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A short note on the theme of love in literature
Theme of revenge in a tale of two cities
Theme of revenge in a tale of two cities
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Recommended: A short note on the theme of love in literature
When people are motivated by love, they can do anything. In the book A Tale Of Two Cities by Charles Dickens a common theme is that love drives people to do extreme things. Many characters show love in their own ways, such as Miss. Pross and Madame Defarge. Miss. Pross - Lucie Manette’s caretaker since she was young - and Madame Defarge - the main antagonist - show love in the most unique way. They both show that love is the most powerful emotion through their feelings about the Manettes, motivations for their actions, and how love gives them strength.
Their feelings about the Manettes show how love is the most powerful emotion. When talking to Mr. Lorry about Lucie getting married, Miss. Pross says, “But it really is doubly and trebly hard to have crowds and multitudes of people turning up after him (I could have forgiven him), to take Ladybird’s affections away from me” (pg. 99). Miss. Pross loves Lucie like she is her own daughter and she hates the thought of someone taking Lucie away from her; however, she understands that she will have to leave the nest someday. Once Charles Darnay, Lucie’s husband, is set to be executed, Madame Defarge says, “But, the Evremonde people are to be
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exterminated, and the wife and child must follow the husband and father” (pg. 362). Madame Defarge’s love for revenge makes her forget all about her past with the Manettes. She is determined to kill each and every one of them, no matter what. What motivates Miss. Pross and Madame Defarge is driven by love. While talking to Mr. Lorry about Lucie, she says, “‘There never was, nor will be, but one man worthy of Ladybird,’ said Miss Pross; ‘and that was my brother Solomon’” (pg. 100). Miss. Pross thinks that no one but her own kin is worthy of Lucie. Her love drives her to protect Lucie, even from the smallest things. When Madame Defarge was plotting to kill Lucie and her family, she is described as such, “But, imbued from her childhood with a brooding sense of wrong, and an inveterate hatred of a class, opportunity has developed her into a tigress” (pg. 365). Madame Defarge’s love for revenge drove her to lust for it. That lust turns her into a cold-hearted killer who cares about nothing but avenging her family. Love is something that gives Madame Defarge and Miss.
Pross strength. Towards the end of the novel, Miss. Pross and Madame Defarge face-off once and for all, and Madame Defarge is at a severe disadvantage, “Miss Pross, with the vigorous tenacity of love, always so much stronger than hate” (pg. 372). Madame Defarge is driven by nothing but hate and lust for revenge. Her hate manifests her weakness and she is not able to gain strength because it is all she focuses on. Miss. Pross is the one with the advantage against her, “I am stronger than you, I bless Heaven for it. I’ll hold you till one or other of us faints or dies!” (pg. 372). Miss. Pross’ love and desire to protect her family gives her strength. Love will always trump hate and be the emotion that drives people to
superiority. Everything Miss. Pross and Madame Defarge do is because of love. Their feelings about the Manettes, motivation for their actions, and the source of their strength show that love is the most powerful emotion. Miss. Pross is motivated to protect Lucie because of her love, and Madame Defarge is motivated by her love of her deceased family and need to avenge them. Without love, these two characters would not be as passionate about their goals.
Although Madame Defarge’s hatred is initially fixed solely on the Evrémondes brothers, the revolutionary atmosphere extends this hatred to Lucie and her family. Dickens portrays Madame Defarge’s enemies, the Darnays, as the protagonists of the novel by provoking sympathy from the audience. As a result of Madame Defarge’s struggle to deal with her family’s death, the conflict between the opposing forces arises. Originally, Madame Defarge’s goal was to bring justice to the guilty. Due to the rise in the Revolution, her motives become based more on executing cruelty without
Lastly and most importantly would be Lucie’s elaborate expression of sentimentality in her constant fainting at the least sign of distress. However unbearable it might have seemed, the reader could not fully appreciate the significance of her character and why she was loved by so many equally sentimental; characters in the novel. When Lucie early on testifies at Darnay’s trial in the English court, she says, “He was kind, and good, and useful to my father. I hope,” and here she bursts into tears, “ I may not repay him by doing him harm here today.” Her deep sensitivity and generous nature shines through. And remember, when Lucie stands forlornly and devotedly at a place near the Paris prison in order for her husband, Darnay, to glimpse her and their child, it is clear that Dickens wanted to portray her as a loving, faithful, and sympathetic person.
The French Revolution was a time when many people sacrificed their lives for their beliefs. As the French Revolution moved on, more people joined the movement and risked their lives. A Tale of Two Cities by Charles Dickens is set during this time. Many people who sacrificed their lives for the Revolution felt like it was their fate to do this. This idea of fate is described many times in Dickens’ novel to magnify the story. The theme of fate is prevalent in the novel through the lives of many characters. This theme is used to show how a person is unable to escape their fate because it is already decided. The metaphors and symbols in the novel are greatly used to contribute to the theme of fate through the symbols of knitting, the fountain and water, and the wine.
From the beginning of the novel, Lucie is willing to make sacrifices to take care of her family and keep the bond between them strong. Lucie’s first life-altering sacrifice begins when she realizes that her father, thought to be dead, is alive. While discussing Lucie’s father, Mr. Lorry says to Lucie, “Your father has been taken to the house of an old servant in Paris, and we are going there: I, to identify him if I can: you, to restore him to life, love, duty, rest, comfort” (Dickens 29). Given this information from Mr. Lorry, Lucie recognizes that her jaded father needs her help in order to return to a normal life. This requires great sacrifice, but, later in the novel, Lucie also takes on the task of caring for the rest of her family. While quietly sitting in her house, listening to footsteps, Lucie is “Ever busily winding the golden thread that bound them all together, weaving the service of her happy influence through the tissue of all their lives, and making it predominate nowhere” (Dickens 216). Lucie’s “golden thread” is the single thing holding the family together, keeping peace and eliciting happiness through her sacrifices. She is able to bring her father out of madness an...
