Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Music and art culture of puerto rico
Music and art culture of puerto rico
Essays on puerto rican culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Music and art culture of puerto rico
Puerto Rican Art
Historically, Puerto Rico is only 512 years old. The island was discovered on November 19, 1493 by Christopher Columbus on his second voyage to the New World. On the island he found Taino Indians living there. Juan Ponce de León came to the island in 1508 as its first governor. In 1521, the city of San Juan was established.
During the seventeenth and eighteenth centuries. Puerto Rico was attacked by the Dutch and English, Spain’s enemies. The island was struggling to attain economical stability by raising cattle and farming on a small scale. By the end of the nineteenth century, Puerto Rico had grown considerably socially, economically, and politically. The Cédula de Gracias of 1815 offered many incentives and advantages the immigrants of the new Latin American republics. Puerto Rico became a sugar exporting colony. After the Spanish-American War in 1898, Puerto Rico was ceded by Spain to the United States. In 1917, Puerto Ricans became U.S. citizens and adopted the Commonwealth state in 1952.
Although Puerto Rico is relatively young artistically, it has gone through major cultural changes, first with the Spanish conquest, and then with the United States and other immigrant groups. The artistic production of painters and craftsmen, through these not yet five hundred years, reflect these cultural shocks.
Puerto Rico, like the United States, is a land of immigrants. It is presently in the process of establishing a cultural statement. Because of the diversity of its inhabitants, no statement of a unified artistic expression can be made. In earlier times, the discovery, the colonization period, and later some stability in the nineteenth century, the artistic production was basically unified, that is, it portrayed Puerto Rico through single statements, its people, its vegetation, eminent politicians, religious beliefs, etc.
The contemporary artists have expressed their ideas in more complex and stylized ways. This is not saying that the earlier works were primitive or archaic. It simply means that the times demand different artistic visions of what the Puerto Rican reality is now. Art will provide some explanation and insight into the life and reality of our people.
The Taino Indians
The Taino Indians had been living in Puerto Rico for hundreds of years when the Spaniard conquerors arrived in the fifteenth century. They w...
... middle of paper ...
...island. Castor Ayala is the maximum exponent of this craft. Other crafts from coconut shells are also made here. The African influence is heard in music and through handmade musical instruments.
The influence of the Indian, Spanish, and African heritage’s is also reflected to various degrees in the pottery and clay figures made today on the island. Puerto Rico’s present day crafts are many and varied, and there are craft fairs celebrated on the island for everyone to enjoy.
Resources:
Magaly Rivera “Welcome to Puerto Rico!”
http://welcome.topuertorico.org/index.shtml
Irvine R. MacManus, Jr. “Taíno Treasures The Legacy of Dr. Ricardo E. Alegría”
http://ca80.lehman.cuny.edu/gallery/taino_treasures/macmanus_essay.htm
Bob Corbett “Pre-Columbian Hispaniola - Arawak/Taino Indians”
http://www.hartford-hwp.com/archives/43a/100.html
“Puerto Rican Painters”
http://www.angelfire.com/art2/puerto_rican_artists/
Cecil Marie Cancel “¡Bienvenidos a la página de nuestro pintor, José Campeche!”
http://members.tripod.com/~josecampeche/
Mari Carmen Ramírez “Modern and Contemporary Puerto Rican Artists Francisco Oller”
http://www.zenstudio.com/pr/artists/oller/oller.htm
Puerto Rico. The. Tarrytown: Marshall Cavendish Corporation, 2007. 2.
In order to understand the current situation of Puerto Ricans one must look at their history and retrace the sequence of events that led to the current formation of the Puerto Rican people. An important component of this history is the time Puerto Rico spent under Spanish rule. Studying this portion of Puerto Rican history forces us to acknowledge the contribution the Spaniards, European immigrants, and African slaves had on Puerto Rican identity as we consider it today. This also addresses contemporary debates on Puerto Rican identity. An example of this is evident in an essay written by Jose Luis Gonzales entitled "Puerto Rico : Th Four Storied Country". In the article Gonzales points out what he feels is a disregard toward the African contribution to the Puerto Rican identity. He argues that the first Puerto Ricans were black , based on his interpretation that Africans were the first group to come to Puerto Rico and reproduce who did not have ties to a "motherland" because they were slaves. This is unlike the Spaniard elites and Criolles that demonstrated their commitment and loyalty to Spain. Since they had no other place to go, Puerto Rico was their motherland. Gonzalez also points out that the culture of a region is always the culture of the elite, not the popular culture.
The features of the formation of the Puerto Rican people under Spanish rule are therefore critical in addressing questions on Puerto Rican identity. The migration of thousands of Spaniards both from the mainland and its islands to Puerto Rico, the development of subsequent Creole populations, the formation of the agricultural sectors and their labor needs are some of the contributing features that will hopefully lead toward a better understanding of the complexities that surround the concept of Puertoricaness.
In order to complicate the things, like not-incorporated territory, Puerto Rico never it was put in automatic route towards a possible statehood since it they have been all the other incorporated territories, as it they have not either been the other not-incorporated territories of Guam, the Virgin Islands and the Marianas Islands of the North. Confused contradictory and, the situation have been evolving gradually to one of gradual integration of Puerto Rico with the U.S.A. The legal and constitutional evolution of the law and precedents that has been accumulated through the years from the promulgation of the Insulars Decisions have tended to treat to Puerto Rico more and more like a state federated in very many areas of their political and economic subjects, except in the most important subject of their last sovereignty.
