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Film analysis about pretty women
Sexism in films
Film and gender roles
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The romantic comic drama film Pretty Woman began on Hollywood Boulevard and progressed to Beverly Hills which transitioned from the impoverished areas to the richer area in Los Angles California during the 1990s. The film stars Richard Gere, who played Edward Lewis and Julia Roberts, who played Vivian ward. In this film, Vivian is a Los Angeles prostitute battling with her way of life associated with sexuality and poverty and needing money to pay the rent. Edward is a rich businessperson who purchases companies that are in difficult financial situations and sell them in pieces. On a business trip to Los Angeles, Edward proposition Vivian to be his escort for business, personal, and social functions while he accompanied his wealthy groups of …show more content…
Vivian's transformation from a whore to an exquisite woman of extravagance is focused through her luxury clothes. Vivian began to ooze self-worth and want for a better for life and learned to take better care of herself. Her new appearance showed conformity to regulations of the wealthy elite social class and opened her up to plethora of opportunity. I can relate this back to reading 10.2: "Lessons from Ugly Betty: Business attire as a conformity strategy" Ugly Betty is about a young girl who get a job at a big-time fashion magazine company. Unfortunately, she doesn’t really dress the part. She is looked down upon by many of her fellow employees who make her feel like she isn’t good enough or doesn’t belong. Dressing by the aspect of the workplace open up an individual to a lot of opportunity and by not conforming can result to losing many career opportunities. Vivian realizes that in the public eye her own exertion is simply the way to supporting and in the long run securing a superior future to leave prostitution in the past. She wants to set a life in the city of San Francisco to finish her high school education and tries hard to search for an occupation. Her objective in life is basically to help herself by her own particular exertion as opposed to letting another person organize and control her life. This, in itself, speaks to a soul of dynamic exertion for somebody like
In the article, “The Fashion Industry: Free to Be an Individual” by Hanna Berry, Berry discusses how for decades women have been told to use certain products and that if they used those products they would be beautiful. Women over the years have believed this idea and would purchase items that promised to make them prettier, thinner, smarter and even more loved. However, in reality it was never what they wore on their bodies that helped them be any of those things; but what it did help with was to empower women to become fearless and bold by what they chose to wear on their bodies as a form of expression.
Most people are likely to relate Hollywood with money. If a person lives in the Hollywood area, people assume she or he is probably rich. If she or he is a Hollywood movie star, the person probably makes a lot of money. Therefore, to follow that line of thought, when Hollywood producers make a movie, they make it just for money. And some filmmakers do seem to make films only for the money the movies will earn. The action movie "Die Hard", the fantasy movie "Star Wars", and the adventure movie "Jurassic Park" are examples of exciting movies that were made just for the money by satisfying the audiences' appetite for escapism.
In today’s world we tend to be caught up in our own personal bubbles. We don’t realize what goes on outside of our world and the myriad of subcultures that exist. The main problem with this is, once we become aware of the people that live outside of our culture and our norms, we tend to not understand their lifestyle and think that they are abnormal or psychotic. Through the various documentaries that we have explored this semester, I have experienced a change in emotion and thought. Every documentary we watched did not make sense to me. However, I realized that once you really dig deep and try to understand these people and their motives, you can uncover the way they affect our society.
poster typically has the white cowboy large, presented front and center, with the antagonists and co-stars all behind him. An iconic western, The Good, The Bad, and the Ugly, has a poster picturing the white cowboy alone. Clint Eastwood stands there tall, stoic, and singular. Typical of most other westerns, the white cowboy is the center of attention. Here, however, there are two non-white figures presented: Bart, the Black cowboy, and a large Native American chief. This movie poster has the same style as other westerns with the color and layout, but is unique in the fact that a black man is presented where a white man would normally be dominating. Once again, this makes a statement about racial improvements. Previously having a black man at
The movie Pretty Woman takes place in Los Angeles where one of the main characters, Edward Lewis, leaves a party he was attending, finding himself on Hollywood Boulevard having to stop for directions when he is approached by a prostitute. The prostitute, Vivian Ward, offers him directions to his hotel and ends up driving him there. About to go to into the hotel, Edward decides to hire Vivian for the night and invites her inside to his room. The next day Edward asks Vivian if he could hire her for the rest of the week to which Vivian replies that it will cost him. Edward hires Vivian as an “employee” for the entirety of the week for $3,000 dollars. Giving Vivian access to his credit cards, Edward tells Vivian to purchase some new clothes so that she can change out of her street clothes. Vivian is unsuccessfu...
The movie “Girl, Interrupted” is about a young woman named Susanna who attempts suicide and consequently checks in to a mental hospital called Claymore. When she gets there she’s diagnosed with Borderline Personality Disorder. There she meets many people but mainly focuses on Lisa, a proud sociopath, and Daisy, an implied incest victim who seems to have Obsessive Compulsive Disorder. Susanna leaves Claymore with Lisa to go see Daisy and after Daisy’s suicide she returns to Claymore where she is later released.
Modern America, in accordance to course materials and personal experiences, overtly sexualizes people, specifically among the youth, engendering new versions of gender expectations, roles, relationships, and how society views people based on appearance, sexual promiscuity or supposed promiscuity, and so on. Easy A (2011) represents an example clarifying how gender socialization impacts today’s youth via several concepts such as slut shaming, slut glorification, challenging masculinity, dating/hooking up, gender expectations and social acceptance. This film primarily focuses on a female’s promiscuity. Olive, the main character, is automatically labeled slut, after a rumor she unintentionally sparked by a bathroom conversation. Soon, the rumor spread and Olive became “school slut” in minutes.
