Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essay purpose of life
An individual’s meaning or purpose in life cannot truly be realized unless they are faced with a situation in which their course of action directly affects their future. In most cases, humankind is forced to face an extreme circumstance when something comes to an end, whether it be positive or negative, for that ending means that change is inevitable and approaching. Thus, life becomes more meaningful as something ends, for people are forced to realize what is truly important to them as well as the idea that nothing lasts forever. Individuals must choose which of the aspects and goals of their lives are the most significant and should be focused on as they approach a resolution, as can be seen in the Gawain Poet’s Sir Gawain and the Green Knight and William Shakespeare’s Hamlet. Therefore, due to the finality of an ending and the uncertainty of the following events, humankind can reveal what they believe are the …show more content…
most important parts of their life as they approach a terminus; from this culmination, individuals can find out and make an effort towards achieving what their true, while also self-imposed, purposes are in life.
With the concept of one’s own death approaching, the terminus of life can result in an introspective analysis of what is most significant in the remainder of their days. In doing so, the individual creates a situation in which they realize that their morals and way of living must be maintained, as it remains the most important part of their life up until their death. The individual thus has found their purpose to be based on maintaining this code; therefore, the meaning of life lies within themselves to complete, while remaining independent from others. The Gawain Poet displays this through the protagonist of his poem, Sir Gawain, who is presented with the imminence of his own death by the Green Knight with his beheading game. Despite knowing that “the respite [will] be [in] twelve months and a day” and he will get his head chopped off, Gawain maintains his moral code for that year, as a knight and a member of the Round Table has to uphold
“[his] chivalry... and [his] greatness-of-heart” (Gawain Poet 2-3). In doing so, Gawain looks into the future, and upon seeing his own death, recognizes that what matters most to him is maintaining his moral code. For him, this can be achieved by following through with the deal he made with the Green Knight and participating in the game. There was no outside force that made Gawain keep his word, he could have seen his future death and simply not have sought out the Green Chapel; however, the “intricate synthesis of knightly virtues” that he follows means that his word is a promise, and that a promise must be upheld, “in conforming to chivalric ideals” (Clein 20). By completing the quest despite the imminence of his beheading, Gawain has upheld the most important quality of his life: his code. Thus, the knight exemplifies the concept of finding the most significant meaning of one’s life in the face of an ending, with his maintenance of his code throughout a time in which his death is upcoming. The end of one’s own life causes an introspective search, one that results in the achievement of a meaning of life for that individual. While end of life for an individual can cause an introspective course of action for the rest of their life, it can also cause them to look outwardly to find and fulfill their purpose. Despite the inner knowledge of what they want to achieve, it cannot be fulfilled by simply their own actions; they have to face others, utilizing them to truly achieve their purpose in their final moments. Shakespeare explicates this through Hamlet’s reaction to his own death at the end of the play, in which he is made aware of the poison. His immediate reaction is to finally enact the revenge his father’s ghost trusted him to complete: killing Claudius by stabbing him then making him “drink off the [poison]” (Shakespeare V.ii.357). Then, in his final moments, Hamlet instructs Horatio “to tell [his] story” and spread the truth to the people (Shakespeare V.ii.384). For throughout the play, Hamlet’s main objective has been to “avenge his father’s death”, but there have been various obstacles that prevent him from doing so; however, at the end of his life, he realizes that the most important thing is to ensure Claudius’s death and “animate his own revenge”, no matter the circumstance (Kastan 8). Furthermore, Hamlet recognizes how important it is to him that the truth reaches the people of Denmark through Horatio, his entrusted companion. His own death made Hamlet realize the imperative nature of his mission, that he must accomplish both of these things, with the help of Claudius and Horatio: Claudius by dying and Horatio by telling the story. These were the most important things that Hamlet saw to be in his life as he approached his own end, for his imminent death made him realize that they were too important to let go. As an individual sees their own death approaching, their search for purpose can be found to involve others, using them as a means to reach an end. The termination of another’s life also has a severe effect on an individual, even if it is simply the idea of it happening. It can incur an individual’s sense of loyalty and cause them to jump into action, as the thought of another’s potential death is unbearable and must be stopped from occurring. In this, the person makes their purpose to protect the other, even if it means endangering themselves in the process. The Gawain Poet illustrates this through Gawain’s reaction to the threat against King Arthur’s life with the Green Knight’s challenge. When the concept of