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'High noon' movie analysis
Color meaning in cinema
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The 1952 film High Noon, directed by Fred Zinnemann, is a whole new type of progressive western. High Noon explores what it means to be a different kind of hero, not one who fights with just guns and fists, but with heart. The choice to make the film in black and white instead of color is a major indicator High Noon is far from a classic western. In general, Classic Western movies, for example, The Searchers, use bright and bold colors to show how the wild west looked. In this film however, we get dark black colors that help convey to the audience that we are in a darker world. As mentioned above, color is a vital part of the western genre. Color is used to let the audience know who is a “good” and “bad” person. In contrast though, this
Throughout our lives, it seems when we have no one else to help us, our most challenging problems occur leaving ourselves to use our wit and emotion to persevere. People can have test or a big game where we have teachers and coaches to help us prepare and succeed. However, in the movie, High Noon, a Marshall named Will Kane is faced with a challenge of an arriving Frank Miller looking to kill. In the short story, "The Most Dangerous Game", a hunger named Rainsford is deserted on a island after he fell off his yacht, and he would soon find out a sociopath with the unique taste for hunting down humans was out for him. With the two characters in these suspense-building products somewhat trapped we can take out many lessons and ideas from the action packed movie and short story. The movie, High Noon, and the short story, "The Most Dangerous Game, are alike and at the same time very different.
The characteristics, features and conventions of Stagecoach (John Ford, 1939) allow this film to fit directly under the title of Classical Hollywood cinema. The film uses a few main characters that the audience members get to know well and create their own feelings for. In Stagecoach, there are nine main characters that the audience gets to know well, Dallas, Ringo Kid, Buck, Hatfield, Doc Boone, Lucy Mallory, Curley, Gatewood and the lieutenant. These characters are consistent throughout the story and the audience members begin to understand them as the story develops.
L. Frank Baum achieved a fairy tale classic in his work of The Wizard of Oz. In the story, colors are used repeatedly to directly or indirectly give feeling and meaning to the setting.Color is a crucial imagery factor in a piece of writing. It lets a reader connect and use their imagination to make the words come alive in their heads. Baum specifically uses the colors; gray, yellow, and green. The novel is filled with many mood changes using these colors.
After viewing the film Citizen Kane, it is clear the director, Orson Welles, created a picture unlike any other during this era on its release in 1941. The film is about the dying last words of Charles Foster Kane, a man who rose to fame from nothing. A journalist is on a mission to find what these words mean, and through stories from main characters, the audience is taken on Kane’s journey. Whether it’s the use of shadows and lighting, camera angles, or sound, Welles creates a picture comparable to noir films from this era. One of the noticeable similarities when comparing Citizen Kane to other films during this era is the use of shadows and lighting.
A more modern outlook on the film recognizes the film's flaws but gives it, it’s credit as the last fully realized work of one of the most important directors in American cinema history. Ford understood that an audience's recollections of older, less complex Westerns would add a layer of expressiveness to the viewing experience. The black-and-white structure helps him achieve this. Ford’s decision to shoot the film in black and white in 1962 produced a dark, anachronistic look, while the unconcealed soundstage effects of the film’s opening scene reinforced Ford’s vision of a wilderness, interiored Western frontier. Just as Ford intended, many of the flashback scenes are masked in darkness, whereas the frame tale is immersed in light. This con...
It's the first thing people notice, so it has to be done logically to persuade the audience to feel a certain way. In the trailer for Leatherface, color is used to generate a feeling of suspense by shifting back and forth between a warmer, daylight tone to a darker, blue tone. In the beginning of the trailer, a couple is driving in a car laughing and having fun as seen in figure 1. There is a warmer tone created by the use of natural daylight to make the audience feel how the couple is feeling. Following the playful feeling created by the first scene, the color shifts when the protagonist and her child are introduced. The scene, shown in figure 2, is dimly lit by candles with no other light. Switching to darker lighting hints to the audience that the characters involved in the scene could be related to or are the problem presented in the movie. Going back to the natural daylight, figure 3 demonstrates the next shift in color when the sheriff is talking to the protagonist about her children. In this scene, the daylight is used to highlight and create shadows on
Color is a powerful tool in film making. What once was only black and white is now a full spectrum of vibrancy. But monochromatism is still an integral artistic choice in film. Blacks and whites in movies and television tend to represent the dark nature of scenes: death, evil, sadness, the macabre. Deep blacks, rich grays, and harsh whites tend to illustrate the Gothic influence of the piece as well as its tone. Adam Barkman, a writer famous for his analysis of films, explains the impact of color in film in his book A Critical Companion to Tim Burton “When we see a particular color, we immediately attach a particular set of meanings to it that is triggered by either our instincts or our memories” (Barkman
Why are colours important when trying to symbolize what is taking place in the mind of the setting and the characters of literature? Tennessee Williams have once said “ Symbols are nothing but the natural of drama the purest languages of play.” Tennessee William has exactly used symbolism and colour quite effectively in his play A Streetcar Named Desire. An impressive story about fading southern belle Blanche Dubois and her failure into insanity. A Streetcar Named Desire consists many symbolism and knowledgeable use of colour. This helps the audience to connect scenes and events to the themes and issues that Williams presents within the play, just as desire and death, and the conflict between the past and present of America. The significance of colours is a central theme in Tennessee Williams’ A Streetcar Named Desire; the author uses colours to reflect states of mind, make further commentary on particular characters, and what sorts of things specific colours represent.
Much contention and controversy have historically surrounded the idea that Fred Zinnemann’s High Noon (1952) is the single film that brought an end to what is commonly referred to as the “classical Western." Through a single crucial scene, one important character invokes the ancient advice lent by Aristotle in his seminal work, On Rhetoric, to persuade a town to turn on its hero and change the face of Western's forever. By adhering to the ancient philosopher's notion of ethos, pathos, and logos, the film effectively reworks a traditional Western opposition that had been at the core of the genre's classical narrative structure from its inception.
All of us can agree that the only Western shootouts that we have ever seen were on the big screen in a Hollywood movie. The very first real Western shootout might just have been between Wild Bill Hickok and Dave Tutt. Hickok shot Tutt dead in Springfield, Missouri right in the market square. No matter what Hollywood movies tell us a real classic western showdown or walkdown occurred only rarely in the American West. Most of the time men were shooting each other in hot heated arguments or drunken brawls.
The cinematography enforced the mood, drama, and plot. The use of color in the film was telltale of the mood. The colors were drab, lifeless, mellow colors. These colors were telltale signs of the setting and mood of the play. The setting was in a sorrowful, dirty, suffering country; the mood was sorrowful and suffering as well.
In L. Frank Baum's Fantasy book " The Wonderful Wizard Of Oz", The author uses colors as a role in the play to describe the mood. Throughout the book, L. Frank Baum uses color to symbolize many different scenes in the story. Baum uses the colors grey, blue and white to symbolize misery, peace and purity.
One motif which is shown frequently is the use of colors to display affiliation with good or evil. Throughout the movies, red is
In watching Star Wars IV, the film display element from several genre’s that I recall which include Film Noir, Western, Science Fiction, Action and possibly others. In this essay I’m going to discuss Film Noir and Western. When we think about Film Noir, which I feel was resembled frequently in terms of the lighting aspect and characters. The lighting in this film did have some color but it was lower keyed during some scenes and dark at times. While the movie was not in black and white, it did seem to have some low angled and many wide angle lens shots. It also has an essence of the character traits that we frequently see in the Film Noir movies. We had the heroes and villains who in this case were Han Solo and Luke Skywalker. Our villains
Narrator: The importance of color usage in film is a crucial aspect of the movie in its whole.