Public nature is information that anyone may have access to through people and any media. This can be disastrous because one people can get their hands on the information, if becomes impure and can become artificial. This is shown through the play, "Much Ado about Nothing," public nature is common. The plot revolves around a group of people and information that becomes public which continuously gets in the way of their lives. While this a major part of the play, another theme Shakespeare seems to talk about throughout the play is the idea of private love. Private love is spoken about within the conversations between two main characters, Benedick and Beatrice. Prove love seems to be a form of protection for both characters. It saves them from …show more content…
Within their conversations, each person seems to disguise their love for each other through insults and comebacks. This seems to be the only way in which they communicate to each other. On Page 374, Benedick rambles on to Don Pedro about what gossip he found out about himself from Beatrice. He seems to go on and on about Beatrice and her words, claiming he did not want to talk about her, yet he is the one mentioning her the conversation. His insults are used to imply the idea about how he was hurt by the words of his lover. He becomes defensive and upset. The fact that he talks about Beatrice like she was the center of attention suggests his feelings for her and the amount of passion he has towards her. These insults are a way for each lover to protect themselves in a way, their love for each other remains private and not public nature. Since it is not information everyone can get, it remains to themselves and pure, untouched by others. Shakespeare uses messages like this within the play to express his thoughts on the importance of private love. Benedick and Beatrice are prime characters that share a private love without it becoming public nature. Their form of protection plays out in the end of the play where the characters finally declare their love for each other. The fact it was kept secretive kept their relationship together and not public …show more content…
The intimacy is lost and the love seems forced. This can be seen as something good and bad because in the play, it described the scenario between Beatrice and Benedick finally admitting their love to one another. This is shown on Page 388, through their banter. As they announce their love to each other, the way in which they twist each other’s words and test each other’s love can suggest that since it is now public nature, it is no longer pure. When Beatrice asks Benedick to kill Claudio, this can suggests how their love is now impure, because she seems to be using love to get something she wants. As it is now public knowledge, Beatrice seems to use it to her advantage by taking advantage of Benedick in a vulnerable state. He loses his sense of protection by initially letting his guard down. His love for Beatrice was no longer a secret and it seems to be used against him. During the exchange both sides were obviously not forced to admit their love, however, the love was not pure. It was tampered with in which Beatrice used her love for Benedick to get something she wants. This suggests how the love is impure and may not have been announced with good intentions. Benedick could not tell whether or not she had the right intention when telling him because his guard was left down because of his lover’s words. Public nature can become disastrous in a way where once a person loses
The characters, Beatrice and Benedick have a very complicated relationship. They are always exchanging words and calling each other names. They call each other names from the very beginning of the play to the very end. In act 1, Benedick says “ If Signior Leonato be her father, she would not have his head on her shoulders for all of Messina, as like him as she is ” (1.1.111-113). Beatrice follows by saying, “ I wonder that you will be talking, Signior Benedick, nobody marks you ” (1.1.114-115). These quotes show that they have always had a complicated relationship because they insult each other without them expecting it.
The 3 deliberately have a conversation about Beatrice love and affection for Benedick, causing him to question whether or not what is being said is true or not. As Leonato starts to speak, he says… By my troth, my lord, I cannot tell him what to think of it, but that she loves him with enraged affection, it is past the infinite of thought. (3.4.107-110). Typically saying Beatrice love for him is by far more than any man can comprehend by far even withstand having knowledge of. By this time Benedick seems to question whether or not this is credible, but hearing it from Leonato he thinks it has to be true because he has never spoken any words other than the
Benedick and Beatrice both benefit from the deceit that they encounter. At first, both are enemies in a battle of insults and wit, until they are each fooled into thinking that the other loves them. When Benedick hears that Beatrice is supposedly attracted to him, he thinks that it is “a gull, but that the white-bearded fellow speaks it: knavery cannot, sure, hide itself in such reverence” (111). Little does he know, Leonato, the "white-bearded fellow," is also in on the joke (111). Benedick starts to admire her when he is aware that Beatrice might actually be attracted to himself, as well. She is also astonished when she first hears that he loves her. However, when Beatrice comes to terms with their affection, she hopes "Benedick [will] love on... And [she] Believe it better than reportingly" (134). In other words, she falls in love with Benedick as soon as she believes that he, too, is fond of her. They each start to fall in love with one another under the pretense that other was hiding their affection from them. Now that they are both in love, they start to open up to each other and prove that the deception they endured was worth it in the end.
