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Character analysis of Jane Austen's pride and prejudice
The character analysis of pride and prejudice
Jane Austen's style of writing
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This passage is an account of a conversation that goes on largely between Mrs Bennet and Mr Bingley, yet at the same time, it manages to reveal aspects of the other characters in the way that they react to this situation. In accomplishing this, the passage is a showcase for many [vague] of the narrative techniques that Austen has employed consistently throughout the course of the novel.
In this extract, like many other passages, characters that go off on tangents and have long monologues to bored audiences hardly have anything worth saying, and it is the short, sharp, personal introspections of other characters that truly provide accurate assessments of situations and people. As in this excerpt, the more Mrs Bennet talks, the more she reveals herself to be shallow and ignorant, as when she goes off into a long discourse about Lydia leaving her (which Mr Bingley does not particularly care about), finally trying to end with a pointed remark towards Mr Darcy "he has some friends, though, perhaps, not so many as he deserves", leaving the reader to cringe [irony] with the stupidity and ignorance that she seems so eager to flaunt.
In fact, this is repeated throughout the entire novel, such that characters like Mrs Bennet, Lydia, and Mr Collins allow themselves to indulge in long, rambling monologues that no one is particularly interested in listening to, revealing themselves to be flat and superficial characters. Significantly, the characters that are developed, and have moral fibre, whilst thinking a lot and having a lot of reflection, largely permit themselves to indulge in over verbosity in conversation, as Elizabeth shows in this extract, making observations on her mother's behaviour ("such unnecessary, such officious attention!") and her own state of mind, yet she never actually voices out her thoughts to those present. This reticence is also reflected in Mr Darcy, who is similarly disinclined towards exposing his views. This provides a stark and glaring contrast between the various characters, and it is Austen's way of reminding us gently throughout the novel that the one who expounds the most may not necessarily be the most knowledgeable.
Austen allows characters such as Elizabeth, that are normally calm and rational, to indulge in exaggeration and melodramatics, before revealing a comic let down, an anti-climax of sorts. In this extract, Elizabeth works herself up into a frenzy, passionately decrying how that "their (Mr Darcy and Mr Bingley) society can afford no pleasure, that will atone for such wretchedness as this!" She then goes on to resolutely wish that she will "never see either one or the other again!".
Why does Jane Austen have so many static characters? Well there may well be many answers but the ones that stand out include; characters in the text altering to add a twist to the book to make things more attention-grabbing and because back in the early 18th century men and women were supposed to act in a certain way, and if they acted differently they would be thought of as anomalous and people would think of them as different but not always in a good way. Darcy does not actually feel the need to change until Elizabeth turns him down and tells him that he’s not that grand and that he’s stuck-up. Mr. Darcy changes from disagreeable to agreeable after he asks Elizabeth to marry him but she declines because of his bad nature and atrocious manners towards her. Mr. Darcy is the most changed character throughout the novel because at the start of the book he is considered proud and arrogant by the people of Meryton at the ball but by the end of the novel he is considered passionate, pleasant and very well mannered.
Mr. Darcy was such an honest man, at many times, such as his openly admitting to his weakness of pride. As he returned to his good friend Mr. Bingley he was sorrowful and after his attempt to protect friends realised he only made a mistake. He told Ms. Bennet about a prior conversation with Mr. Bingley, “I told him, moreover, that I believe myself mistaken in supposing, as I had done, that your sister was indifferent to him.” He, trying to be the honest person he was admitted his faults openly and fixed everything. Never did he hold his actions as good or better, what he did was for him alone to know. His protecting of Lydia Bennet, a young sister of Elizabeth Bennet, was only mentioned by Mrs. Gardiner. When Ms. Bennet heard of the news she did nothing but tremble in tears at his caring nature. Mr. Darcy was to humble to boast about him giving 10000 to protect their family name or to openly admit to Mr. Wickham’s bad doing just to raise himself
Bennet is a very cynical and sardonic character. He always has something sarcastic to say. After Elizabeth had refused Mr. Collins proposal, Mr. Bennet said. “An unhappy alternative is before you, Elizabeth. From this day you must be a stranger to one of your parents—Your mother will never see you again if you do not marry Mr. Collins, and I will never see you again if you do.” (Austen, 105). Mr. Bennet is being sarcastic by mocking the ridiculous way Mrs. Bennet was acting. Another example of when Mr. Bennet was being sarcastic was after Mr. Bingley and Jane had be separated. Mr. Bennet said to Elizabeth, “Your sister is crossed in love, I find. I congratulate her. Next to being married, a girl likes to be crossed a little in love now and then.” (Austen, 129). This is sarcastic because Mr. Bennet is making fun of the fact that the guy Jane planned to marry had left her. He is also saying that girls like drama in their love lives so they have something to talk about.
