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Essay about tony character
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Toroyana Dartino Caruth Jr.
ENG 225
SCARFACE IS A GANSTER
Introduction to Film
Allison Boldt A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. The main character, Tony, was a refugee from Cuba.Tony had a small family which was his mom and his little sister. Tony’s mom despised him and did not want him around his little sister. Tony had all the attributes of a soldier. Tony knew about guns and how to control a group of others that follow him. Tony killed high a ranking political leader which gained the eye of a drug dealer. The drug dealer wanted Tony became a drug dealer and Tony begin his reign with drugs. As Tony dealt drugs he became an drug abuser as well. Tony became the biggest drug lord which brought Tony a lot of enemies.
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Tony loved the woman when he first laid eyes on her. The women was the drug dealer’s (Frank) wife, (the first dealer that hired Tony) even though Tony knew Frank’s wife was married, Tony still flirted with her every-time he got a chance. Frank’s wife kept declining Tony’s advancements. Even though Elvira was declining Tony’s advancements, Elvira still enjoyed being around Tony. One day as Tony was rising up the drug business, shots were fired inside his club by some henchman. Tony found out that the henchman was hired by Frank. Tony killed Frank for his dishonesty and unlawfulness. Soon after Tony killed Frank he went to Frank’s wife and told her to come with him. Tony ended up marrying Tony was in love which displayed his affection as a romantic comedy. Tony was funny while trying to romance Elvira. (Frank’s exe
“Wes was so confused. He loved and respected his brother. Tony was the closest thing Wes had to a role model. But the more he tried to be like his brother, the more Tony pushed back.” (72) Wes then got his girlfriend pregnant 4 times and dropped out of school to help out with her. With multiple arrests for shooting someone and drug dealing. Tony his "so called role model" helped Wes rob a jewelry store and they were convicted for murdering Sergeant Prothero along the way. Tony's motives were right but he never really got across to Wes with leading him in the right direction. Tony tried to push Wes away from the drug game but Wes was to drawn to it.
In the end, Tony plays the role of both hero and villain. His wife, Marcela, represents both the whore and the virgin Mexican-American. The both prove unfaithful: Tony to America and Marcela to Mexico. Herein lays the schizophrenic world in which good and bad coexist across the borders of two emerging world countries struggling for control of land and culture. There’s a price to be paid for such human greed and unrealistic expectations. Ultimately it proves to be a place where virtue doesn’t remain intact and villains abound, even among the good guys!
Another example of the evolution of Tony's sense of good and evil through the utilisation of setting is Tony's own home. To him, his home provided him with warmth and safety. This was due to the people who lived in the house. Antonio's father creates a sense of protection in the home. When Tenorio and his men come to he house to take Ultima away, Tony's father "would let no man invade his home" (pg 123). This gave Tony faith that as long as his father was around, he would be protected. Antonio's mother made home a loving and caring place to be. She would always baby Antonio and give him the affection he needed whenever he needed it. The morning after Tony had seen Lupito killed, Ultima tells Tony's mother not to be too hard on Antonio; he had a hard night last night. His mother puts her arms around Tony and holds him saying he "is only a boy, a baby yet" (Pg.28). The Virgin also makes the atmosphere of Antonio's home peaceful and protected. Tony loves the Virgin Mary because "she always forgave" (Pg. 42). Tony thought she was "full of a quiet, peaceful love" (Pg.42) which she filled the home with. The most important person who contributed to the goodness of Antonio's home was Ultima. She made Antonio feel as though her presence filled the home with safety, love, and a sense of security. When Tony saw Lupito get killed, it was Ultima who calmed him. Whenever he had a nightmare, Ultima was there to comfort Antonio and "[he] could sleep again" (Pg.
Films that are classified as being in the film noir genre all share some basic characteristics. There is generally a voice-over throughout the film in order to guide the audience's perceptions. These movies also involve a crime and a detective who is trying to figure out the truth in the situation. This detective usually encounters a femme fatale who seduces him. However, the most distinctive feature of the film noir genre is the abundance of darkness.
To him, his home provided him with warmth and safety. This was due to the people who lived in the house. Antonio 's father creates a sense of protection in the home. When Tenorio and his men come to he house to take Ultima away, Tony 's father "would let no man invade his home" (pg 123). This gave Tony faith that as long as his father was around, he would be protected. Antonio 's mother made home a loving and caring place to be. She would always baby Antonio and give him the affection he needed whenever he needed it. The morning after Tony had seen Lupito killed, Ultima tells Tony 's mother not to be too hard on Antonio; he had a hard night last night. His mother puts her arms around Tony and holds him saying he "is only a boy, a baby yet" (Pg.28). The Virgin also makes the atmosphere of Antonio 's home peaceful and protected. Tony loves the Virgin Mary because "she always forgave" (Pg. 42). Tony thought she was "full of a quiet, peaceful love" (Pg.42) which she filled the home with. The most important person who contributed to the goodness of Antonio 's home was Ultima. She made Antonio feel as though her presence filled the home with safety, love, and a sense of security. When Tony saw Lupito get killed, it was Ultima who calmed him. Whenever he had a nightmare, Ultima was there to comfort Antonio and "[he] could sleep
Gangster films have always operated on but rarely explored the paradox of mob life. Gangs are created in order to rebel from society and its institutions, yet they themselves act like micro-governments. Most films have illustrated these institutions through the depictions of their protagonists, like “Goodfellas” Henry Hill. Gomorrah, however, exists in this paradox; its multiple story lines act as a medium for depicting the structure of the mob in a different way. Gomorrah, unlike most gangster films, explores the hierarchy of the mob. How the establishment itself rather than the rebellion towards the establishment makes the gears of the mob keep turning.