Benedick’s attitude towards love is that he does not love anyone and that it is a stupid idea to fall in love with someone. Then he further explains himself in, “Then is courtesy a turncoat. But it is certain I am loved of all ladies, only you excepted; and I would I could find in my heart that I had not a hard heart, for truly I love none” (Act 1, scene 1, lines 122-125). In this quote Benedick says that the woman’s courtesy is a traitor and that all ladies love him, except for Beatrice. He also states that it is too bad that he is so hard-hearted, because he really doesn’t love anyone. Beatrice’s attitude towards love is that she does not want to be married to a man that swears to love her, because she finds that very stupid. She then further explains herself by stating in, “A dear happiness to women. They would else have been troubled with a pernicious suitor. I thank god and my cold blood I am of your humor for that. I had rather hear my dog bark at a crow than a man swear he loves me” (Act 1, scene 1, lines 126-130). In this quote Beatrice is saying that Benedick would make a nasty suitor for women and that they both feel the same way about love. She also states that she would rather hear her dog bark at a crow than hear a man say that he loves her. And I find their courtship more appealing
Throughout Act one and two, Benedick repeatedly says that he will never love a woman or get married. At some stage in the duration of the play his mindset changes. In the end he is head over heels in love for Beatrice whom he once quarreled with habitually. The turnabout in his behavior was brought about by the deceiving Claudio and Pedro who indirectly told Benedick that Beatrice loved him.
Beatrice and Benedick show their apparent distaste for each other right from the first scene. Beatrice mocks Benedick to the Governor of Messina, claiming that she always beats him in a battle of wits and the last time they crossed paths Benedict’s “five wits went halting off, and now is the whole man governed by one” (1,1,50). Clearly relishing resuming their ‘merry war’, Beatrice cuts Benedick down at the first opportunity, telling him “I wonder that you still will be talking, Signor Benedick, nobody marks you” (1,1,105). Incredulously, Benedick retorts, “what my dear lady distain! Are you yet living?” (1,1,95). So, the dynamic of the two is set and it goes on from there in the same vein. Yet, the reader, even at this early stage may ponder if the lady doth protest too much.
` Benedick and Beatrice hated each other at first. In the beginning of the play Beatrice makes a statement of “...will happily go to hell with Benedick.” This proves that Beatrice does not like Benedick, more hate. There is clearly tight tension in between them, and some background hatred as well. At the beginning of the play, Benedick and Beatrice had a hateful relationship.
This can be seen during his conversation with Beatrice, after every one hears of Hero’s “infidelity”. In this scene, when Don John and Claudio were leaving, Benedick doesn’t follow them. Instead, he sticks around with Beatrice. His action in this scene is highly critical, as it shows that he considers his love for Beatrice more important than his Allegiance to his brothers, Don John and Claudio. This action is something Benedick from the beginning would never think of doing. While in the beginning, Benedick’s allegiance remained rooted to his brothers, it has now pledged allegiance to his lover, Beatrice. In this scene, Benedick is seen to have grown as a person. Instead of losing complete trust due to un-proven rumours like Don Pedro and Claudio, he is able to take in the situation more substantially. He further proves himself during his conversation with Beatrice. By telling Benedick to “Kill Claudio” (Shakespeare 4.1.288), “Beatrice asks for her newly-professed lover the utmost favor: to place his love for her above that of his long-established friendship with Claudio. The command shows that Beatrice and Benedick are now more serious than they were. Rather than jest about serious problems as they did at the play’s beginning, they are now engaged with them” (Smith 182). Although a bit reluctant in the beginning, Benedick decides to follow his lover’s orders, and challenges Claudio to a duel. From this point on, all of Benedick belongs to Beatrice, for “Love is his compass” (Horowitz 50). To Benedick, “Love is immediately the basis for decision over life itself…. [and] Benedick’s love for Beatrice must determine his [decisions]” (Horowitz 49). The fact that Benedick decided to challenge his long-time friend Claudio further proves how much he has changed as a person. To Benedick, Beatrice has now become more important than his fellow
talking about how each of them is interested in the other, this sort of thing. of plays as social pressure, a pressure used to make two people fall. in love with the.. During the play Benedick is continuously talking about Beatrice’s age. and why she is not yet married.
