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Native americans indigenous religions around the world
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Pottery has always been a part of Native American Culture. Dating back to 25,000 B.C, pottery was more than just a work of art. It was used for things such as cooking, storage, and even musical instruments and ceremonial items. The use of pottery is also considered ceremonial and religious. Since sometime ago, Native American’s have used pottery to represent birds, plants, spirits and even Gods. Native American women have perfected their pottery skills over time. Women became a bigger part of making pottery, because most of the men during this time were the hunters, and the women were gatherers. Native American women often would make different shapes and sizes of pottery depending on what they were trying to gather. A lot of the early pottery was undecorated, and the only “decorated” part was coil or the texture of the pottery, such as the jar shown below.
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It wasn’t until later that designs and symbols appeared on pottery. “Anglos have long struggled to find meaning in these designs, but Indians are reluctant to verbalize their meanings” (Peterson 1997). Pottery also became popular to the Native Americans among burials and ceremonial rituals. “The use of pottery can be recognized in a religious and social context long before Columbus' arrival in America in 1492 and the Spanish conquest in 1540” (Peterson 1997). Pottery was created almost accidentally, by using the hard mud to line the outside of baskets. Once the baskets lined in the mud were put over a fire, the basket burned leaving the hard outer layer of clay. Interestingly enough, Native Americans never used a pottery wheel. All it was used for was for transporting tools that the Natives used, but never for the pottery itself. In due time, different Native Amer...
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...y, which is known as Horsehair pottery, was almost created by accident. The wind accidentally blew a potters hair onto the pot while they were removing from the kiln, and it carbonized to the pot creating an interesting texture. The same potter then recreated the look with hair from a horse.
White slipped polychrome Sgraffito/Etched Horsehair
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Pottery is something that will always be treasured by Native Americans. I will always find it fascinating the culture and history behind such a beautiful work of art. Next time you look at an authentic work of art, remember that it was created with meaning and inspiration. The meaning of pottery will never be taken for granted, and it will always be recognized as a symbol of the culture that stands for Native Americans of the past, present and future.
Nampeyo, the best potter of her time, helped revitalize the original form of Hopi pottery, Sikyatki. She developed her style from the traditional bowls, pots, jars, and water carriers of the Tewa and Walpi people, which were the tribes of her parents. Although, Hopi pottery had survived through many generations, it was beginning to disappear during Nampeyo's youth. Nampeyo was credited for bringing the dying form of Sikyatki pottery back to life. She helped rekindle the interest of Hopi pottery into the lives of the consumer and her contemporaries.
As a young woman, Maria was known as the most skilled potter of her pueblo tribe. For this reason, an archaeologi...
One such group, the Tlingit, used art to create and portray its rights, privileges, and talents inherited to them and became symbols of tribal importance. As they lived in extended family tribal canoe houses, they used art to decorate and empower their tribe in their social structures and often commissioned elaborate artwork in order to create jealousy within the groups. Because the Tlingit culture believed that they were all descendants of animals, the subject matter of most Tlingit art is a highly stylized representation of their ancestor animal. Though religious belief was integrated into Tlingit artwork, it remained an iconographic representation of a tribe’s lineage serving many roles such as power and protection.
Pages one to sixty- nine in Indian From The Inside: Native American Philosophy and Cultural Renewal by Dennis McPherson and J. Douglas Rabb, provides the beginning of an in-depth analysis of Native American cultural philosophy. It also states the ways in which western perspective has played a role in our understanding of Native American culture and similarities between Western culture and Native American culture. The section of reading can be divided into three lenses. The first section focus is on the theoretical understanding of self in respect to the space around us. The second section provides a historical background into the relationship between Native Americans and British colonial power. The last section focus is on the affiliation of otherworldliness that exist between
The Tohono O’odham tribe has been weaving baskets for at least 2000 years. Although the reason for weaving has changed through the years the Tohono O’odham are still using the same weaving styles as their ancestors. Basket weaving for the Tohono O’odham has gone from an everyday essential to a prestigious art form. Basket weaving for the Tohono O’odham represents an active way of preserving their culture, valuing traditions, and creating bonding ties within the tribe; consequently weaving has transcended into an economic resource.
When researching Pueblo dwellings and the Anasazi people "Anasazi meaning ancient ones in the Navajo language"(Lynnd2012). Information retaining to the culture and how permanent dwellings did not start until the Anasazi started growing their food. Prior to agriculture, all food was product of hunting and gathering, this made moving across the country more frequent to be able to gather enough food. Once they started to farm and cultivate they stated building the first sets of housing which consisted of holes in the grounds and only later would they build on top of the holes with stone and mortar, this didn't happen till around 750AD and was a means for storage.
