The classic tragedy Hamlet, written by William Shakespeare, tells the story of a vengeful nephew dealing with a fratricidal uncle. The play concludes with the majority of the main characters dead. The deaths of these characters are all consequences of their respective flaws. The flaws of Polonius and his two children conspicuously allow for their untimely deaths
Chronologically first, the death of Polonius triggers the events that lead to the deaths of both Ophelia and Laertes. From early on, Polonius is established as an untrusting and untrustworthy character. One of his very first actions is hiring a man to spy on his own son, “Your bait of falsehood takes this carp of truth”(31). Polonius tells Reynaldo to spread dishonorable rumors about Laertes in order to reveal his true behaivior. He is untrusting of his own son to obey the long list of advice he gave to him prior to his departure. This tendency to spy in order to ponder his suspicions is what ultimatley leads to Hamlet stabbing him to death. Due to the desire to confirm his false theory that Ophelia is the reason for Hamlet’s madness, Polonius chooses to spy on the Queen and her son,
…show more content…
“Behind the arrass, I’ll convey myself, to hear the process”(69). The endaevor goes awry, leaving him dead, all due to his untrusting personality. The death of Polonius is the primary driving force in Ophelia’s demise.
Her dependence on her father, and thus her inability to think for herself, is established when she is forced to end her relationship with Hamlet. When asked on her opinion of Hamlet’s romantic pursuit, she responds with, “I do not know, my lord, what I should think” (18). Ophelia fails to claim an opinion on the basis of one of her own relationships. It is Polonius who declares her beliefs, “Marry, I’ll teach you. Think yourself a baby”(18). Ophelia is truthfully described as a baby in thought as her father is the one performing her thought process. The death of Polonius removes the controlling force of Ophelia’s life, and as she can not think for herself, she becomes insane. Whether seen as suicide or not, her drowning can be attributed to her
insanity. While Polonius’ death dooms Laertes, his fatal flaw is not rooted in his father’s demise. Having the opposite problem of Hamlet, Laertes is too rash of a thinker. His thinking is beneficial at times, as seen when he storms the King’s hall with an armed mob. His fast-acting decisions are loved by the people of Denmark as some even cheer for him to be king. It is this rash thinking that also allows him to be easily munipulated by Claudius. The King quickly turns Laertes’ rage towards Hamlet by revealing the cause of Polonius’ death, “Let this be so; His means of death, his obscure funeral-- No trophy, sword, nor hatchment o'er his bones, No noble rite nor formal ostentation”(93). Laertes is enraged enough to wish death upon Hamlet followed by no funeral or religious ceremony. Claudius utilizes Laertes rashness to convince him to want to kill Hamlet by any means neccessary, absorbing him into Claudius’ plot. The consequences of Laertes’ quick decisions are apparent during his duel with Hamlet. When the time to kill Hamlet arrives, Laertes states aside, “And yet 'tis almost 'gainst my conscience”(118). It is only when it is too late that Laertes begins to regret decisions he has made. He becomes poisoned by Hamlet and dies due to a decision he made without thought. William Shakespeare’s Hamlet punishes the flaws of the characters within by making them fatal. While this is true for other characters aswell, the family of Polonius, Ophelia, and Laertes displays this concept conspicously as their flaws are established early in the play and their stories conclude with their weaknesses clearly causing their deaths.
In the play Hamlet, by William Shakespeare, the death or murder of a character becomes very freuquent. Although many people die. It is a result of their own wrong-doing. You could almost say they deserved what they got. But there were deaths of people, that were due to the manipulation from the royalty. A good example can be found in the family of Polonius’. The real tragedy of Hamlet is not that of Hamlet or his family but of Polonius’ family because their deaths were not caused by their own, sinful actions, but rather by their small instigation of Claudius and Hamlet’s battle.
This leads to Ophelia becoming impregnated with Hamlet’s baby in her ultimate abandonment. Ophelia drowns herself, which is only fitting as she is the ultimate symbolic character (Showalter 286). When a woman is about to give birth, her water breaks. Since this will never happen for Ophelia, she dies by completely immersing herself in water. Nevertheless, some may interpret taking her child’s life, in addition to her own, as an extremely selfish act. However, Ophelia may have thought she was doing her unborn baby a favor. Throughout the play, she has no mother,
For the most part during this time in her life, Ophelia has no one to tell her, or guide her. As her brother does when he warns her of "Hamlet and the trifling of his favor..." (1, 3, 5), that "His greatness weighed, his will is not his own"(1, 3, 17). She is also at a loss for her father, Polonius' words of wisdom of her relationship with Hamlet; he states, "Do not believe his vows, for they are brokers, not of that dye which their investments show..." (1, 3, 126-127). Nor does she have Hamlet to lean to for advice as when he tells her to "get thee to a nunnery..."(3, 1, 121).