The audience would learn that Beatrice is very abrupt and shrewd as Beatrice sees herself as better than Benedick when it comes to their wit and confidence, so that he has wit enough to keep himself.... ... middle of paper ... ... possessed with a fury this shows to the audience that Benedick would consider Beatrice as a wife but it shows her offensive nature.
In the beginning of the play Benedick is just another soldier with Claudio but is also known for arguing with Beatrice. He is constantly getting in to arguments with her and at the masquerade Ball she pretends to be somebody else to try to interrogate her. When he first arrives in Messina he says “Look, it’s my dear lady distain.” This quote represents the relationship in between Benedick and Beatrice. The relationship they have is one of hatred and anger. However when Benedick is in the Orchid and over hears Claudio and the others he falls in love with Beatrice. When he falls in love with Beatrice he wants to pronounce his love to her himself. AS soon as he sees Beatrice after he was tricked into loving her he started being nice to her and didn’t make fun of her. Benedick also says “Lovely Beatrice, I thank you for taking the pains to tell me that” This highlights his change of heart towards Beatrice and that he is willing to love her. This shows how Benedick was manipulated to love Beatrice by Claudio, Don Pedro and Leonato. Afterward When Claudio shammed Hero in front of everybody and left Benedick wants to help Beatrice clear Hero’s name. Benedick doesn’t believe that Hero cheated Claudio and wants to fix the situation. Also he convinces Leonato of the friar’s plan to clear Hero’s name by faking her death. Benedick even says that “I really
However, at the end of the play, Benedick submits to Beatrice at the end of their confessions. The change in his ways his shown in the quote ‘Enough, I am engaged; I will challenge him. I will kiss your hand, and so leave you. By this hand, Claudio shall render me a dear account. As you hear of me, so think of me. Go comfort your cousin’. Before realising that he was in love with Beatrice, he was very argumentative with Beatrice, and wouldn’t listen to her. This quote shows that Benedick is so in love with Beatrice that he would do anything for her to be happy, even if it means that he has to kill Claudio, one of Benedick’s good friends; he is giving in to her wishes, and will allow himself to commit crimes for her. When Benedick says ‘Claudio shall render me a dear account’, Benedick is saying that he will make Claudio pay for what he’s done- he is showing a sensitive and sympathetic side to Beatrice. The phrase ‘Go comfort your cousin’ has an underlying message; Benedick is telling Beatrice to not worry and that he will take care of it, making a change from the arrogant, rowdy man at the beginning of the play.
Beatrice and Benedick seem to have had some relationship before the beginning of the book that ended badly. This suggests that the initial situation between Beatrice and Benedick was one of mutual attraction, not of the overt hate they seem to flaunt at the beginning of the play. Scorn of this magnitude is rare among people who dislike each other from the start, and seems very unlikely in a broken up couple. In addition, both Beatrice and Benedick turned out to be very willing to abandon their smear campaigns as soon as they are convinced the other is aching for them. It is ridiculous that one would abandon one's own principals to bail out a hated enemy in trouble. This makes clear that their attitude toward each other is an act. If this is so, what is the purpose of the act...
Both of them despise marriage, are witty, and are each their own people. These, however, are not the reasons why they come together. They are brought together by their respective companions who conspire to tell each of them that the one loves the other as the two misdirected lovers listen in. In his speech directly after this, Benedick is swayed to a life that he previously would have avoided at all costs. In hearing of Beatrice’s supposed affection, he immediately changes his entire outlook on perpetual bachelorhood and pronounces a love that is not real or his own, but comes secondhand from trickery.
...he other hand, Beatrice and Benedick are comedy-makers and Beatrice is not ruled by her father as Hero clearly is. It does take Don Pedro’s benevolent plot to bring Benedick and Beatrice together, however. A modern audience would prefer Beatrice to Hero as she is her own self and admirable. The relationships also differ because Benedick and Beatrice’s relationship slowly grew whereas Claudio and Hero’s relationship was love at first sight. Perhaps it was a little hasty as we see in Act 4 how their love turns sour.