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Considered as one of Shakespeare's most intriguing plays, Othello, displays social power in society and the dominance of men over women. Through the story, various personalities are introduced and the female characters show their worth and how they have the ability to illuminate society despite being looked down upon by many. Women are portrayed as nothing but objects and are dehumanized. They are expected to obey the commands of their husbands and remain meek at all times. Despite all the standards women have to live up to, they are powerful figures and contribute to the betterment of society even though their efforts are often overlooked. The role of women and gender representation Othello illustrates women as powerless and submissive figures, …show more content…
Desdemona's father, Brabantio, treats Desdemona as his property and expects her to do whatever he wills without considering her thoughts and emotions. When Desdemona decides to marry a Moor, her father is extremely upset and remarks that, "she is abused, stol'n from me, and corrupted" (Othello,1.3.60). Fathers treat their unmarried daughters as their properties which they can control and make decisions for. Othello, who is married to Desdemona treats her as a commodity and makes decisions on her behalf. When Othello is leaving for Cyprus he leaves Iago in charge of Desdemona as he is ironically a man of, "Honesty and trust/ To his conveyance I assign my …show more content…
Desdemona went against the norms of society and married a man of colour, she fought the prejudice views of society and did what she thought was right. Desdemona mentioned, "I do perceive here a divided duty. To you, I am bound for life and education; My life and education both do learn me How to respect you: you are the lord of duty; I am hitherto your daughter. But here's my husband ...So much I challenge that I may profess, Due to the Moor my lord" (Othello,1.3.181-186). It was an extremely courageous act to go against your father's will at that time, however, Desdemona took the step forward and battled the stereotypes in that close-minded society. Even though Desdemona challenged the false views of society, she was looked down upon for it simply due to her gender. Furthermore, Emilia, who provides a feminist voice in the play, spoke up against her husband and the injustices he did even though she was killed for it. Emilia revealed Iago's true intentions and character when she told the truth about his plans and said that, "I will not charm my tongue; I am bound to speak: My mistress here lies murder'd in her bed -" (Othello,5.2.184-185). She did not operate on the desires of her husband and went against him which was
The Shakespearean drama Othello renders less to the female gender than it does to the male gender. All the women characters are victims – unjustly so. Let’s talk about the obvious sexism throughout the play.
In Shakespeare’s The Tragedy of Othello the Moor of Venice, there are several strong, predominate female characters. Emilia, Desdemona, and Bianca have to defend themselves from the vicious men in the play. However, despite being victimized by the domineering men, their individual strengths set them apart from their abusers.
It is apparent that Othello idolizes Desdemona, through the language he uses in describing her as well as how he treats her during their interactions. While most female characters in the play are oppressed and demeaned by their male partners, Othello’s respect for Desdemona is a testament of his feeling inadequate and strive to entice her. Although he has an alterior motive of evading a conviction of witchcraft to win Desdemona’s heart, he confesses to many noblemen including Barbantio, Desdemona’s father, that Desdemona does not love him, just his war stories. Incidentally, his war accomplishments were the only way a man of his background would be able to be so close to a prestigious woman such as Desdemona in a time plagued with so much racism. In the second scene of Act V, Othello has been pushed well beyond his breaking...
In the opening scene, while Iago is expressing his hatred for the general Othello for his having chosen Michael Cassio for the lieutenancy, he contrives a plan to partially avenge himself (“I follow him to serve my turn upon him”), with Roderigo’s assistance, by alerting Desdemona’s father, Brabantio, to the fact of his daughter’s elopement with Othello: “Call up her father, / Rouse him: make after him, poison his delight [. . .].” Implied in this move is the fact of a father’s assumed control over the daughter’s choice of a marriage partner. Brabantio’s admonition to Roderigo implicitly expresses the same message:
Emilia, one of only three female characters in Shakespeare’s Othello, plays a vital role both thematically and in the advancement of the play’s plot. Although her blind loyalty to her husband turns the wheels of this tragedy, it is not a static quality throughout it. When examining the gender roles in the world of this play, the change in Emilia’s allegiances, which determine her actions, reveals the divergence between duty and integrity for women. Throughout most of the play, Emilia is loyal to a fault. She remains subservient to Iago until her duty to him causes her to betray the one she has to her friend and mistress, Desdemona. After becoming cognizant of her involvement in Iago’s villainy, Emilia abandons all loyalty she previously held to patriarchal forces and is motivated exclusively by morality and dedication to Desdemona.
that completely destroys his life”("Othello"). Othello is shown he is a good man within the first few scenes of the play: “She wished she had not heard it; yet she wished That heaven had made her such a man” (1.3.162-163). This line in Act I spoken by Othello, is an indication that he is a good person although it may appear that he has stolen Desdemona away from her father. Othello speaks that although he has taken Desdemona as his wife without Brabantio’s consent, he is a good person for stating his reasons for his actions as well as standing his ground. After Othello’s marriage to Desdemona, the conflict is started when Iago insinuates t...
