To begin I would like to state that, as a queer woman who loves to watch TV, and movies, this topic is particularly important to me. Growing up, I always found myself searching for characters I felt connected to and in many cases had to settle for characters that only marginally represented who I am. As Justin Dennis, one Everyday Feminism's contributing writers, says "you don’t have to be queer to identify with a queer character, just as you don’t have to be straight or cisgender to identify with a straight, cisgender character"(Justin Davis 2016), seeing yourself on screen creates a certain kind of acceptance. I think I would have accepted myself sooner if I grew up with watching characters like me. I still struggle to find shows and movies with positive representation and come up with very few options. …show more content…
Despite, how prevalent this trend appears to be there is very little literature about queer media representation, and therefore I decided to write the paper I needed to read. For that reason, I am both the analyst and the analyzed in this paper and use my own reactions and understanding of this phenomenon as one of my theoretical basses. When my social media platforms exploded after the character Lexa was killed on The 100, I saw how many LGBTQ+ people experienced severe physical and emotional consequences and I could not stay quite due to a lack of academic research. This paper is hopefully the just one of the first to highlight how killing queer women on screen does not only affect characters in those stories, but also the
I reached many other people since last week, some of them did not show much interest in doing the interview when they heard it was about homosexual representation analysis; the other people were unable to do the interview because the lack of time or other reasons. Anyway, diverse interviewees were picked to convey a considerably fair research for the attitudes toward the homosexual representation in the show Glee. These three chosen interview subjects not only vary in race (Both my boss and my roommate are Asian-American and my friend’s sister Lily is Caucasian) but also in gender (My boss is male and the other two are female). Because the main focus of the show Glee is about daily life of a group of high school students who attend their school glee club, the audience’s age range is unavoidably narrow. Despite the fact
Sex and Gender was the subject of the two movies Dreamworlds 3 and Further Off The Straight & Narrow. In Dreamworlds 3 Sex is portrayed as a status of life and happiness in the media. This media displays people as objects that can be manipulated for sexual pleasure. As the media is populated with sex it tiptoes around gender, specifically that of gays or lesbians. The film Further Off The Straight & Narrow emphasized the movement through media gay and lesbian topics. This text analyzes iconic television programs and how they reflect the societal stance during that time. As a member of a generation that has had the topic of these issues prominent I believe they are important but are banal. In this reflection I will be responding to two questions, what would woman driven Dreamworlds look like? And Do you agree with the statement that if you are not on television you don’t exist?
Kidd, Dustin. 2014. “Not that There’s Anything Wrong with That: Sexuality Perspectives.” Pp. 129-163 in Pop Culture Freaks: Identity, Mass Media, and Society. Boulder: Westview Press.
On television, I watched characters such as Marco del Rossi and Paige Michalchuk on the Canadian teen-drama Degrassi. These were the first positive experiences I had of what gay culture was like. Of what I saw, I did not feel like I fit into that lifestyle/group. On the other hand, the movie The Matthew Shepard Story shared the violent side of homosexuality’s history in the retelling of Matthew Shepard’s murder.
Smith, Jeff, and Chloe Beighley. "Normalizing Male Dominance: Gender Representation in 2012 Films." Grand Rapids Institute for Information Democracy. N.p., 12 Feb. 2013. Web. 1 Apr. 2014.
