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The misogynistic portrayal of women in rap
Have women played a prominent role in hip hop essay
The misogynistic portrayal of women in rap
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Hip hop is an extremely challenging battle for the strong and brave, only some will make it, especially if you are a woman. Although hip hop is a male dominated area, there has been a recent emergence in daring female artists. From “Afro Puffs” by The Lady of Rage to the notoriously known diss track, “No Frauds” by Nicki Minaj, there are several talents that many female artists have. Most female hip hop artists are well-known today or to some can even be known as a legends/idol, such as Queen Latifah, who fought for feminism in “U.N.I.T.Y”. Additionally, what makes a female artist great is the emotion and effort given in each song to provide a message. Through each era, we obtain a new legendary rapper. Some, known for their influential lyrics …show more content…
Not only are we going to define the aspects of old and new female rappers, we will note the differences between each, while also comparing artists’ style and culture. Female hip hop artists represent a change in the rap game while also bringing their own style to the table. Female hip hop artists represent a change in the rap game, yet add their own “twist.” Female rappers began to successfully emerge in the 1990’s. Journalist Havelock Nelson states, ‘While women have always been involved artistically with rap throughout the ‘80s, artists like [MC] Lyte, [Queen] Latifah, Roxanne Shante, and [Monie] Love have had to struggle to reach a level of success close to that of male rappers’ (1993:77). Yet, women have proven that they have the artistic skill to rap, they also deliver messages of feminism to other females. For example, in the song “U.N.I.T.Y,” Queen Latifah speak against the disrespect women receive, whether it be sexual harassment on the street, domestic violence, or just from society. A lot of the female rappers have their own message along with their own choice in male collaborators. …show more content…
The artists differ back in the day because artists still had the ambition of changing the lives of several women through their lyrics. When artists use male collaborators, it was usually used to push their thoughts or more sexual and instigative remarks. Even in today’s music, male artists used as collaborators in the hip hop industry are used to spread a negative message. The music industry is notoriously known for their lyrics whether it be about women or illegal substances. Yet, it is extremely popular, not because it I relatable like it once was, but because people love the beats, lyrical composition, and the greatness of rap. Missy Elliot was one of the legendary female artists who had a goal to change black feminism and the way to provide such a message was through rap. Before, rap was used to show the inside of a black female’s life, what they go through when it comes to living in the projects, with an abusive person, or being into drugs. Before, we spoke about the sexism in the rap game, which women are more towards exploiting themselves today than they are about changing it. I believe that is the difference, one tries to gain power through sexual speeches, while old female rap used rap to express their messages. In a way, new age artists may spread their own types of messages by creating a message, though it seems a bit odd since it expresses their bodies and not the changes
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
Queen Latifah played a big role in the hip hop industry as a female MC, and still is relevant to this day. She influenced millions of people especially in the black community for equality between women and men. She’s an American song-writer, actress, fashion producer, model, female MC, feminist, television producer, record producer, and talk show hostess. The Hip-hop culture began around the 1970’s in Bronx, New York and it was mostly amongst the Black and Latino community at that time. Hip Hop emerged out of an atmosphere of disappointment, anger, hate, discrimination, and disillusionment which; made it easy for the audience to comprehend and enjoy the music not as a song, but as a public personal message for each person to understand. Hip-hop was born in numerous places: in the neighborhoods, in the parks, playgrounds, bedrooms, bathrooms, a broken home, and even on the street corners. MC-ing and DJ-ing were at the center of this emerging culture, but hip-hop was always bigger than just the music, it was also break dancing and graffiti. The hip-hop fashion was very popular back then and some materials are coming back in today’s fashion as well: kangol hats, big bright jackets, gold jewelry chains, brand name sneakers like Adidas, established sportswear, tracksuits, large eyeglasses, big waist belts, jumpsuits, and any kind of over-sized clothing. The graffiti was a new form of expression that employed spray paint as a story on walls as the canvas. The police called that vandalism; but the people of hip hop called it art: a form of self-expression. Hip hop has been largely dominated by male artists, but there have been some notable exceptions. Queen Latifah was one of the few early female exponents of the styl...
She is a natural leader. In 1988, MC Lyte was the first female to release a solo album with “Lyte As A Rock.” (Ladies First: 31 Female Rappers Who Changed Hip-Hop) She is also the first solo female artist to receive “I Am Hip Hop” Icon Lifetime Achievement Award from BET in 2013, making her the only other female since Salt-N-Pepa won it as a group in 2010. She has giving all of the solo female rappers who has came after her, such as Missy Elliot, Queen Latifah,
Hip hop is a form of art that African Americans have been using to get away from oppressions in their lives and allowed their voices to be heard in some type of way. As soon as big corporations seen the attention hip hop brought to the scene, they wanted to capitalize on it. These corporations picked specific types of attributes that some hip hop artists had and allowed it to flourish. The attributes that these artists carried were hypermasculinity, homophobia, violence and sexism. In the book, Hip Hop Wars by Tricia Rose discusses some of these specific attributes. One of the most damaging attribute is when hip hop is used to sexualize and demean everything about being a woman. Tricia Rose writes about this issue in chapter 5 of her book
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
Artist are not shy about their misogynistic lyrics, one example from Tupac, who some would classify as a legend, was very vulgar in his lyrics, for example in his song Wonder Why They Call You Bitch, he raps:
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
bell hooks shows us that black male sexism is real and it is in America’s music. She is correct, but it is not just against the white people of America. Snoop Dogg’s album is degrading toward the girl whose butt’s out of the doghouse, but it
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
... educating at home, workshops, protest, and support of positive artists women can make larger steps to changing the portrayal of women in the rap music industry.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip-hop and rap music are commonly criticized for its anti-feminist lyrics and degrading exploitation of women in music and music videos. (Sharpley-Whiting ) Many feminists have taken action against the music industry, which produces these messages in the music they release. However, in the hip-hop genre there are plenty of successful female rappers promoting feminist views, artist such as Queen Latifah and Mary J. Blige have made the choice to condemn the derogatory culture towards women. (Oliver, 382–384)
Since its emergence in the South Bronx in the 1970’s, hip hop has spread to both urban and suburban communities throughout the world. Once an underground genre of music, it is seen in commercials, movies, television shows, etc. It has transformed from music and expanded into a full culture. It has even made its way into fashion and art. Men have always been on the front line of Hip Hop. However, the lyrics and images have changed tremendously. Lyrics and images that once spoke upon the injustices and empowerment for the African American people is now filled with money, cars, jewelry, and of course women.
In all fairness, there have been a handful of pro-woman hip-hop songs. But such anthems have been few and far between, and their messages too-often ignored. Take, for example, Queen Latifah's 1993 hip-hop classic "U.N.I.T.Y," in which she defends herself from street harassment with the lyric,