Since the Hmong have endured and survived as a culture, they believe in preservation of the entire traditions. Embroideries and methods have not changed much but the use of fabric has updated. Flower cloth has evolved to story cloths relating to all their past historic events. Although the Hmong have adjusted with certain changes, their preservation of their skillful handcraft has not. It is an important value, tradition, and ritual to their culture that has continued to exist even through American society.
Native Americans chose to live off the land such as animals and the trees for houses from the time of early civilization in the Americas to when Christopher Columbus sailed across the Atlantic. In Thomas Morton’s writing he said “they gather poles in the woods and put eh great end of them in the ground, placing them in form of a circle.”
Like other eastern American Indians, powhatans also created wampum out of white and purple shell beads. Wampum beads were traded as a kind of currency. But they were more important as art material. The designs on their belts often tell a story or represent a person’s family. Pocantahs is the most famous American Indian woman ever.
Taking a deeper look at the meaning behind food through the eyes of traditional societies reveals nothing more than absolute complexity. Sam Gill, in Native American Religions, indisputably shows the complexity through detailed performances and explanations of sacred ceremonies held among numerous traditional societies. Ultimately, Gill explains that these societies handle their food (that gives them life), the source in which the good is obtained, and the way they go about getting their food are done in extreme symbolic manners that reflect their cosmology, religious beliefs, actions, and respect for ancestors/spirits that live among them. All of which are complexly intertwined. These aspects are demonstrated through the hunting traditions of the Alaskan Eskimo and the agricultural traditions of the Creek.
...ggest most elaborate wheel known in history, it is still a part of Native Americans ritual life. Annually about 60 different tribes visit this wheel and there are over 180 sacred ceremonies help at this wheel as well. So this just goes to show that this is still being used in native communities.
Many tribes successfully preserved their art. For instance, local Indians of New Mexico still embroider beautiful blankets that have many geometric figures such as triangles and diamonds, similar to tessellations. See Figure 2 below (“Mathematics Used,” n.d.).
The Native Americans of the southeast live in a variety of environments. The environments range from the southern Appalachian Mountains, to the Mississippi River valley, to the Louisiana and Alabama swamps, and the Florida wetlands. These environments were bountiful with various species of plant and animal life, enabling the Native American peoples to flourish. “Most of the Native Americans adopted large-scale agriculture after 900 A.D, and some also developed large towns and highly centralized social and political structures.” In the first half of the 1600s Europeans encountered these native peoples. Both cultures encountered new plants, animals, and diseases. However, the Indians received more diseases compared to the few new diseases to the Europeans. The new diseases resulted in a massive loss of Native Americans, including the Southeast Indians which had never encountered the new diseases. Three of the main tribes in the southeast were the Cherokee and the Creek. They were part of a group of southeast tribes that were removed from their lands. These tribes later became known as “The Five Civilized Tribes because of their progress and achievements.”
Culture is therefore defined as the connection between ideas (conditioning elements of further action) and (products of) action. Using Kroeber’s definition we find that manifestations of culture and culture itself existed throughout the diverse native tribes of precolonial California. For example, off the northern coast of California existed the Pomo tribe. Women belonging to the tribe learned centuries old techniques on how to weave baskets interlaced with patterns unique to their group. How was this tradition able to survive without a manual giving instruction on how to produce
On display in the beginning of this back room was a bunch of different sizes bowls that were well decorated, crafted, and painted. In this section I learn that “In 1954 Ladi Kwali became the first woman member of a pottery training center established in Abuja, Nigeria and still remains its best known artist skilled in tradition methods of hand-built pottery.” Which is metaphoric because usually the pottery was created by women, crafting its shape, size, and designs all by hand; they used wood to help create and be a mold for the shape of the pots. These pots were used daily naturally for various reasoning’s like cooking and storing water, during dry months or so that the women wouldn’t have to walk far from the villages to fetch the water. Some of them had coloring to them and I’m sure this came from plant dyes, the pottery was known to be very fragile and heavy, which is not hard to understand why given their circumstances. With the coloring the colors can convey important messages but may not always be symbolic or have a meaning depending on the culture. African cultures vary in meaning and traditions as it comes to the design work and colors of their materials and clothing. Bowling making goes hand in hand with the African baskets and weaving which is a huge part of the culture and daily life of African