In Othello, the lead female character, Desdemona, starts off with a strong desire for independence. The marriage of Desdemona to Othello “is contracted despite the wishes of her father” (Gruber 100). By not informing her father of her recent marriage, Desdemona renounces traditional practices. It was very contradictory that she shunned “the institution of the fixed marriage” (Calderwood 353). Even beyond that, she marries outside her race which took the whole thing one step further. Her father feels very displeased and believes such a ...
During the Elizabethan era women had a status of subordination towards men. They had a role to marry and oblige to their husband’s wishes. Shakespearean literature, especially illustrates how a woman is psychologically and physically lesser to their male counterpart. The play, Othello, uses that aspect in many different ways. From a Feminist lens others are able to vividly examine how women were subjected to blatant inferiority. Being displayed as tools for men to abuse, women were characterized as possessions and submissive; only during the last portion of the play did the power of women take heed.
In the opening scene, while Iago is expressing his hatred for the general Othello for his having chosen Michael Cassio for the lieutenancy, he contrives a plan to partially avenge himself (“I follow him to serve my turn upon him”), with Roderigo’s assistance, by alerting Desdemona’s father, Brabantio, to the fact of his daughter’s elopement with Othello: “Call up her father, / Rouse him: make after him, poison his delight [. . .].” Implied in this move is the fact of a father’s assumed control over the daughter’s choice of a marriage partner. Brabantio’s admonition to Roderigo implicitly expresses the same message:
The Tragic Treatment of Women in Othello In Shakespeare's drama, Othello, there are many different relationships among the main characters. The way that Shakespeare portrays these relationships sets the stage for the pain and deceit that unfolds within the play. Relations between the men of the play, Othello, Roderigo, Iago, and Cassio, undoubtedly form the main theme. Furthermore, each of the men, except Roderigo, also has woman that stands behind and cares for him.
Throughout the length of Shakespeare’s tragedy Othello there is a steady undercurrent of sexism. It is originating from not one, but rather various male characters in the play, who manifest prejudicial, discriminatory attitudes toward women.
Since women are possessions and are supposed to obey their husbands every command, one could assume that women were also weak and submissive, Desdemona is seen as the epitome of the downtrodden woman by some modern day feminists, and there is a sufficient amount of evidence to support this claim. Desdemona herself states 'I am obedient' (III...
Iago controls Emilia and treats her as less when she does not act as a submissive wife. Therefore, Emilia follows to keep Iago satisfy. Further, Iago tells Emilia to steal the handkerchief; which she follows without knowing his intentions, to then be insulted by Iago calling her a “foolish wife” (3.3.313), and demanding her, “Go, leave me” (3.3.330). Apparently, Iago makes Emilia lesser, and she accepts her role as a submissive wife. Moreover, although Othello proclaims loving Desdemona, he perceives her as inferior as a result of jealousy. As in Act 5, Scene 2 where Othello says to Desdemona, “Down, strumpet!” (89), suggesting that he puts her in an inferior position to kill her reflecting his true perception of Desdemona. And likewise Emilia, Desdemona accepts the role of an obedient wife by using her last breath to take the fault off Othello
Desdemona is portrayed as the highest class a female could accomplish. She is elegant, honest and loyal to her husband as any other good Elizabethan married woman would be. She is presented as the ideal woman. Desdemona symbolizes innocence and helplessness against men. Shakespeare presents Desdemona as a mature and knowledgeable woman for her age as she defends her love for Othello to her father, Brabantio. However this is seen differently in the eye's of the society. Brabantio declares her as "Against all rules of nature"(scene.. line...). This statement reveals what the society believes what is natural and what is unnatural. To the society, "natural" is when a women complies to their husbands and fathers wishes, but it's unnatural for a women to do anything else. Women are referred to as property, clearly stated when Desdemona's father angrily calls Othello a "theif" (scene...line..). Here, Brabantio addresses Desde...
...ps their characters to function with adjusted roles in culture. In his novel Othello, William Shakespeare reveals Desdemona and Emilia’s courage through situations involving conflict to portray the ability for women to stand up for themselves as he exhibits his idea of feminism through their actions. The courageous attitudes of these women and their passionate voice grew stronger throughout the play as they eventually died staying true to their beliefs. This transformation parallels the rights of women over history, as the female population progressed very slowly towards a more equal position in society. With Shakespeare being an advocate for women’s unheard voices during the Elizabethan period of time, he is able to use Desdemona and Emilia’s characteristics to contrast what the world was like during that era, and how he viewed and wished the world would function.