In this course, literature is read closely with the purpose of comprehending the scope and nature of gender and how various characters deal with the effects of gendering. Many of the characters in our readings undergo emotional, social, psychological, and intellectual effects of gendering. Race, class, culture, and sexuality also play a role in molding the ramifications of gendering. In Helen Hunt Jackson 's "Prince 's Little Sweetheart" and Susan Glaspell 's "A Jury of Her Peers", both short stories depicted clear examples of gendering. The theme of marriage that pervades in both stories helps advance our understanding of gendering by revealing that a woman did not always, or possibly even often, live happily ever after. Both authors depict
However, social stratification between the rich and the poor still persisted. Typically, marriage was the quickest way for women to pursue social ambition. A woman, such as the Sweetheart, believed that she would share in a man 's fortunes through her marriage, since she herself was not entitled to any. In fact, this manner of thought can be applied to all of the sweethearts. In “A Jury of Her Peers,” men and women occupy clearly gendered roles. The story portrays the differing opportunities available to men and women both in terms of labor and in society as a whole. Minnie Wright and Martha Hale are continuously defined as housekeepers. The responsibilities of caring for a house, and a kitchen in particular, are linked only to women. Social expectations hinder women’s ability to choose their own interests, or to exist as separate beings from their husbands. Ergo, their world is run by
Jackson makes a point of romanticizing the courtship and wedding day of the sweetheart. The Princes devotion is the most romantic facet of the tale: “the Prince never left her for more than a few minutes”. The dreamlikeness of the atmosphere is emphasized: “the Princes Little Sweetheart was so flustered [when she was waited on by the attendants] she did not know if she were really alive and on the earth, or had been transported to some fairy land”. the gorgeous ball in which she was “floating”, plenty of gifts, gardens, “some new beautiful thing to see” (295) or do. Before falling asleep, the Princes Little Sweetheart said/ “ I shall never go to sleep in the world, and l 'm sure l don 't want to! l shall just keep my eyes open all night, and see what happens next ” (296). Her words suggest that the“Cinderella” story cannot be true but a
In A Jury of Peers by Susan Glaspell, the story revolves around the sudden death of John Wright. There are five characters that participate in the investigation of this tragedy. Their job is to find a clue to the motive that will link Mrs. Wright, the primary suspect, to the murder. Ironically, the ladies, whose duties did not include solving the mystery, were the ones who found the clue to the motive. Even more ironic, Mrs. Hale, whose presence is solely in favor of keeping the sheriff s wife company, could be contributed the most to her secret discovery. In this short story, Mrs. Hale s character plays a significant role to Mrs. Wright s nemesis in that she has slight feelings of accountability and also her discovery of the clue to the motive.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
The central theme in “A Jury of Her Peers” is the place of women in society and especially the isolation this results in. We see this through the character, Minnie Foster and her isolation from love, happiness, companionship and from society as a whole. Not only does the story describe this isolation but it allows the reader to feel the impact of this isolation and recognize the tragedy of the situation.
...ing and themselves, they see that Mrs. Wright is worth their protection, which has several meanings for the women. They come together with her against the law; they also protect her by not telling her the truth about her ruined preserves. Mrs. Hale regrets not protecting Minnie Wright from isolation and solitude, and she rushes to her defense and protects Minnie Wright earlier by helping her now.
The major idea I want to write about has to do with the way Mrs. Hale stands behind Mrs. Wright even though it seems like everyone else especially (the men) would rather lock her up and throw away the key. We see this right away when she gets on the County Attorney for putting down Mrs. Wright’s house keeping. I find this to be wonderfully symbolic in that most women of this time usually allowed the men to say whatever they wanted about their sex, never standing up for themselves or each other
Women and men are not equal. Never have been, and it is hard to believe that they ever will be. Sexism permeates the lives of women from the day they are born. Women are either trying to fit into the “Act Like a Lady” box, they are actively resisting the same box, or sometimes both. The experience of fitting in the box and resisting the box can be observed in two plays: Lorraine Hansberry’s “A Raisin in the Sun” and Henrick Ibsen’s “A Doll House”. In Hansberry’s play, initially, Beneatha seems uncontrolled and independent, but by the end she is controlled and dependent; whereas, in Ibsen’s play Nora seems controlled and dependent at the beginning of the play, but by the end she is independent and free.
In Susan Glaspell’s “A Jury of Her Peers”, female characters face inequality in a society dominated by the opinions of their husbands. The women struggle to decide where their loyalty rests and the fate of a fellow woman. Aided by memories and their own lifestyles the women realize their ties to a woman held for murder, Minnie Foster Wright. Through a sympathetic connection these women, Mrs. Hale and Mrs. Peters have greater loyalty to a fellow woman than to their husbands and even the law; this greater loyalty ultimately shows the inequality between genders.
