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Essays about pulp fiction
Movie analysis paper on pulp fiction
Pulp fiction narrative theory
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Tarantino’s Pulp Fiction screams multiple genres satire, black comedy, and action. However the picture ultimately boils down to a crime film. As crime is a broad genre I think that it is appropriate because all of the other occurring themes. Richard Maltby articulates that “Generic boundaries can never be rigidly defined, and all generic groupings are susceptible to extensive subdivision” which everyone can agree with. But the movie opens with crime, the overall theme is crime and ultimately ends with crime. Pulp Fiction features themes like drugs, alcohol, romance and some philosophy but the intertwining stories all come together over one incident involving Marcellus Wallace. There are several conventions of technique which are classically
Quentin Tarantino’s “Pulp Fiction” is one of my favorite movies of all-time, it is about gangsters as well as everyday people struggling to get out of the dire situation they are in. In the final scene Ringo, a common criminal, is robbing a Diner. Jules just happens to be in this Diner, and Jules is one of the meanest gangsters in the city. Ringo and Jules have a confrontation in the Diner and eventually Jules is holding Ringo at gunpoint. Instead of killing him, he tries to convey a message to Ringo. In this message he uses logos, pathos and ethos to explain to Ringo that he is trying to transform from an evil man into a righteous one.
Quentin Tarantino’s film, Pulp Fiction, uses words to the fullest of their meanings. Words in the film amplify meaning through their duplicity. Characters call one another names wherein the names’ meanings enhance our understanding of what the character is saying. Even if the author or speaker does not consciously intend the meaning, the language that this paper analyzes contains meaning of psychological importance. Characters’ actual names in the film are also of particular significanc e. Nearly every character’s name reflects his personality or role in the film. Because people are human and integrating a name and personality is difficult, it is only genius for every name to be significant and meaningful. Yet, it may be surprising ho w well thought out the naming of the characters is. Pulp Fiction also touches on the interpretive value of words. Oftentimes, a person or group of people may understand the same definition of a word but interpret it differently. Language is prim arily a means of communicating ideas. The film makes an interesting point of how the actual words used may be irrelevant to the idea being portrayed. In sum, Pulp Fiction demonstrates how the meaning of speech can depend either on the choice of w ords used or on the prescribed reaction to word’s usage.
Like most things captured on film for the purpose of being marketed, the richness of gangster life, with sex, money, and power in surplus, is glorified, and thus embraced by the audience. And as a rule, if something works Hollywood repeats it, ala a genre. What Scarface and Little Caesar did was ultimately create a genre assigning powerful qualities to criminals. Such sensationalism started with the newspapers who maybe added a little more color here and there to sell a few more copies, which is portrayed in Scarface’s two newspaper office scenes. Leo Braudy denounces genres as offending “our most common definition of artistic excellence” by simply following a predetermined equation of repetition of character and plot. However, Thomas Schatz argues that many variations of plot can exist within the “arena” that the rules of the genre provide.
Famous Hollywood Director Kathryn Bigelow was furiously working on a project called “Tora Bora,” a film about the failed attempt of capturing Bin Laden. On May 2nd, 2011, the world came to a full stop when President Obama announced that Osama Bin Laden had been killed. Immediately, Bigelow shelved “Tora Bora” even though it was only a few weeks away from being filmed. and began working on what would later become to be known as, “Zero Dark Thirty”. The film was released to major praise on December 19th, 2012, racking up 5 Oscar nominations including Best picture and winning one in Sound design. This film analysis will delve into the themes of “Zero Dark Thirty”, and will also discuss film aspects such as script, lighting, characters, and camera
Pulp Fiction, a film written and directed by Quentin Tarantino, interweaves a series of accounts depicting the various roles of southern California criminals. Within each story, a single character, or several characters, display various leadership themes. Considering that all of the characters in Pulp Fiction are gangsters, the use of leadership tends to revolve around unethical situations. Throughout the entirety of the motion picture, the crime syndicate in Pulp Fiction demonstrates a flat organization: an organization that has limited levels of positions, forcing more employees to make decisions. Therefore, multiple characters within the film demonstrate leadership in various forms and applications.
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
The Convention of a Thriller Film It is difficult to state a clear definition of a thriller as they cross over many genres, however the single most characteristic of a thriller is the obvious one, it "thrills" the audience. The plots are scary, the characters are at great risk and the films are constructed in a manner that makes the watcher really want to know what happens next. There is no formula for a thriller, other that that most thrillers follow one of a few common narrative structures. For example, they may use the Todorov theory, where the narrative structure is comprised of three main parts: order and normality, then something happens where disorder occurs and finally equilibrium is restored, usually by a hero. Thrillers can be divided into countless categories, i.e., action thrillers, psychological thrillers, millitary thrillers, spy thrillers, and the list goes on.
