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The true meaning of beauty
The true meaning of beauty
The true meaning of beauty
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Post Modern Artists The realm of postmodern art encompasses various aspects of contemporary styles. There is no set format to creating artwork anymore. Art pieces in the past basically conformed to the Kantian-Hegelian theory of art. Thomas McEvilley claim, "It was essentially an aesthetic theory of art, which held Beauty is a universal force that enters the soul with immediate, unquestionable authority at the instant when the soul approaches the beautiful object with openness to it" (qtd. in Weintraub 245). Beauty became an inborn characteristic of art. Pieces of artwork inevitably possessed the quality of beauty, seeking to inspire and touch the soul with powerful, aesthetically pleasing images. As time continued a change was to be anticipated. McEvilley further explains "The Hegelian element, added about a generation later n the early Romantic period, emphasized the idea of History as a dynamic force, with the conviction that change was a historically necessity leading towards progress" (qtd. in Weintraub 254). The advancement of psychology caused a change in attitude concerning art. Psychology leads to the acknowledgement of problems and struggles to repair them. Around the early 1960's "Pop art, Body art, and other newly named tendencies were the beginning of the phase known as post~Moderism" (qtd. in Weintraub 256). Beauty no longer serves as an inspirational force driving the artist to create a soul touching piece. Instead the search to point out a problem and attempt to remedy it spurs the contemporary artist. The loss of beauty as an inspiration causes the postmodern artists to strive to point out problems, create awareness, and give a possible solution. The very word n... ... middle of paper ... ...pathy in the Catholic religion. "Piss Christ" demonstrates the shocking but thought changing power of a contemporary artist. On a whole, art no longer is made on behalf of beauty. Beauty is simply an idea which is subject to change from various perspectives. As Thomas McEvilley claims "Among the major changes of the period in question is a loss of faith in the idea of beauty as a spiritual, universal, and, consequently, a change in the idea of the role of the artist. The artist actually became to be that destroyer of the idea of beauty" (qtd. Weintraub 258). The postmodern artists is asking the needed questions and creating the required answers with the attempt to educate and better the lives of all who care to notice. Bibliography: Works Cited Weintraub, Linda. Art on the Edge and Over. Lithfield, CT: Art Insights, Inc. 1998.
At the turn of the 20th and further into the 21st century, art began to drop the baggage carried from the masters of the Renaissance and began a trajectory of change. Artists began challenging the schools and galleries of art around the world in an effort to break away from the chains that were wrapped around them in an effort to control the basis of art. Strange patters, shapes, colors and spaces emerged as each one challenged every norm known to the artistic circle. Critics and viewers alike were suddenly required to think less about the topics of paintings and more about their formal aspects. As decades passed, the singularity of art began to intensify and different forms of art demanded the same recognition as others before. Liberation
People usually expect to see paintings and sculptures in Art Galleries. Imagine the surprise one finds when they are presented with a man stitching his face into a bizarre caricature, or connected to a machine which controls the artist’s body. These shocking pieces of performance art come under the broad umbrella that is Postmodernism. Emphasis on meaning and shock value has replaced traditional skills and aesthetic values evident in the earlier Modernist movements.
Renaissance art history began as civic history; it was an expression of civic pride. The first such history was Filippo Villani's De origine civitatis Florentiae et eiusdem famosis civibus, written about 1381-82. Florentine artists revived an art that was almost dead, Villani asserts, just as Dante had restored poetry after its decline in the Middle Ages. The revival was begun by Cimabue and completed by Giotto, who equalled the ancient painters in fame and even surpassed them in skill and talent. After Giotto came his followers, Stefano, Taddeo Gaddi, and Maso, uomini illustri all, who, together with notable jurists, poets, musicians, theologians, physicians, orators, and others, made Florence the preeminent city of Italy.
I went to the Bellevue Art Museum (BAM) to observe Post Modern art and compare/contrast it to art from the Renaissance High Classical period. From my observations, I have concluded that the art of our Post-Modern age does not meet the standards of art from the Renaissance High Classical period. The Renaissance High Classical period focused on balance, linear perspective and an attempt at a perfect portrayal of nature and human beings. The art that I observed from the BAM had little if any of the focuses of the Renaissance High Classical period.
Graphic design is a type of art that has been around almost since the beginning of time. Its main purpose has always been to communicate something to the viewer, and this communication is being done through visuals and in some cases typography as well. An era of graphic design that revolutionized design into what we now know it as today is the Swiss design era. Specifically, work done by Armin Hofmann. His work is what kick started modern graphic design. His designs have a clean, minimal feel, which is popular even in today’s graphic design. Hofmann as well as other Swiss graphic designers in the modern art movement really set the bar for designers who came after them. The post-modern
Modern art serves to immerse us more thoroughly in a scene by touching on more than just our sight. Artists such as Grosz, and Duchamp try to get us to feel instead of just see. It seems that this concept has come about largely as a way to regain identity after shedding the concepts of the Enlightenment. “Philosophers, writers, and artists expressed disillusionment with the rational-humanist tradition of the Enlightenment. They no longer shared the Enlightenment's confidence in either reason's capabilities or human goodness...” (Perry, pg. 457) It is interesting to follow art through history and see how the general mood of society changed with various aspects of history, and how events have a strong connection to the art of the corresponding time.