The first description of Elizabeth's state upon perusing Fitzwilliam Darcy's revelatory missive is characteristic of Austen when relating heavy emotion: she doesn't. "Her feelings as she read were scarcely to be defined," she tells us (Austen 233). Of course, all this negation of representational skills is purely for dramatic effect, and Miss Austen goes on to provide a full account of every aspect of Elizabeth's emotional upheaval per her reading of the letter, but not, however, without using the device again in the second paragraph, in treating the subject of the truth about Mr. Wickham. Elizabeth's feelings are conveyed as having been "...yet more acutely painful and more difficult of definition." Said difficulty is indeed short lived, as the next sentence reads, "Astonishment, apprehension, and even horror, oppressed her" (Austen 233).
When a bachelor from London comes to Longbourn, the Bennet sisters get excited to get to meet him at the ball. At the ball he is taken by Jane Bennet, the eldest of the five sisters. Mr.Darcy is Mr.Bingley’s friend and he isn’t taken by anyone, which makes everyone think of him as arrogant. But in a course of time he finds himself attracted to Elizabeth Bennet, the second eldest of the sister, because of her charm and intelligence. Jane’s and Mr.Bingley’s relationship continued and on her way to visit him she gets sick and Elizabeth walks all the way to the Bingley’s house to take care of her sister.
Mr. Darcy is very proud and vain man. Darcy’s pride occurs because his family allows him to follow his principles “in pride and conceit” (Austen 310). Elizabeth decides soon after meeting him that he is a despicable man, much too abrupt and overweening, and obsequious to be liked by anyone, and lacking even the most basic social skills of the time he is very laconic with everyone
This passage is significant because it defines the depth of the relationship between Darcy and Bingley. In simple terms, the two are very good friends despite having quite opposite characteristics. Conveniently, Darcy enjoys Bingley’s easygoing nature, while Bingley appreciates Darcy’s reliability. The second half of the passage goes on to explains their differing qualities. However, when reading between the lines, or more specifically, when considering Austen’s word choice, queer connotations of Darcy and Bingley’s friendship are more visible.
Elizabeth first displays her sense of humor in her reaction to her overhearing Darcy saying, “‘She is tolerable; but not handsome enough to tempt me’” (8). Elizabeth responds in retelling the story “with great spirit among her friends; for she had a lively, playful disposition, which delighted in anything ridiculous” (9). Elizabeth’s sense of humor goes as far as to be willing to laugh at both herself and her family, unless the joke about her family is made by someone besides herself. Elizabeth finds the behavior of many members of her family and their peers to be quite ludicrous. Upon many occasions in Austen’s book, Elizabeth pokes fun at someone, and the object of Elizabeth’s joke rarely even notices because he or she is so utterly oblivious. In “Chapter 6” when Sir William encourages Lizzie to dance with Darcy at the Lucas’ party, Sir William flatters Lizzie and implies that Darcy would be honored to share a dance with her. Lizzie responds to the proposition: “Mr. Darcy is all politeness” (21). She says this smiling, clearly referring to the last ball where she overheard Mr. Darcy insult her (8). Lizzie’s piercing humor here is overlooked by both Sir William and Mr. Darcy. In Elizabeth’s first dinner with Lady Catherine at Rosings, Lady Catherine inquired relentlessly on the subject of Elizabeth’s upbringing, and Elizabeth made no
The reader is first acquainted with Mr. Darcy's arrogance at the Meryton Ball. Speaking of Elizabeth Bennet, he so snobbishly says that she was, " tolerable, but not handsome enough to tempt me" (Austen 9). His feelings of superiority to the people of the town lend Mr. Darcy to be judged as a man with a repulsive and cruel personality. The women, who had found him dashingly attractive at first glance, deemed him a man unworthy of marriage because he offered no positive qualities other than wealth. Not only did Darcy refuse to dance with Elizabeth, but he makes it clear that no woman in the room was worthy or met his standards of a suitable partner stating that, " there is not another woman in this room, whom it would not be a punishment to me to stand up with" (Austen 8). In the beginning of the novel, Mr. Darcy is only concerned with the wealth and social standing of the people in the town. Because of their lesser social rank, he feels they are un-deserving of his presence and refuses to communicate with them. As the novel progressed, however, Darcy became more and more accepting of the Bennet family. Growing most fond of Elizabeth Bennet, the straightforward, clever daughter, he finally breaks and confesses his true feelings of love for her. "In vain...
