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Pursuit of Power George Lucas, a world-renowned screenwriter for the popular movie, Star Wars, once said, “Power corrupts, and when you’re in charge, you start doing things that you think are right, but they’re actually not.” Power is universal, and the tendency to corrupt is ever-present. Moreover, when a weak-minded individual is in power, all the elements are present for abominable effects. Macbeth, who began as a noble soldier for his country, was swiftly brought to corruption and oppressive rule. He was instantaneously promoted into a spot of power due to his enterprising acts of valor. Preceding this, Macbeth was prophesied to rise to King. Consequently, this possible power caused him to go mad. As a result of this, he began to kill …show more content…
By doing this he sent his country into turmoil. In Macbeth, a play by William Shakespeare, different characters are utilized to help reveal how the pursuit of power can alter a person in many adverse ways. Lady Macbeth, a woman with a very corrupt agenda gets swayed to madness by the pursuit of power. The beginning of Macbeth’s spouse’s downfall begins in the very first act itself. She clouds Macbeth’s thoughts convincing him that murdering the King is the only logical and courageous thing he can do. “We fail? But screw your courage to the sticking-place/ And we’ll not fail/ When Duncan is asleep— Whereto the rather shall his day’s hard journey” (I.7, 60-63). This is when the beginning of her guilt-induced madness really commences. Attempting to gain power, she influences Macbeth’s decision, blinded by the possibility of power. She convinces Macbeth, against his will, to kill Duncan, and the guilt that is seared in her conscience drives her to obsessive paranoia. An example of this could be found when the Doctor …show more content…
“ I have done the deed. Didst thou not hear a noise? ” (II.2, 14). Macbeth began as a noble man who defended his country with great honor. However, when the possibility to quickly rise to power presents himself, he turns into a blood-thirsty machine. “Besides, this Duncan, Hath borne his faculties so meek, hath been/ So clear in his great office, that his virtues/ Will plead like angels, trumpet-tongued, against, The deep damnation of his taking-off” (1.7.16-20). Despite the fact that Macbeth acknowledges that Duncan was indeed a terrific ruler, he puts himself first. His selfishness and pride gets in the way of what is for the greater good of his country. The potential to be in power moves him so much so that he kills what he believes to be a very good man. Another example of this lust of blood is the killing of his good friend Banquo. “And with him— To leave no rubs nor botches in the work—Fleance, his son, that keeps him company/ Whose absence is no less material to me/ Than is his father’s, must embrace the fate” (III.1, 137-141). Again, his true evil side is shown by the ruthless killing of Banquo. Banquo’s descendants were prophesied to eventually seize the throne. Any potential challenge to his power was something he did not want, so to solve this issue, he decided his best course of action was to kill his once good friend. Macbeth is another foil in the portrayal of the
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
Macbeth is captured by his wild ambition at the opening of the play when he and Banqou meet the three witches. The witches tell Macbeth that he is the Thane of Cawdor, and later will be king. They tell Banquo that his sons will be kings. Instantly Macbeth started to fantasize how he is going to be king. He understood that in order for him to become king he has to kill Duncan. “My thought, whose murder yet is but fantastical”(Act 1 Sc. 3, p.23). He was pondering about the assassination until the moment that he could no longer control his emotions. “To prick the sides of my intent, but only vaulting ambition, which overleaps itself and falls on the other-“(Act 1 Sc. 7, p.41). Because of his “vaulting ambition” he killed Duncan.
The Tragedy of Macbeth, by William Shakespeare illustrates two seemingly ordinary nobles whose lives intertwine in a whirlwind of power, corruption, and the supernatural resulting in their descents. They were both so wrapped up in this greedy world they failed to consider the consequences of their actions more realistically. Macbeth started to succumb to the belief that deeds "must be acted ere they be scann’d,"(III.IV.140). Lady Macbeth in particular loses sight of rationality from the play’s beginning to end. She feigns an image of ruthlessness and believes she can handle the intrusion of unearthly evil in her mind and soul. She presents a seemingly stable foundation of control in which she clutches with an iron fist.
The play Macbeth, by William Shakespeare illustrates how greed for power and wealth can result in the destruction of oneself as well as others. The play's central character, Macbeth is not happy as a high-ranking thane - leading him to assassinate Duncan to become King, while unknowingly dooming himself. Throughout the play many examples are evident of Macbeth's unquenchable thirst for power.