Even with the pain of bearing children, raising them, doing household and even farm chores, their efforts have never been truly appreciated. Mrs. Wright was “…real sweet and pretty, but kind of timid—and fluttery…” as Mrs. Hale, her neighbor, describes her (22). This would all soon change after her wedding day. With Mr. Wright’s insipid character and lack of patience of any joyous sound, Mrs. Wright’s spirit dwindled to nothing. It seems she spent hours at a time focusing on her quilts, preserves, and caring for the only life there was in the house, her canary. Even when Mr. Hale offered to get a party telephone, Mr. Wright responded, “…folks talk too much anyway…”(5). This silence he preferred also applied to his spouse. There were no hugs given out much less a smile. He failed to give her even the most minimal sing of appreciation much less the emotional warmth she hungered for.
In 1917 when "A Jury Of Her Peers" was written, women were the homemakers. Although Mrs. Peters and Mrs. Hale fit the domest...
Men always have the tendency to judge too quickly. In “A Jury of Her Peers”, by Susan Glaspell, Mrs. Hale, Mrs. Peters, and Minnie Foster and Mr. Henderson are attempting to look for the motive of Minnie killing her husband. The story starts by Mr. Peters informing the group, except for Minnie, while she waits in jail, that when he stopped by the day before to give Mr. Wright a telephone because the couple lived really removed from the rest of the town, he asked Minnie where Mr. Wright was and she calmly answered that he had been hung the night before. Then, the men head upstairs to look at the crime scene, while the women sit around the kitchen to talk. Accidentally, the women figure out the motive of the murder by talking about kitchen supplies, “trifles” as the men call it. They decided not to inform the men to keep Minnie from being convicted because her husband was equally guilty as her. In the short story, “A Jury of Her Peers”, Glaspell employs strong details and details devices to argue that the purpose of the story is how Glaspell portrays men, that a person must not be judged based on off of the external appearance and that the little details in life always are important.
Suggested roles of all types set the stage for how human beings perceive their life should be. Gender roles are one of the most dangerous roles that society faces today. With all of the controversy applied to male vs. female dominance in households, and in the workplace, there seems to be an argument either way. In the essay, “Men as Success Objects”, the author Warren Farrell explains this threat of society as a whole. Farrell explains the difference of men and women growing up and how they believe their role in society to be. He justifies that it doesn’t just appear in marriage, but in the earliest stages of life. Similarly, in the essay “Roles of Sexes”, real life applications are explored in two different novels. The synthesis between these two essays proves how prevalent roles are in even the smallest part of a concept and how it is relatively an inevitable subject.
As the poem begins, Sexton starts with how the Prince and Cinderella are living happily ever after, but compromising the original naïve direction, she gives the poem a modern context bringing the reader back to reality. While it is obvious to the audience the discrepancies in Sexton’s version, it brings out many jealousies many of us struggle with, such as wealth and everlasting happiness. Sexton makes her audience notice early on many of the pre-conceived notions and expectations we bring to fairy tales. Sexton knows that real life gives no reason to be perceived as happiness, because why learn something that will never amount to use in reality? This tale is Sexton’s answer to her audiences of the “happ...
The difference between men and women is a very controversial issue, while there are obviously physical differences; the problem is how the genders are treated. It is stereotypically thought that the men do the labor work and make all the money, while the women stay in the house, cooking, cleaning and taking care of the children. While this stereotype does not exist as much in the 21st century, it was very prevalent in the 1900s. By using many different literary tools such as character development, symbolism, and setting, Alice Munro’s Boys and Girls and John Steinbeck’s The Chrysanthemums challenge this controversial topic of the treatment of women versus men in the 1900s.
Women are thought to be submissive and weak, yet these qualities are attributed to the male love-interest, while the female lead takes on a more traditionally masculine role. Kate’s masculine expectations in terms of beauty and position of power in her courtship with Marlow is indicative of a greater cultural shift in female liberty within their marriages and the archaism of the severe marriage constraints portrayed by the poets Anne Finch and Lady Montagu.
Katherine Mansfield belongs to a group of female authors that have used their financial resources and social standing to critique the patriarchal status quo. Like Virginia Woolf, Mansfield was socioeconomically privileged enough to write influential texts that have been deemed as ‘proto-feminist’ before the initial feminist movements. The progressive era in which Mansfield writes proves to be especially problematic because, “[w]hile the Modernist tradition typically undermined middle-class values, women … did not have the recognized rights necessary to fully embrace the liberation from the[se] values” (Martin 69). Her short stories emphasized particular facets of female oppression, ranging from gendered social inequality to economic classism, and it is apparent that “[p]oor or rich, single or married, Mansfield’s women characters are all victims of their society” (Aihong 101). Mansfield’s short stories, “The Garden Party” and “Miss Brill”, represent the feminist struggle to identify traditional patriarchy as an inherent caste system in modernity. This notion is exemplified through the social bonds women create, the naïve innocence associated with the upper classes, and the purposeful dehumanization of women through oppressive patriarchal methods. By examining the female characters in “The Garden Party” and “Miss Brill”, it is evident that their relationships with other characters and themselves notify the reader of their encultured classist preconceptions, which is beneficial to analyze before discussing the sources of oppression.