The entire Stonewall Uprising documentary, and especially the conclusion, places the fight for gay rights firmly in the past and implies that, with the advent of gay pride in 1970, equality had been achieved and all former oppressions could be forgiven and forgotten. Within the documentary, the vast majority of people interviewed are cisgender, white, gay men, and a retired NYPD police officer who fought on the “wrong side of history” at Stonewall had a prominent role. While this may be partially due to the fact that these people are simply the most likely to be alive so many years after Stonewall, it entirely erases the role that people of color, trans women, drag queens, and gender nonconforming people played in the Stonewall riots. Additionally, there is at least one Black trans woman who participated in the Stonewall riots still alive today, and her presence is not a secret within the LGBTQ community. Miss Major, a Black trans woman currently based on San Francisco, is a very high-profile trans
Putnam, A. (2013). Mean ladies: Transgendered villains in Disney films. In J. Cheu (Ed.), Diversity in
The news article I studied is from March 12th 2014 and found in the Fashion and Style section of The New York Times. Its title is “In their Own Terms- the growing transgender presence in Pop culture.” This article outlines the culture surrounding transgender and transgender situations in the United States, whilst following the lives and transformations of some known citizens of pop culture.
Works Cited Kane, Matt. “Transgender characters that changed film and television”. Entertainment Media at GLAAD. 12 November 2013. Web.
When television first appeared back in the 1940's, times were very different. What we would consider completely normal today would have seemed quite taboo just a few decades ago. For example, in 1953, Lucille Ball was not allowed to say the word "pregnant" while she was expecting baby Ricky and it wasn't until the 1960's show Bewitched, that we saw a married couple actually sharing the same bed. Considering how conservative the television networks were back then, it is not hard to deduce that something as controversial as homosexuality would be far from discussed or portrayed at any level. It was only in 1973 that television premiered its first homosexual character. Over the next three decades the emergence of gay and lesbian characters in television has increased and decreased as the times have changed. Due to the resurgence of conservatism that came back in the early 1980's, homosexual topics were again reduced to a minimum. Since that time though, as many people can see, there has been a rise of gay and lesbian characters on television. One might think after a first glance at the previous sentence that there has been progress among gay and lesbian communities to have a fair representation in the media. However, if one looks hard at the circumstances surrounding their portrayal, many people may start to believe that if there has been any progress then it has been quite minimal.
Mainstream movies are about men’s lives, and the few movies about women’s lives, at their core, still also revolve around men (Newsom, 2011). These female leads often have male love interests, looking to get married or get pregnant. Strong independent female leads are still exist for the male view, as they are hypersexualized, or the “fighting fuck toy,” (Newsom, 2011). This depiction has created a culture where women are insecure and waiting for a knight on a horse to come rescue and provide for her as well as the acceptance of women
For the purpose of this study, I will critically examine the representation of homosexuality in Hollywood cinema. I will specifically analyse films from the early 90’s to mid 2000’s from ‘Philadelphia’ to ‘Brokeback Mountain’. This dissertation will argue that over the space of 12 years homosexuality has become an acceptable part of cinema. I will look at early Hollywood’s representation of homosexuality depicting how aesthetically so much has changed. The current paper will predominantly focus on the two films ‘Philadelphia’ and ‘Brokeback Mountain’, by critically analysing the aesthetic differences between each film as well as their overall importance to gay culture.
The 1990s saw surge of gay characters in both television and movies. From Ellen Degeneres and her character Ellen Morgan coming out under much scrutiny on the TV show ‘Ellen,’ to Julia Roberts and Rupert Everett comedically playing off each other in the motion picture ‘My Best Friend’s Wedding.’ Sure, gays and lesbians have been around forever, especially in Hollywood. But never has there been a time to be more out. With the popularity of shows like Will and Grace, which feature leading gay characters, as well as Dawson’s Creek and it’s supporting character of teenager Jack McPhee, we are slowly seeing gay and lesbian characters creeping into the mainstream media.
The Representation of Men and Women in the Media Men and women are both represented differently in the media these days. Then the sand was sunk. Ironically it was even represented differently in the title of this essay. Men came before women! I am writing an essay to explain how men and women are represented in the media.
Media portrayal of the LGBT community is varying. It may be very positive and a “good” portrayal or negative and instead focuses on the stereotypical aspects of the LGBT community. One definition of a good LGBT television portrayal is one that depicts an LGBT character without over glaringly obviousness of their sexual orientation, or without adding many LGBT stereotypes that are all too often added.