In today’s society, pre-existing assumptions and stereotypes of other ethnicities and individuals play a large part in the way we see others. This social construct of stereotypes has placed restrictions on many people’s lives which ultimately limits them from achieving certain goals. In this sense, stereotypes misrepresent and restrict people of colour to gain casting within the Hollywood film industry. The issue of how casting actors to certain roles and how these actors are forced to submit and represent these false stereotypes is one worthy of discussion. White Chicks (2004), directed by Keenan Wayans, illustrates this issue through the performance of Latrell, performed by Terry Crews, and his performance of the hyper-sexualised “buck” will be a prime example in this essay to discuss the racial politics and stereotypes in Hollywood casting.
During the course of the spring semester, as a class, we read and watched movies about fallen women and femme fatale in American Literature. Throughout each piece that we studied, I have chosen a book and a movie that I believe will compare and contrast effectively. We watched a movie in class written by J.F. Lawton called Pretty Woman, a movie that made a tragedy into a love story. This story exposed the life of a prostitute in Los Angeles, California. The prostitute, Vivian, happened to give directions to a rich man because he was lost, which led to her staying the night in his hotel room. The man needed Vivian to be his date on a social outing, which later led to more. On the other hand, during the semester we read a book by James M. Cain titled The Postman Always Rings Twice, a book that verbalized a forceful story. The story was about a girl named Cora, a prostitute who lives in a hash house. Then along the way she meets a man named Nick, whom she eventually marries. However Cora has a discomfort of being around her husband that provided her with a pretty virtuous lifestyle. Her solution to her discomfort creates problems that lead to more threatening problems. The movie and the book were both about women being saved from a place they felt undesirable. One fell in love after prostitution while the other never felt love. Now, with that in mind, The Postman Always Rings Twice is more realistic because Cora’s life explains the outcome of a prostitute that readers can relate to unlike Vivian from the movie Pretty Woman whose life is not a realistic outcome that readers can relate to.
Vivian Ward (Julia Roberts) in Pretty Woman comes from a small town in Georgia, and works as a prostitute on the streets of Hollywood to support herself. Although Vivian's social position is very low, she has a strong sense of personal dignity and independence. Even though sometimes she have to stand by the street with empty stomach to wait for clients, Vivian and her friend Kit still keep themselves from the control of pimps, and "act as their own agents". Later, at the end of Vivian's one-week business arrangement with wealthy Edward Lewis (the Prince to her dream), which culminates in love and growing mutual respect, he offers her an apartment, a car and a credit card to get her off the streets, but she refuses. For Vivian, however, this arrangement is only different in terms of "geography" and terms of payment for the "business”; between them.
The film that is being used for the movie analysis is “Enough”, this movie was chosen due to the fact that it is based on domestic violence towards women. The movie begins with in Los Angeles diner were a waitress named slim works with her best friend Ginny (Kazan, 2002). While working her shift slim has a customer that starts harassing her over the name she has, but the companion of the annoying customer defends slim, which in turn starts a romance, later to become a marriage between the two (Kazan, 2002). The couple is later blessed with a daughter they name Gracie, and at the beginning the marriage seems to be a fairy tale out of a story book (Kazan, 2002). The fairy tale becomes a nightmare as time moves forwards for the couple,
The biological differences that set apart the male and female gender throughout any culture remain eminent. Men are perceived as the stronger and dominant gender; women play the role of the weaker. In each culture the expectation of the manner in which men and women behave are influenced by the ideals and customs of that culture. In most predominant cultures, the man undertakes the role as a leader, and the woman devotes her life to the husband. Throughout history, traditions and literature provide a template to the identities of various cultures. Sleeping Beauty’s classic tale of a beautiful princess takes a central precept that previous patriarchal archetypes dominated during the 17th Century. The archetypal perceptions of women resulted from conscious and unconscious literature influenced by male-dominated perspectives and social standards.
The movie, “Mona Lisa Smile” is an inspirational film that explores life through feminism, marriage, and education lead by a modernist teacher at the end of a traditional era. It begins by introducing the lead character, Katherine Watson (Julia Roberts), a liberal-minded novice professor from California, who lands a job in the art history department at a snobbish, all-girl college, called Wellesley, in the fall of 1953. Despite warnings from her boyfriend Paul that a Boston Brahmin environment was out of her element, Katherine was thrilled at the prospect of educating some of the brightest young women in the country however, her image of Wellesley quickly fizzles after her first day of class, in which, was more like a baptism by fire. Her smug students flaunted their exhaustive knowledge of the text and humiliated her in front of a supervisor. However, Katherine, determined not to buckle under pressure, departs from the syllabus in order to regain the upper hand. She quickly challenged the girls’ idea of what constituted art and exposed them to modern artist not endorsed by the school board. She dared them to think for themselves, and explore outside of their traditional views. This form of art was unacceptable by the students at first however, overtime Katherine penetrated her student’s distain and earned their esteem.
Popular culture has an effect on its audiences (Wilson et.al, 2003 p. 74). It has the ability to invoke reactions and change public opinion. A popular type of popular culture is film. Films are a reflection of society, primarily the thoughts of the elites in society (Wilson et al.,2003, p. 74) Films that have the most influence on the public are cult classics or iconic films. Iconic films inspire people to change anything from their style to their career, but they also have the ability to change the way people think, by conveying a message that promotes elitist views.
The Damsel has spanned throughout history as a popular archetype in literature, movies, and music. Through these forms of entertainment, The Damsel is portrayed as naïve, innocent, and feeble. In media, she eagerly awaits to be rescued and protected by a handsome prince, and live “happily ever after.” The Damsel has potential for greatness, yet only realizes it when guided by a prince. In addition to the naïve feebleness of The Damsel, the archetype originally symbolized purity, kindness, and an immunity to the taint of evil. In relation to romance, the light attributes of The Damsel encourages her to rely on herself, and recognize the qualities of a healthy romance. The shadow attributes of The