In conclusion it is clear that Tarantino’s film is postmodern, and Jameson’s insightful essay stands in relation to Pulp Fiction much in the same way as a prophecy stands in relation to its fulfilment. The postmodernist Tarantino expresses in a full and technicolour form what Jameson the modernist had only partially understood in the more static arts of painting and architecture.
Creative works are organised into a specific genre. Genre can be concisely defined as a set of conventions and expectations which audiences will grow accustomed to over time. Conventions within a genre will limit and shape the meaning perceived by audiences. Through time, as contexts alter, so do values; though conventions remain the same. Some composers make their texts more appealing once they challenge the original conventions of a genre and thus attract a wider audience. By doing this, composers are able to present their audiences with new themes and values relative to their social contexts. Crime fiction has often adapted these processes and has become a genre of its own with intriguing plots fuelling the audience’s inquisitive nature. English director, Alfred Hitchcock (also known as ‘The Master of Suspense’) was an expert in creating the desired amount of suspense within a crime film. He was able to transfer the values of his context on to the silver screen and subvert traditional conventions. Hitchcock’s film ‘Rear Window’ (1954) displays a perfect example of how the conventions of crime fiction can be appropriated to still involve the traditional features of crime. Through his use of exquisite cinematic techniques and immense detail, responders are given the thrill they expect of the genre.
Its seems as if American culture is obsessed with sex. From music videos to commercials to teen movies: one cannot turn on his television without seeing a scantily clad woman or two people engaging in some type of foreplay. Even on game shows there is commonly a female co-host who wears next to nothing. Moreover, besides a pornographic movie or a special on HBO, one can find more than enough sex in a teen movie. These films contain teenage sex symbols who cannot act more than the “common man.” Yet, it seems as if these movies are quite popular. They more often than not reach the rank of top selling movie at the box-office. Their success illustrates much about our society- we want to see sex and cannot get enough.
Bruce Willis and Maria de Medeiros. All of them have essentially done something which has terribly gone wrong like 'Reservoir Dogs' and 'True Romance.'
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. The main character, Tony, was a refugee from Cuba.Tony had a small family which was his mom and his little sister. Tony’s mom despised him and did not want him around his little sister. Tony had all the attributes of a soldier. Tony knew about guns and how to control a group of others that follow him. Tony killed high a ranking political leader which gained the eye of a drug dealer. The drug dealer wanted Tony became a drug dealer and Tony begin his reign with drugs. As Tony dealt drugs he became an drug abuser as well. Tony became the biggest drug lord which brought Tony a lot of enemies.
The Usual Suspects most definitely falls under the crime genre. Crime genre obviously deals with crimes, criminals, and their motives. Most crime movies share a common structure. First there is the crime, then the criminal is caught and then put in jail. However, this movie was slightly different than the stereotypical because Verbal tricked Kujan and got away as a free
However there are still directors that find opportunistic films to engrave the new wave style within the production. They are not entirely based on the principles that the cinema tech group developed but they do inherit certain traits. For instance Quentin Tarantino’s 1994 Pulp Fiction takes three coherent story lines which are all tightly intertwined to one another. The film adopts a naturalistic dialogue approach, which is more like an everyday conversation as opposed to a really intense heavily scripted piece, which sometimes can be too much for the audience to follow. Natural lighting aids to the perception of the location, by only using the available light source on the site. The cinematography from pulp fiction has many similarities to that of the new wave, with hand held tracking shots and pans that follow the subject sometimes even longer then necessary just to establish the location and to give it that extra bit of realism. Tarantino uses a variety of real locations in his movie opposed to using studios and constructed sets. This is for the audience to grasp a real insight into the world that not only he has created for the particular characters but that of the actual location as well. Tarantino in some aspects uses his locations almost as if they were a character themselves much like the
What is a short story? For Earnest Hemingway, it was a means of expression that gave him an outlet to show the world how impactful his life was on his works. One of his earliest writing being a journal from his teenage years, Hemingway has proven time and time again how skilled of a writer he was, and it was no surprise. With a life like his, he was provided very good material to work with. In various works written by Earnest Hemingway, there are common themes of intimate harm as well as human suffering not only reflected in his short stories, but also in the authors personal life.