Although, it would be a mistake to depict Valmont as anything but the monster that he is, there seems to be a small measure of actual ‘affection’ for Tourvel, however short-lived. Once Valmont shares this strange and unexpected interest in Madame de Tourvel, The Marquise de Merteuil is enraged, considering it an appalling sign of weakness. In order to save face, Valmont returns to his ruthless ways, thus completing the destruction of Madame de Tourvel, who had ultimately fallen madly in love with Valmont.
Madame Defarge, on the other hand, does not just hate Lucie, but she hates the Manettes and all the Evremondes. One would think that such a strongly fueled hatred would permit Madame Defarge to overpower Miss Pross, but, as the reader finds out, Miss Pross' determination to keep her darling "Ladybird" safe, from any harm that might come to her or her family, allows her to overpower and kill her enemy. This time, the power of good overcomes the power of evil due to Miss Pross' true love and dedication to Lucie. Another struggle between love and hate can be found within Monsieur Defarge. In this particular case, it is evil that eventually triumphs.
Lucie Manette is a compassionate and benevolent character that aids in the resurrection of Sydney Carton and Dr. Manette. At the beginning of the book Lucie is only 17, but maturity beyond her age is reflected in her character. She is the ideal Victorian lady, perfect in every way. Lucie is gorgeous, with long, beautiful golden hair. She is very positive and unselfish, always willing to help others. Her wonderfully kind and sympathetic nature causes the men to fall in love with her. She doesn't look down upon anyone and sees the best in who some may see the worst. These qualities in Lucy are what make possible the resurrections of Sydney Carton and Dr. Manette's lives.
In the novel, both emotions are displayed by the characters in the book through the actions they carry out and the words that they speak, even though it can be justified that there are more examples of love than hate. The love between Lucie Manette and her father, as well as that of Charles Darney and Lucie and indeed many other characters are just some of the many examples of love. The more baleful emotion of hate is also revealed many times in the novel, by the French commoners and especially by Madame Defarge when it came to Charles Darney being an aristocrat and the suffering of her own family.
Lucie Manette, daughter of Dr. Manette and the perfect wife of Charles Darnay. Her strength could be derived from her early life and upbringing by Miss Pross. To Charles Darnay, she is the ideal wife. She even fights Madame Defarge when she exclaims ' “As a wife and mother…I implore you to have pity on me and not to exercise power that you possess against my innocent husband, but use it in his behalf. O sister-woman, think of me. As a wife and mother!"(278) This strong yet very compassionate woman is able to confront Madame Defarge who she clearly fears, especiall...
Sacrifices are often made to strengthen bonds, and no other bond in the novel is stronger than the one that Lucie Mannette shares with her father , Dr. Manette. Indeed, Lucy has gone to great lengths to ensure that their bond stays strong. In the opening chapters of the novel, Lucie, in hopes that her pleas can cure her father’s insanity, devotes herself to Dr. Manette wholeheartedly, disregarding any personal desires of her own. She promises her father that if, “ ..I hint to you of a home there is before us, I will be true to you with all my duty.” (46) Lucie’s undying devotion to her father is a clear example of how one person’s sacrifice can inspire life in another.
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
Lucie Manette is at the center of the group in Soho, a suburb of London. Because Lucie is a main character we expect her to be in the middle of gatherings. Miss Pross says that hundreds of people visit Lucie, an exageration but still many pay visit to her house in Soho. Because Lucie's character is not fully developed and because we don't fully know her, we are left wondering what part of her character, or personality, makes her so attractive to everyone.
Austen utilizes Fanny Dashwood and Lucy Steele, who characterize cunning not softened by emotion, to demonstrate this. Throughout the novel, they display remarkable sense in manipulating and conniving for personal gain. With no sensibility, they fail to care about the emotional harm they cause. Fanny is described as “narrow-minded and selfish” (5); Lucy possesses a “thorough want of delicacy, of rectitude, and integrity of mind… a person who joined insincerity with ignorance” (105). Although they both achieve the money they desperately seek, Austen clearly portrays that they earn no benefits from it. They gain no respect, no sincere friends, and no true love. Their lack of sensibility ultimately brought them to a rich yet unhappy ending. Elinor herself learns in the novel that she must show some emotion, learning to open up to Marianne concerning her feelings. “For four months, Marianne, I have had all this hanging on my mind,” she admits (215). Additionally, upon discovering that Edward and Lucy’s engagement was broken, she “burst into tears of joy” (295), a rare display of emotion coming from her. By the end of the book, she has learned to retain her reason but balance it with
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.
Victor Hugo once said, “The greatest happiness of life is the conviction that we are loved; loved for ourselves, or rather, loved in spite of ourselves.” Whether in Shakespeare’s tragic play about lovers doomed by fate, Romeo and Juliet, Shakespeare’s sonnet describing love, “Sonnet 116”, or O. Henry’s age old The Gift of the Magi, love motivates the characters and authors to make decisions that have a weighty impact on their lives. Throughout these works of literature, authors use love’s power to drive the plot forward to create good events within the characters’ lives. Love is a force for good because it makes people willing to forgive each other, it brings the best out of people in bad situations, and it