The main plot of Shakespeare's Hamlet centers around Prince Hamlet's desire to repay King Claudius for his evil deeds. Around this central action revolve the stories concerning the minor characters of Polonius and Ophelia. Though they do not motivate Hamlet's actions towards the King, these characters act as forces upon Hamlet himself, trying to spur him to do things he does not want to do. Both Polonius and Ophelia try, unsuccessfully, to manipulate Hamlet into a place of inferiority.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Leaving her only with the response saying “I shall obey, my lord”(1.3.145 ). Why Ophelia is unable to say more than a few simple words is made clear by societal expectations of the time. During this time daughters were the property of their fathers and were obligated to do their bidding. Campbell says “if she refuses Polonius, she risks social ostracism and grave insult to the man who capriciously controls her future” (58). Ophelia fears the backlash of disobeying her father, believing there is no other choice than doing what he has asked her to do. Even though a woman's virtue is a sacred and a very personal choice, her father leaves Ophelia with one option: to do what he says. “The issue of Ophelia’s chastity concerns Polonius as a parent and a politician—a virginal Ophelia has a better chance of attaining Hamlet’s hand in marriage” (Floyd-Wilson 401). This relationship Ophelia has between her father is very one-sided and unhealthy. It is formal and proper with very few emotions attached to each other. However, because Polonius is the only parental figure Ophelia has and loves him, his death was extremely difficult for her. Her father, hasn’t left her like Laertes and hasn’t rejected her like Hamlet. Making his unexpected death the final straw to her losing her sanity. Without someone to guide her, she is lost. She is unable to blindly follow a man but is to racked with emotion to think clearly.
To stay in control, the men in Hamlet taught Ophelia to fear her every day, natural thoughts causing her not to think for herself. Gabrielle Dane's article, "Reading Ophelia's Madness," discusses Polonius and Laertes retarding Ophelia's identity. Dane writes, "Both brother and father smother Ophelia in an incestuous strangle-hold, each the self-appointed tutor of her moral, intellectual, even psychological development" (407). Ophelia's father and brother telling her what to think only hurts her development instead of helping it in the long run. In Shakespeare's Hamlet, Ophelia looks to others for answers because she does not possess her own thoughts. Shakespeare shows how Polonius responds to Ophelia when she says she does not know what to think:
When Polonius decides that he wants to know what his son is up to in Paris, he hires Reynaldo to spy on Laertes. His suggestion is that Reynaldo should say he has “some distant knowledge of him, as thus: ‘I know his father and his friends, and, in part, him’” (2.1.14-16). Polonius wants Reynaldo to lie about his friendship with Laertes in order to gain information on him. When Hamlet accidentally kills Polonius instead of Claudius, his mother tells Claudius that Hamlet “whips out his rapier, cries, ‘A rat, a rat!’” before stabbing Polonius behind a curtain (4.1.11). Gertrude swears to her husband that Hamlet had no intention of killing any human. While she is lying to Claudius, she is attempting to protect her son from harsh
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
In the play, Hamlet encounters many situations as well as mistakes due to the “act” he was putting on. Polonius’s death was a prime example of Hamlet’s confusion. His hatred for Claudius, his actions, and his inner conflict caused him to kill Polonius.... ... middle of paper ...
Shakespeare’s Hamlet is a tragic play about murder, betrayal, revenge, madness, and moral corruption. It touches upon philosophical ideas such as existentialism and relativism. Prince Hamlet frequently questions the meaning of life and the degrading of morals as he agonizes over his father’s murder, his mother’s incestuous infidelity, and what he should or shouldn’t do about it. At first, he is just depressed; still mourning the loss of his father as his mother marries his uncle. After he learns about the treachery of his uncle and the adultery of his mother, his already negative countenance declines further. He struggles with the task of killing Claudius, feeling burdened about having been asked to find a solution to a situation that was forced upon him.Death is something he struggles with as an abstract idea and as relative to himself. He is able to reconcile with the idea of death and reality eventually.
Polonius wants people to see him as an overall good person, a good father and someone you wouldn’t think badly of. In act one scene three when Polonius says “You’ll tender me a fool” while talking to Ophelia about hamlet. Polonius feels as if Ophelia’s action will affect his reputation and shows little regard for her feelings. In act two: scene one Polonius sends Reynaldo to spy on Laertes to see if he’s out there misrepresenting him. Even though he Laertes is no longer in Denmark because Polonius believes he knows what young men want, think and feel. He has to be involved in everything that has anything to do with him to make sure people perceive him as a up standing
From this play we learn of the difficulty associated with taking a life as Hamlet agonises as to how and when he should kill Claudius and furthermore whether he should take his own life. Hamlet being a logical thinker undergoes major moral dilemma as he struggles to make accurate choices. From the internal conflict that the playwright expresses to us it is evident that it can kill someone, firstly mentally then physically. The idea of tragedy is explored in great detail through conflict where the playwright’s main message is brought across to the audience; Shakespeare stresses to his audience the point that conflict be it internal or external it can bring upon the downfall of great people and in turn have them suffer a tragic fate. It is Shakespeare’s aim to show us the complexity of man and that moral decisions are not easily made.
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.