Arthur’s death comes into possibility, Gawain reacts quickly, knowing that he cannot let his King and uncle die in a game, instead demanding to “let [the] game be [his]” (The Gawain Poet 3). He recognizes his purpose in that moment to be protecting Arthur from danger, even though the only way to successfully do so would be to put himself in harm’s way. Thus, he cleverly takes Arthur’s place in the beheading game and becomes a “loyal vassal who fights on behalf of his lord” (Prior 42). In Gawain’s actions in the beginning of the play, he is faced with Arthur’s death, essentially a culmination of his life, Gawain recognizes what is truly important to him: ensuring that Arthur continues to live and rule as the brave leader of the Round Table. The termination of one life acted as a catalyst for Gawain to realize that his purpose was to protect another, namely Arthur and the rest of the Round Table. With the concept of another’s potential death in mind, an individual finds their purpose to lie in the protection of the other person, no matter what it means for themselves. However, the possible end of another’s life is not the only motivating factor towards discovering purpose, as it can also come in the aftermath of a death. As the reality of another’s death truly resonates with a person, it causes them to realize truths of their own life and what they hold dear. Thus, their purpose in life becomes clear to them as they pass through the five stages of grief. Often, purpose comes from the second stage, anger, in which they dedicate themselves to the revenge of their lost loved one. Shakespeare emphasizes this through how Hamlet reacts to his father’s death and the presence of his ghost. The termination of King Hamlet’s life and the ghost’s reminder of his continuous suffering are therefore the end of his happiness, which he experienced in his life previously. With the reminder of the “tormenting flames” plaguing his father in the afterlife, Hamlet is from then on dedicated to “revenge his foul and most unnatural murder” (Shakespeare I.v.6, 31). The protagonist knows that with the end of his father’s life and joy, he is faced with the aftermath of the situation in terms of his own conscious and how he will deal with the knowledge of his father’s suffering after death. He therefore decides that the best course of action is to dedicate his life and make it his mission to “[pursue] retribution for past wrongs” that plagues the royal family of Denmark (Zott 2). With the end of his father’s life and happiness, Hamlet is shown his purpose through the desire to enact revenge for King Hamlet’s untimely death. As another’s life comes to an end and thus undergoes a terminus, an individual is faced with a reality that pushes them towards the achievement of their purpose. Thus, when humanity is faced with the expiration of anything in their lives, the finality becomes clear to them and causes them to come to a conclusion involving the purpose of their life and whether or not there is meaning to it. In doing so, individuals have the opportunity to realize what aspects of their lives are truly the most important and worth fighting to maintain or achieve in the long run. As they make the effort to achieve their goals and aspirations, individuals make their life purposeful, instead of living a stagnant life. Even though something comes to an end, it serves as a means of making actions matter overall. The culmination of anything is frightening, as the future lies outside humanity’s knowledge, but allows for people to pursue what they hold to be significant enough and find meaning in their life.
Both men are on a journey to test their courage and how strong their religious commitments are to God. Neither men are quite sure what their destinations are, but Sir Gawain is under the impression that his is certain death however, that doesn’t end up being the case. In Sir Gawain’s situation his beliefs are strong and he lacks any doubts toward God.
To begin with, the Green Knight, similar to God, bestows a trial to Sir Gawain in order to test his faith and loyalty to his promise. The beheading agreement made between these characters is organized to assess the truth to Sir Gawain’s knightly
There are many different types of heroism that exist among the heroes of past and present. Heroism usually is thought of as battling and triumphing over an obstacle, or conquest of a fair-maiden’s love. But notice what this passage from the Mahabharata says about “The True Hero.”
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
By the time he returns to King Arthur's court, Sir Gawain has experienced the weakness of human ideals in the face of nature through deceit and trickery. However, despite the weakness of these ideals, the poem does not appear to suggest that the code be rejected. Rather, the chivalric code is presented as a valuable set of ideals that mankind should strive to uphold. In the process, however, man must remain aware of his mortality and human weakness. The girdle serves as a reminder of this, as Sir Gawain explains to the Green Knight after his failure has been exposed. Even Sir Gawain, "a man most faultless by far" (Part 4) with "matchless faith" (Part 4), cannot always uphold the chivalric code. “Sir Gawain and the Green Knight” is a great example for the chivalric code.
The story tells about adventures of Sir Gawain, who takes the Green Knight's challenge. One year after cutting Green Knight's head off, which did not kill him, Gawain has to travel to find the Green Knight and take his blow in return. He finds a strange castle, and while he awaits there for the final day, his knight's ethical code is put to a test by the host and his wife.
Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.
