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Role and function of the fool in shakespeare play
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An Aristotelian virtue that Portia possesses is loyalty. Loyalty is an important virtue because it supports the idea that humans are social creatures and it is an admirable characteristic that shows a person’s dedication to and affection for their friends and family (Rachels, pp164-165). Portia portrays her loyalty to her late father through her commitment to upholding the test that he set in place to determine what suitor is suitable for Portia. While she makes it clear that the test does not make her happy because she cannot choose herself, she continues to adhere to the test because she is loyal to her father’s wishes. When talking about Portia’s father's test in Act 1, scene 2, Nerissa says “Your father was ever virtuous… / therefore the …show more content…
Portia says “For in companions / that do converse…/ whose souls do bear an equal yoke of love, / there must be needs…/ which makes me think that this Antonio, / being the bosom lover of my lord, / must needs be like my lord. If it be so, / how little is the cost I have bestowed / in purchasing the semblance of my soul / from out the state of hellish cruelty!” (3.4, 11-21). Portia is devoted to her husband so she becomes devoted to helping his dearest …show more content…
She is described as being as witty as she is beautiful, and she is very beautiful. An indication of her intellect can be found when she finds a loophole in her father’s test. Portia attempts to reason with Bassanio to postpone his decision so the two of them are able to spend some time together in case he chooses wrong. He denies her request and asks to pick the casket right away. Before Bassanio makes his choice, Portia has a chorus sing a song about love: “Tell me where is fancy bred / Or in the heart or in the head? / How begot, how nourished…/ It is engendered in the eyes, / with gazing fed, and fancy dies,” (3.2, 63-68). The song they sing is a carefully disguised a warning for Bassanio. The singers warn that “’fancy’ (love) can't grow if it's ‘engender'd in the eyes’ (based on mere physical attraction) instead of the heart,” (Shmoop Editorial Team). Essentially, Portia prompts Bassanio that for this test, beauty and love is about what is on the inside, not what is on the outside. Beauty and love, Portia, is not in a casket that has a beautiful
This plays into the belief at the time that women were not as strong as men, and as a result, would not be as honorable. This is an incorrect belief of course, but does this belief actually have an effect on Portia’s honor, or just the perception of her honor?
...ligent, and sometimes vicious character, in her society it is not acceptable for her to be a strong, intelligent, vicious woman. Sadly, Portia's public image must remain that of her speech in Act III. Though she will have ultimate control over herself and her husband, she still must call herself "an unlessoned girl," hiding her true authority under a thin mask of submission. Ironically, it is only when Portia dons a disguise that we see her as she truly is - a shrewd, calculating judge, willing to convict and sentence not only the inadequate suitor or the much-abused Jew, but also her own unsuspecting husband.
Words alone are not the only means by which imposters operate. A far more effective mode is one that fools the eye for it cannot pierce through the surface. Portia, the new wife of Antonio's friend, dresses as a lawyer in order to deceive the court. However, unlike Shylock's motive, Portia's intent is far more noble and selfless. She manipulates the law in such a way to save Antonio from certain death by the hand of Shylock. Through the eyes of the law, the imposture of a lawyer, especially by a woman at that time, was seen as extremely illicit.
First, Portia desires Bassanio to choose the correct casket and therefore desires that he wed her instead of another man, and admits to a desire to inform him of the correct casket (3.2.10-14). Secondly, she insists that a particular song be sung doing his choosing, and by choosing a song that is full of thematic allusions and phonetic elements, she is attempting to manipulate Bassanio’s decision. The central theme of the song itself is a clue for Bassanio. ). The ominous lyrics “Tell me where is fancy bred” (3.2.63), forewarns Bassanio to choose wisely through the use of words such as “fancy”. In Elizabethan times, fancy was used to describe whimsical and superficial love or infatuation, which is similar to “love at first sight”.
Portia play’s a major role in trying to persuade Shylock to be merciful to Antonio, as the story continues. Basannio, the loyal friend of Antonio also tries to persuade Shylock to show some sympathy towards Antonio, but is not shown.