The history of the colonization of Americas is one written in blood. The Hispaniola is no exception, and the conflict can still be seen today. In 1492 Christopher Columbus sailed west. In doing so, he discovered the American continents, and with that, a whole new world. In December 1492, Columbus and his three ships, the Nina, the Pinta, and the Santa Maria landed on an island called Haiti/ Quisqueya (the original Taino names for Hispaniola). This set off a chain of events that would ultimately change every aspect of the world, as anyone knew it. The justification for Columbus’s voyages was supposedly to convert the savage people he encountered when he reached the island. His ultimate goal was to find gold and spices that he could claim for the Spanish crown, of which he was promised 10%. December 12 marked the founding of a temporary settlement called La Concepcion in the northeast part of the island. After exploring the island and meeting the Taino chieftains of Hispaniola, Columbus decided to head back to Spain, taking back samples that depicted life in the New World. Along with items like tobacco, pineapples, hammocks and peppers, Columbus also took a group of Taino Indians and put them on displa...
A great deal of Puerto Ricans are concerned that becoming a U.S. state will cause them to lose their culture. In the past few years Puerto Rico has managed to become a contender in international competitions, where it competes as a sovereign nation. "Puerto Rico is not a nation-state, not an independent … country, but still it has its own history, language, territory, culture and autonomy, and perhaps more importantly, the awar...
The Island political status has been an issue over many years since Spanish-American War. Puerto Rico is a Commonwealth “Free Associated State of P.R” of the US. In fact, Puerto Rico became a US territory in 1898, when it was earned from Spain after the Spanish-American War. It gave Puerto Ricans the right
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
Cuban artwork has for many years been diverse since it encompasses cultures from Africa, South American, Europe, and North America. The country celebrates some of the most prominent and popular painters such as Amelia Pelaez, Wilfredo Lam. Artwork in Cuba has been known to be influenced by political views of the artist (Singler). The culture in Cuba is a link between politics and artistic positions where it is marked by social
Throughout the course of history, art has changed in vast number of ways. Dating back to the Pre-Colombian era of art, you are able to find sculptors, mounds and other artwork on Native American culture. Native Americans believed in pantheism which is the worship of nature. Native Americans were seen as savages because they lived in nature, they worshipped nature, wore off clothing that didn’t cover their bodies fully. They performed ceremonies that have seemed peculiar to explorers during the exploration of the New World such Christopher Columbus. However, art has evolved in so many different ways imaginable. The use of colors, unique styles, reflections from lighting outdoors and the imagination of the artist can really put
As a young child, he was constantly preoccupied with creating. During his childhood, Mexico was governed by Porfirio Diaz and because of this, the rich prospered while the poor suffered. As an adult, Rivera identified with the working classes and his murals usually depicted small farms, peasants, and city residents. This was a contrast to American muralist; who often portrayed industrial topics. However, he did become fascinated with American industrialism later in his career. Though, Rivera learned and even adhered to the strict rules of classical European art he prefered a style that was similar to Mexican folk art. In 1922 Alvaro Obregón, the 39th president of Mexico, encouraged Rivera to return to his homeland to participate in a national popular art movement. These murals permitted him to paint in a style of his choice while illustrating the social struggles of Mexicans. His series of murals done for the Palacio Nacional de México and more specifically ‘The Arrival of Cortés’ depict the the cruelties of the Spanish conquistadors, the heroes of the Mexican Revolution, and peasant-like farm workers. In the center of the composition men of higher classes are adorned with jewelry appear to be discussing a slave trade. In the bottom left corner, slaves and peasants surround the conquistadors and one slave is even subjected to ‘cruelties’. In the top right, slaves uniformly carry and cut down trees.
Diego Velàzquez was called the “noblest and most commanding man among the artists of his country.” He was a master realist, and no painter has surpassed him in the ability to seize essential features and fix them on canvas with a few broad, sure strokes. “His men and women seem to breathe,” it has been said; “his horses are full of action and his dogs of life.” Because of Velàzquez’ great skill in merging color, light, space, rhythm of line, and mass in such a way that all have equal value, he was known as “the painter’s painter,” as demonstrated in the paintings Las Meninas, Sebastiàn de Morra, and Baltasar Carlos and a Dwarf.
Although Diego Rivera was a Mexican painter, influenced much by his historical roots in Mexico, his contributions to American society throughout the first half of the twentieth century were great. Rivera wanted his art to influence the world enough to change it (Howlett 20). During an era of revolutions in both politics and technology, Rivera was one of the many inspired to create work that was socially radical at the time (Stevens 72). His views of support for Communism, his outlook on Capitalism, and his portrayals of the industrial revolution around the world caught the attention and eyes of entire nations. “Rivera’s work seemed like it was leading directly to today’s cultural wars” (Aguilar 36). Throughout the early 1900’s, Rivera had become
Elizabeth Bowen once said, “Art is one thing that can go on mattering once it has stopped hurting.(Bowen, Exploitation)” This rings true in terms of what art has done and continues to do for Caribbean peoples. In the Caribbean, art plays a very important and large role in the way people live their lives. In the days of slavery, art was used to help them cope with their daily traumas. Today, art is used to enhance and preserve Caribbean culture. Art has been used in multiple mediums to allow Caribbean people to express themselves, to challenge Western norms, and to showcase Caribbean culture. Through an analysis of music, dance, and celebration this essay will explore the ways in which Caribbean people resist, perform and represent the vibrant
names led to the switch the island took the name Puerto Rico and the town became San Juan. Due to