In the 19th century, under the suffocating weight of a centuries long tradition in academic art, artists began to break free. Tired of meaningless imitation and decoration, the avant-garde artists pushed for drastic revolutions in aesthetic and social taste. This experimentation rapidly grew less and less controlled, and new technique and new style, which shocked and enraged the critics and public, stopped being experimental and started desiring the side effects of shock and disgust. There is an error in believing the artist is always ahead of his time, will always be understood in the future, and is a well-intentioned progressive, because it ignores the present actions and consequences of modern art.
People decided to rebel against the political and social rules of their time and started a new trend of art. It conveyed dramatic subjects perceived with strong feelings and imagination.
The Griffins, Kevin Borland and Edmond and Corrigan expressionist tendencies rebelled against the mainstream and were a catalyst to pluralism within Melbourne Architecture. Expressionism was formed in Europe in the 20th century during the inter-war period. Expressionist architecture emphasized form and abstraction which was centered around themes of natural phenomena such as caves, crystals, rocks ,organic forms and democratic ideals. It uses the form of the building as a means to symbolize, or evoke the personal feelings of the viewer or architect. Post modernism is a style which rejects the monotonous notions of modernism and leans to a more expressive view.
Art is important to religion in many different ways. Perhaps none has analyzed how art and religion have influenced and affected each other through the ages. Pictures painted of past events that help to bring back the feeling and importance of the past have been forgotten by some. To the one’s that haven’t forgotten are able to see the event’s as the bible says they happened. Not only can you see the events, but it also allows the younger students of the church to understand the events. The use of images of God became widespread after the second century. This religious art has defiantly been around for centuries and plays an important role to the history of religion as well as the future.
The same reflects in art at the time, with artists like Duchamp, and his famous urinal. There was nothing different in art, it was just the idea of being tired of trying to be new. The best way to describe postmodernism in many cases boils down to simply “i don’t
AA theory by Clive Bell suggests the pinpoints the exact characteristic which makes a work true art. According to Bell, an artwork must produce “aesthetic emotion” (365). This aesthetic emotion is drawn from the form and formality of an artwork rather than whether or not it is aesthetically pleasing or how well it imitates what it is trying to depict. The relation of objects to each other, the colors used, and the qualities of the lines are seemingly more important than what emotion or idea the artwork is trying to provoke. Regardless of whether or not the artwork is a true imitation of certain emotions, ideals, or images, it cannot be true art unless it conjures this aesthetic emotion related to formality (367).
In conclusion, the art of the 19th century was composed of a sequence of competing artistic movements that sought to establish its superiority, ideologies and style within the artistic community of Europe. These movements, being Romanticism, Realism, Impressionism and Post-Impressionism, ultimately spread far beyond the confines of Europe and made modern art an international entity which can still be felt in today’s artistic world.
Different art movements are created as a reflection of the type of response to the existing or older art movement. It does not necessarily mean scrapping the old to make way for the new. In art, the new movement always takes with it part of the past, but what makes it distinct is the new and fresh perspective that it brings to the table that wasn't present or appreciated before. If anything, the chronology of art movements is testament to the growth process of the world of art, proof of how the art has evolved ever since. Impressionism and Post-Impressionism are two art movements that happened in succession, and the characteristics of and existence of Post Impressionism reflects how Post Impressionism is a reaction to the earlier Impressionism and how Post Impressionism, despite its efforts to introduce something new, still retains many important characteristics found in Impressionism.
Contemporary art is produced at the present period in time, which it mainly refers to the meaning of the spirit, and have a modern art Modern language. When people are faced with a work of art, there is a complex judgment or intuition feeling which to consider about it has artistic value or not. Exposure of today's artists and cultural environment and in the face of today's reality, their work will inevitably reflect the characteristics of today. “A work of art is a tautology in that it is a presentation of the artist’s intention, that is, he is saying that a particular work of art is art, which means, is a definition of art” (Diarmuid Costello, Jonathan Vickery, pg.22, 2007). Artistic inheritance is a historical necessity of any art is constantly successor of the previous generation of art. Development of contemporary art can be said to follow the human development and growth. Of course, no matter what kind of art form, and they reflect the performance of all modern social changes which to bring the social and psychological characteristics to show the artist's exploration of artistic expression.