The suitor picking the casket containing the picture will be the suitor who will marry Portia. ‘I may neither choose who I would, nor refuse who I dislike, so is the will of living daughter curbed by the will of a dead father’ this shows that Portia would rather have a say as to who she gets to choose rather than being told who she has to marry. She overcomes that after two suitors who she wishes not to marry choose the wrong casket letting her know which casket contains her picture, so that when Bassanio becomes a suitor and she falls for him she is able to hint to him which casket to choose: Tell me where Fancy is bred. Or in the heart, or in the head? How begot, how nourishèd?’
The nature of the contract between Portia and her father is as follows, Portia’s father state’s that all suitors must first select on of three caskets in order to marry her. The caskets are made of gold, silver, and base lead, all containing different messages. Only one of the three caske...
It develops the character of Portia as being someone madly in love with another person. It is clear to me that she is in love with Bassiano. She talks about how she could teach Bassiano how to choose right, but she can’t because of her father’s will. To me, she is really sick. It advances the plot so that the love Portia has for Bassiano, and the love that Bassiano has for Portia, can be more looked at.
Throughout the Merchant of Venice, while Portia is being courted. the reader can see that she does not like any of the suitors, except Bassanio. She finds a flaw in all the suitors and readers, as well, can see. the flaws in each as they present themselves to her. Her true love however, is for Bassanio
Everyone is deceived and believes Portia is truly a man therefore showing that she has the capabilities to exert the traits of a man. Portia is described as the “wise young judge” (IV, I, 228) and an “excellent young man” (IV, I, 252) by Shylock showing that he believes in the gender identity of Balthazar. Bassanio, Portia’s husband, is also fooled as he states that Antonio’s life is more valuable to him than Portia. Her credibility in turn gives her power over the men in the scene. She is able to use the balances of justice along with her knowledge in order to save Antonio. The turn in this scene is when she repeats, “A pound of flesh” (IV, I, 315) and states the specific words used in the document as no blood can be dropped from Antonio or else Shylock will be punished and strikes fear into Shylock. This shows that it is possible for a woman to obtain the masculine qualities of being powerful and intellectual. If Portia were to have not dressed as a man, but merely a woman, due to the social constructs of the time she would not have had any power in this situation. Portia tells Bassanio “I pray you, know me when we meet again” (IV, I, 432) which shows her feelings towards Bassanio not knowing her true identity, even through her disguise. Her actions were that of her individual, but due to her altering her appearance of gender it changed the way others viewed her
characters in Portia’s life, she deals with equally negative characters in her life. Thomas, her half brother is given the responsibly to take care of Portia. However, the only way he takes care of her is financially. He provides no emotional stability or companionship for Portia; instead he shuts her out and treats her like a stranger. When Thomas and Anna decide to take a summer vacation, Portia never crosses their minds as an extra companion.
She had Shylock's future in the palm of her hand and she chose to be has harsh as she could without killing him. This was to free her husband's friend from death. Portia's gain from this was not solely for Bassanio. Portia, as Balthazar, asks him for the ring. "Give me your gloves; I'll wear them for your sake.
Shakespeare highlights three of Portia’s suitors, the Prince of Morocco, the Prince of Arragon and Bassanio. He does this to heighten dramatic tension, as these three men are the most important candidates to win Portia’s hand in marriage. They reveal the contents of the three caskets and their different characters as exposed as being proud, vain and humble. They also emphasise the racial prejudices of Venice a place where many races clash. Their attitudes towards the caskets and their choices indicate what their character is like. This essay will compare and contrast the three suitors and will explore how Shakespeare influences the audience’s attitudes towards the three men.
From the first time Portia is introduced, she is depicted as a very smart woman. In the beginning, she is searching for a husband that has more in his head than money and beauty. Portia and her companion, Nerissa, talk about the flaws of all her suitors and she makes it very clear that she is looking for an honorable man who will love her for who she is and not for her money. She also finds that “If it be proved against an alien that by direct or indirect attempts, he seek the life of any citizen, the party against the which he doth contrive shall seize one-half his goods” (Act IV.
...d yet for my affection.” Although the suitors have an equal chance in winning Portia, they are neither brave nor wise enough to be able to get through the choosing of the caskets. The caskets gold and silver looked attractive compared to lead. However, because lead had many more uses than gold and silver, it is considered more valuable. Prince of Morocco chose the gold casket because he is superficial, greedy and materialistic. Prince of Arragon chose the silver casket and thus it reveals that he too is superficial, trying to be someone he is not. As for those who choose the lead casket, it shows that they are intellectual, and not easily deceived by false values.