While this is going on, Mr. Darcy realizes he has feelings for Elizabeth and proposes to her, this is the climax of the novel. She is astonished by his actions, and turns him flat. She explains that she feels he is arrogant, and feels he stood in the way of Jane and Mr. Bingley marrying, and also feels he is a cruel man, especially in his treating of Mr. Wickham, she is expressing her prejudice towards him. He leaves and they part very angry with each other. Mr. Darcy then writes Elizabeth a letter, explaining his feelings, defending his actions, and revealing the true nature of Mr. Wickham.
In Pride and Prejudice, Elizabeth Bennet and Mr. Darcy both go through dramatic changes in their attitude towards each other. Darcy is devoted to Elizabeth, but denies it because of her family and her lower status. Elizabeth believes Darcy to be arrogant and interfering. Through conversations these characters have, their true regard for each other is discovered. Austen effectively uses dialogue to develop the change in the principal characters’ moral temperament, and also to advance significant concerns in the novel such as marriage and wealth-based status.
The characters, in Jane Austen's Pride and Prejudice, come to life through dialogue. Some characters have an inability to stop talking, while others remain quite and save their words for times when they need to convey their feelings. The dialogue in Pride and Prejudice is unlike that of Shakespeare's play where characters have lengthy monologues, the dialogue is more conversational, very witty and clever. Rarely is there a character embarking on a extensive speech, and there are not any chapters solely devoted to describing each and every physical characteristic of each person. Jane Austen uses dialogue to portray the personality of her characters, to allow the reader to see the underlying feelings and meanings behind the characters words.
While the other characters have on glasses that can only see Bingley's social standing rather than character, Lizzy, on the other hand, acts for herself first and society second during this exchange. Elizabeth's tone shifts from suspicious to relaxed when she interacts with Darcy. Elizabeth converses pleasantly and has satisfying banter with him. Importantly contrasting with how brusque she responds to Bingley. Instead of disrespecting Darcy, she raises her own ideas to his point that “the country [can] supply but few subjects for [the study of character]” and insightfully replies “People themselves alter so much much, that there , is something new to be observed.”
...she is so fickle and shallow. Instead of feeling sorry, the reader almost feels glad that her constant stream of meaningless and some times embarrassing phrases is checked by her husband's witty remarks and one-liners" (Trevor 354). A similar situation is created with Mr. Collins, whom Mr. Bennet is unashamedly amused by during his first call to Longbourn despite the seriousness that the visit carries. Mr. Bennet is glad that "his cousin was as absurd as he hoped" (Austen 60), and "the audience delights with him through that whole scene as he cleverly sets up Collins to make a complete fool out of himself" (Watt 299). It is a cruel endeavor, and yet still the reader stay's on Mr. Bennet's side readily partaking in his little sin.
When Elizabeth is face to face with Darcy, she must engage him in conversation, but when she examines the portrait, she does not have to speak: she can look at the painting for “several moments…in earnest contemplation” and even “return to it again” before leaving (162). Socially, great importance is placed on witty dialogue and polite conversation. At the first ball, the newly arrived Mr. Darcy is criticized for his reserve; rather than extend himself to form new acquaintances, he speaks only “occasionally to [a lady] of his own party” (8). Yet by refraining from conventional conversation, Mr. Darcy is able to form sound opinions. When he “wish[es] to know more of [Elizabeth]” he first “attend[s] to her conversations with others” before directly engaging her in dialogue (17). He even advises Elizabeth to take her time in getting to know him, urging “I could wish, Miss Bennet, that you were not to sketch my character at the present moment…the performance would reflect no credit on either.