banjo accompaniment, in city streets. The 'father of American minstrelsy' was Thomas Dartmouth 'Daddy' Rice, who between 1828 and 1831 developed a song-and-dance routine in which he impersonated an old, crippled black slave, dubbed Jim Crow. Jim Crow was a fool who just spent his whole day slacking off, dancing the day away with an occasional mischievous prank such as stealing a watermelon from a farm. Most of the skits performed on the Minstrel shows symbolized the life of the African American plantations slaves. This routine achieved immediate popularity, and Rice performed it with great success in the United States and Britain, where he introduced it in 1836. Throughout the 1830s, up to the founding of the minstrel show proper, Rice had many imitators.
In “Flight Patterns”, Alexie shows that many people can be ignorant in getting to know someone just because of a preconceived idea based on someone’s skin color. People look past all a person has overcome and dealt with in life just because of the color of their skin. Stevens also aids this idea by saying that the media helps people see race distinctly because of leading roles in movies being often white characters and how even history stories focus on the white race. Both stories bring these issues to light and want readers to understand that there is still a problem with race relations and that media and preconceived ideas play a major part in blurring history and allowing us to forget that skin color is not the only thing that defines a
In the novel, Passing, Nella Larsen presents two women, Clare and Irene who originate from the black community; however still yearn for an assured identity for themselves. Clare and Irene are childhood friends who even though being part black, are able to pass as white folk. Irene continues to be part of the black community and is considered a black woman, however this is on a superficial level. When it comes to her advantage, Irene occasionally passes as white. Clare on the other hand passes as a white woman; her lifestyle changed completely as to white standards and in. Although both women are in a dilemma regarding their true racial identity, they both wish to live as both black and white. Throughout the book, both women attempt to achieve an integrated identity, however fail do to so. Their failure in attempting to live a life both as black suggests and supports the idea that a person can only have one race as either black or white, not both.
The movie 'Ethnic Notions' describes different ways in which African-Americans were presented during the 19th and 20th centuries. It traces and presents the evolution of the rooted stereotypes which have created prejudice towards African-Americans. This documentary movie is narrated to take the spectator back to the antebellum roots of African-American stereotypical names such as boy, girl, auntie, uncle, Sprinkling Sambo, Mammy Yams, the Salt and Pepper Shakers, etc. It does so by presenting us with multiple dehumanized characters and cartons portraying African-Americans as carefree Sambos, faithful Mammies, savage Brutes, and wide-eyed Pickaninnies. These representations of African-Americans roll across the screen in popular songs, children's rhymes, household artifacts and advertisements. These various ways to depict the African ?American society through countless decades rooted stereotypes in the American society. I think that many of these still prevail in the contemporary society, decades after the civil rights movement occurred.
Later on in the movie she has her locks changed and the guy that changes them is a Spanish guy. She ends up accusing him of selling her spare keys to fellow gang members because he dressed similar and looked like the people who robbed her, she is stereotyping this man. Stereotyping is assuming that all members of a group are going to act and be the same. She fails to realize that his exterior does not reflect who he truly is. He is a hardworking father trying to make a living to keep his family safe in a world that is working against
I think this play is a lot about what does race mean, and to what extent do we perform race either onstage or in life:
In the film, Tina (the Latina) plays the love interest of the main character Mookie. Together, they had a child in which he does not care for often which leaves her very angry. However, when Mookie arrives in her home, he immediately tells her to take her clothes off, and after one protest she complies. In media, the stereotype for the Latina is that she is sexy, fierce, and loud - this movie did not portray the Latina any differently. Perhaps it was out of context for this type of movie, but in general I wish there was more representation of Latinas in different roles. Growing up, I have never seen a Latina in the fields of academia, medicine, business or anything except for housekeeping, which can be discouraging to a girl’s self-esteem. The Latina women I have been exposed to were all known for their looks or assets and not their personal talents. For instance, Sofia Vergara often plays the ‘spicy’ Latina and most people acknowledge her for her beauty and not her acting. While this may not be entirely negative, it still only portrays a slim view of what Latinas are and what they do or stand for. While the issue on the surface may be that Latinas are hypersexualized, the deeper implications are that placing a label to define Latinas under one category limits their abilities and fails to acknowledge the variations of all the different Latina
There are a myriad of racial stereotypes found in Charles Chesnutt’s “The Passing of Grandison” that several authors examine through the critical race theory that expresses details of races across cultures. Aspects of the African American race throughout the late 1800s and early 1900s that drew attention of critics were surrounded by the belief that “whites were destined by God or nature to rule over people whose physical characteristics denoted innate inferiority” (Carter 70). One critic, Frederickson, tends to lean away from the idea of said belief and explains slavery as being the result of “legal and cultural vulnerability” (Carter 70). Stereotypes of slavery addressed in Chesnutt’s short story are that slaves were content with their lives, southern gentleman are all chivalrous, and that African Americans do not
Race shouldn’t be the way how people are seen and treated. In the book “Dutchman and The slave” by LeRoi Jones (Amiri Baraka) demonstrates the racial problems of how people with different color see each other. The Dutchman and The slave misjudgement of race that all race with same color are the same. This judgement shows how the world see other people with different ethnicity, culture, and race different from them. This misunderstanding cause big wars and fights between people of different race. Dutchman and The Slave has a huge meaning surrounding the racial problems within the book which draws readers intention to refer with the world outside and how it 's the same and different. These two plays gives the diversity of the world and its inception.
African cinema has evolved in multiple facets since postcolonialism milieu. Post-nationalist African cinema has transformed into a more complex network that simultaneously incorporates both global and national issues alike. Modern post-nationalist films aim to aim to repudiate a homogenized notion African Cinema while highlight the diversities in African cinema, unlike antithetical early nationalist variants which portrayed a generalized African identity. These post-nationalist film makers advocate the need for utilizing new film languages and ideals suitable to the contemporary cultural, social, political and economic situations of different African countries. Certain developments have been instrumental to this gradual cinematic evolution