Picture Manhattan in 1860, a time before the city had been dolled up and gotten ready for the silver screen, before the glamour and allure took over. Amsterdam Vallan (DiCaprio) is a young Irish man that migrates to the USA at a young age. Amsterdam’s story takes place in Five Points District of New York, a filthy and dangerous part of the city before it was deleted form history. As a young boy Vallan witnessed his father’s murder at the hand of William Cutting or Bill the Butcher (Day-Lewis) during one of their many gang wars. As Amsterdam’s story progresses along side The Butcher they become inseparable, but Amsterdam had ulterior motive. Ultimately, Amsterdam attempts to betray his new found ally in order to avenge his father’s death. Historical accounts of events are almost always synthesized by the storyteller; in the case Gangs of New York Martin Scorsese tells of Five Points, The Dead Rabbits Riots, and The Draft Riots, but is his fictional story accurate through history?
The gangster or mob film genre has captivated audiences for nearly one hundred years, dating back to the silent film era. Introduced through films such as The Musketeers of Pig Alley (1912) and Underworld (1927), the genre has become increasingly complex in its development, evidenced by the sophisticated narratives and advanced cinematographic techniques of more recent films such as Road to Perdition (2002) and The Departed (2006). This paper will serve to analyze only two of these brilliant works, and will do so through a compare and contrast format.
Most movies can be grouped with other similar movies. These groupings are what we know today to be genres. One of the major genres of film would be science fiction. However, science fictions movies tend to have such a wide variety of convention. For example, there are the classic space expedition films or the humans versus robots films, and even post-apocalyptic films to name a few sub-genres. Among these many conventions, the one overlapping convention would be the implementation of advanced or futuristic technology in the film as well as the heavy usage of sound effects. The films The Martian, Big Hero 6, and Ex Machina are all science-fiction films with a heavy foundation in science but still hold their own differences.
Tony soprano is the main character of the show. He is the boss of the soprano crime family and his life is divided into two sections. His family life and his criminal life. Even though they are mixed, both provide a separate view of Tony soprano as a man. At home, he lives with wife Carmela, son Anthony, and daughter meadow. His family, while at times dysfunctional, manages to stick together. He constantly cheats on his wife and doesn’t spend much time with his children. Meadow leaves the family to go to collage and Anthony Jr. struggles to make it through out high school. Even thought Tony shows consistent disappointment of Anthony Jr., it doesn’t come close to the emotions he has toward his mother. She mistreated Tony as a child and provided nothing but bad memories. His experience with his mother might have let him to posses a subconscious hatred for females, which he displays by only viewing them as sex objects. Tony didn’t have a bad relationship with his father growing up, but that’s because he always blamed his mother. His uncle Jr., conspired with Tony’s mom to kill him after he was out of jail. This, and other events, let to they’re lack of communication.
The Godfather is the “dark-side of the American dream story” (Turan, pp2). The film follows the practices of a fictional Italian mafia family, the Corleone’s. Though most Americans do not condone the practices of the Italian mafia, they cannot deny that Francis Ford Coppola’s The Godfather is a cinematic masterpiece. This film gave insight to a mysterious way of life that the average person does not have knowledge of. As the audience is educated about the mafia they also are introduced to many stereotypes.
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
Francis Ford Coppola’s The Godfather (1972) is among the best films ever produced. Consistently ranked as one of the top three films by the American Film institute, this gangster film sits among the likes of Citizen Kane (1941), Lawrence of Arabia (1962), and the more recent Schindler’s List (1993) (American). When it was released, The Godfather was nominated for ten Academy Awards, and won three: Best Picture, Best Actor (Marlon Brando), and Best Adapted Screenplay. The film was adapted from the best-selling novel, with the same name, by Mario Puzo (Mast & Kawin, 332). The film takes place in a ten-year span between 1945 and 1955. It follows the Sicilian family headed by Vito Corleone who is played by Marlon Brando; Corleone is also the godfather or head of the Corleone Crime Family. Coppola’s film is not the first big screen version of a gangster film: Scarface (1933), The Public Enemy (1931), and Little Caesar (1931) are all pre-production code gangster films, but American Movie Classics’ Tim Dirks believes The Godfather “reinvented the gangster genre” (Dirks). Still, The Godfather’s has many similarities to pre-production code gangster films especially with its use of violence, and its portrayal of corruption of both the gangsters and the ‘good guys.’
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Tony and Elizabeth Jordan thought they had it all – a beautiful daughter, great jobs, the best cars, and their dream house, but looks can be deceiving. Behind closed doors their marriage is falling apart, and they are constantly fighting, pushing away from each other and hurting their daughter emotionally and mentally in the process to the point where she says to her friend ¨I wish I lived at your house, my parents are always fighting.¨ Tony and Elizabeth are typical churchgoers who have become self-righteous and, in Tony case, even hostile towards the God who created him for his glory. Elizabeth is a real estate broker, and Tony is a salesman who is always traveling. While Tony relaxes in his professional success and flirts with temptation,