"We are placed on the side of mortality itself, and can thus, with the Green Knight, forgive Gawain for his single act of cowardice: what he did was done not out of sensual lust but for love of life--'the less, then, to blame.' In the context of this affectionate sympathy, Gawain's own violent anger at the revelation of his fault must itself be viewed with amusement, as part of his human fallibility." (Marie Borroff, Introduction)
In day-to-day life, people face a vast array of decisions. Some of these decisions are transient, such as what clothes to wear. Other decisions we make may have lasting impacts not only to the person making the decision, but others that surround that person. An example would be drinking and driving. Moral code often dictates what you should do in situations, but it is up to each individual to live up to that moral code and choose to make virtuous decisions. As I face the challenge of leading a virtuous life, I am drawn back to the time of Sir Arthur and the Round Table. More specifically, I am intrigued by Sir Gawain. In the story Sir Gawain and the Green Knight, I admire how Sir Gawain attempts to be virtuous, yet also empathize when he falls short of maintaining these virtues. Although Sir Gawain fails to maintain his virtues throughout the story, his continuous attempts to return to virtuous decisions makes him a virtuous person.
It does this conceptually, by emphasizing human nature over chivalry, and it does this narratively through Gawain’s failure as a knight, and the Green Knight’s illegitimacy as a true villain. In traditional romance of this time, the protagonist could not have faltered in chivalry; Gawain’s “lapses of courage and honour… are highly untypical of the knightly conduct we find illustrated with such stultifying sameness in medieval story” (Shedd 245). But this occurs because the Green Knight is not the true villain; the real conflict is Gawain’s struggle against his own human nature. While the Green Knight appears to be a classic antagonist in the first part of the poem, he proves himself merciful and forgiving in the final part, stating that he does not blame Gawain because it was only because “[he] loved [his] own life” that he failed the final test (95). Rather than merely taking Sir Gawain’s head, the Green Knight gave him the opportunity to prove himself as “faultless” (95), or above his human nature, to “[purge] the debt” (96). Just as Shedd argues, the shift from external to internal conflict in the poem sets Sir Gawain and the Green Knight apart from other works of medieval romance.
In the Middle Ages, a time of brave knights and fair maidens, chivalry was alive and well, and honor meant much more than just pride. A man could be expected to be as good as his word, and God was an integral part of his life. In Sir Gawain and the Green Knight, the title character sets off on a month-long quest for the Green Chapel in fulfillment of a promise made a year earlier, knowing full well that it could mean certain death. After the knight's final days at the court of King Arthur are recounted, he sets off in "country wild" where he is "far off from all his friends" (lines 713-14). This lonely road on which he rides reflects the nature of his quest--Gawain's conflict is within himself, and is something which he must deal with on his own.
We are all condemned to death; it is inescapable. Even if a person doesn’t believe in the concept of destiny, it is undeniable that every person is fated to die at some point. Most people, however, are not aware of when exactly the inevitable will approach. Often in works of fiction, the reader, or sometimes even the character, is aware of their fate. There are many different understandings of destiny, which is one of the reasons why it has played such a large role in so many different literary works throughout the world and history. Fate is one of the principal literary devices used in Homer’s epic poem, The Iliad, Shakespeare’s tragic play, Antony and Cleopatra, and Tolstoy’s pedagogical novella, The Death of Ivan Ilych.
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
Sir Gawain and the Green Knight, written by an anonymous fourteenth-century poet in Northern dialect, combines two plots: "the beheading contest, in which two parties agree to an exchange of the blows with a sword or ax, and the temptation, an attempted seduction of the hero by a lady" (Norton p.200). The Green Knight, depicted as a green giant with supernatural powers, disrespectfully rides into King Arthur's court and challenges the king to a Christmas game -- a beheading contest. Sir Gawain, a young, brave and loyal knight of the Round Table, acting according to the chivalric code, takes over the challenge his lord has accepted. The contest states that Sir Gawain is to chop off the Green Knight's head, and in one year and a day, the antagonist is to do the same to the hero. The whole poem is constructed in a way that leads the reader through the challenges that Sir Gawain faces -- the tests for honesty, courtesy, truthfulness. Throughout, we see his inner strength to resist the temptations.
Taking an inevitable outcome into something worth analyzing is Hamlet’s approach on life. To question the subject of death, love, family, and loyalty sums up the complex thoughts of modern man. Shakespeare unveils a journey into Hamlet’s mind through the documentations of his soliloquies. Hamlet is more than a prince, he is the revolutionary hero who undergoes many tragedies, yet confronts the idea of being surrounded by those events, and shares with us his philosophical contemplations. With the many occasions in Hamlet’s life, we gradually become enlightened in his way of thought and his obsession with the mysteries of change, life, and death.