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
Macbeth’s story highlights the inherent goodness found in all of us, but also the evil that lurks within us, unnourished. Although there is no redemption for Macbeth’s evil sins, he finally comes to acknowledge his crimes and thus can provoke pity in the eyes of the audience. Macbeth’s psychological journey from a courageous general to a “ dead butcher” (5.9.41) is one that truly merits to be called a tragedy.
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass
113 Macbeth. Oxford: Oxford University Press. 1990. The. Coursen, H. R. Macbeth: A Guide to the Play. London: Greenwood Press, 1997.
Lady Macbeth and her husbands downward spiral towards dark destruction is one the most famous of all time. We watch with pleasure as their horrible actions lead to their ultimate destruction. Lady Macbeth makes the choice to, as one source put it, lose her womanly virtues and become what she thinks is a man. It is this choice that leads to her unknowingly helping the witches in their desire to destroy Macbeth and ultimately her as well. She changes from a woman sure of these decisions to woman riddled with fear, corrupted in all possible manner – mind body and soul. Her ambition and power lead to her destruction. Power corrupts, absolute power corrupts absolutely.
This conclusively demonstrates that lust for power can drive people to do the cruelest things in order to capture it. Works Cited The Tragedy of Macbeth William Shakespeare
“For them the gracious Duncan have I murdered,/ Put rancors in the vessel of my peace/ Only for them,” (3.1.71-73). Macbeth’s biggest flaw is that he is fighting an unwinnable battle against his fate. This soliloquy features Macbeth at his most emotionally vulnerable as he expresses his feelings of inadequacy and angst at being forgotten. After delivering this soliloquy, Macbeth meets with murderers and slowly sheds his humanity and becomes a barbaric monster. This is the illuminating moment because Shakespeare reveals with this soliloquy that this monster was created by universal human emotions.
Lady Macbeth, on the other hand, pursues her goals with greater determination, yet she is less capable of withstanding the repercussions of her immoral acts. One of Shakespeare's most forcefully drawn female characters, she spurs her husband mercilessly to kill Duncan and urges him to be strong in the murder's aftermath, but she is eventually driven to distraction by the effect of Macbeth's repeated bloodshed on her conscience. In each case, ambition, helped, of course, by the malign prophecies of the witches, is what drives the couple to ever more terrible atrocities. The problem, the play suggests, is that once one decides to use violence to further one?s quest for power, it is difficult to stop. There are always potential threats to the throne?Banquo, Fleance, Macduff?and it is always tempting to use violent means to dispose of them.
Lady macbeth was an interesting character, in that she was able to play with people’s psychology but ends up getting psychology ill herself. According to M. L. LaBlanc “Lady Macbeth is generally considered one of the most fascinating female characters in Shakespearean drama”. “How in the play she verbally manipulates gender values and expectations to suit her purposes. As Cristina Leon Alfar reminds us, "Lady Macbeth's 'evil' is ... an ideologically inscribed notion that is often linked in our literary tradition to strong female characters who seek power, who reject filial loyalty as prior to self-loyalty, and who pursue desire in all its forms-- romantic, adulterate, authoritarian, and even violent.” Lady Macbeth was full of greed for power
By embracing evil, Lady Macbeth and Macbeth have committed unnatural actions that disturb them. Their guilt does not leave them in peace, and slowly degrades their health. Macbeth's guilt causes him to act strangely in front of his guests, and it disturbs him deeply. Macbeth's guilt is deeply mutilated, and it only affects him when he hallucinates "Take any shape but that, and my firm nerves / Shall never tremble" (III.iv.124-125), and as soon as his visions disappear he feels better "Why so, being gone, / I am a man again.- Pray you sit still" (iii.iV.130-131), not something normal considering the actions he has committed. His guilt paralyzes him when he does feel it, but most of the time he is guiltless, and that encourages him to commit more murder. Although his guilt does not ultimately destroy him, it is a factor that brings his own men against him, since through his guilt he reveals the actions he has committed.
In Shakespeare's Macbeth, the focus that is placed on the character of Lady Macbeth helps to convey the play's theme of the strife created by the struggle for power and control that is present throughout the entire work. Shakespeare presents her character in great detail and shows her to be a dominating, authoritative woman who thrives on the power she holds over her husband. He then shows the principle character, Macbeth, rise up and join his wife in a struggle for power of his own. It is the actions that Macbeth takes in attempt to achieve ultimate authority that lead to his downfall, and it is Lady Macbeth's loss of control over her husband as he gains this independence which causes her own weakening and eventually leads to her demise as well.